National Gallery Technical Bulletin : Vol. 33
| Format: | Buch |
|---|---|
| Sprache: | German |
| Veröffentlicht: |
London :
National Gallery Company,
2012
|
| Schriftenreihe: | Technical Bulletin
33(2012) |
| Schlagworte: |
| LEADER | 01143nam a22001931c 4500 | ||
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| 005 | 20241106211513.0 | ||
| 020 | |a 978-1-85709549-4 | ||
| 090 | |a MAL III 1(33 | ||
| 245 | 1 | 0 | |a National Gallery Technical Bulletin |b Vol. 33 |
| 264 | 1 | |a London : |b National Gallery Company, |c 2012 | |
| 300 | |a 112 S. : Ill. | ||
| 490 | 1 | |a Technical Bulletin |v 33(2012) | |
| 500 | |a Colourless Powdered Glass as an Additive in Fifteenth- and Sixteenth-Century European Paintings, Marika Spring; Niccolò di Pietro Geriniʻs 'Baptism Altarpiece': Technique, Conservation and Original Design, Britta New, Helen Howard, Rachel Billinge, Hayley Tomlinson, David Peggie and Dillian Gordon; Adolphe Monticelli: The Materials and Techniques of an Unfashionable Artist, Kate Stonor and Rachel Morrison; Renoirʻs 'Umbrellas' Unfurled Again, Ashok Roy, Rachel Billinge and Christopher Riopelle; Past, Present, Memories: Analysing Edouard Vuillardʻs 'La Terrasse at Vasouy', Anne Robbins and Kate Stonor | ||
| 655 | 4 | |a Aufsatzsammlung | |
| 710 | 2 | |a National Gallery Company |4 isb | |
| 952 | |i 2012/2203 | ||
| 099 | 1 | |a 20130118 | |