The challenge of the object : 33rd Congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012 ; CIHA 2012, Nürnberg

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The challenge of the object : 33rd Congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012 ; CIHA 2012, Nürnberg

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Bibliographische Detailangaben
Weitere Personen:	Großmann, G. Ulrich (MitwirkendeR)
Format:	Buch
Sprache:	German
Veröffentlicht:	Nürnberg : Verl. des Germanischen Nationalmuseums, 2013-
Schriftenreihe:	Wissenschaftliche Beibände zum Anzeiger des Germanischen Nationalmuseums 32, 1-4
Schlagworte:	Konferenzschrift
Aufsatz in Zeitschrift/Bände/Inhalte:	90 Datensätze

1. Notes and Thoughts on the Outcome of Section 18 : the Absence of the Art Object and the Void

2. On the Return of the Aura in de Chirico's "Sill Life" 1913-1914

3. Verisimilitude, Artistry and Alterity : Carl Einstein and the african Object as Subject of Aesthetic Renewal c. 1915-1935

4. Spezifische Objekte der Fotografie : Situationsästhetik und konzeptuelle fotografie ende der 1960er Jahre

5. Necessarily Unique : the Drawing as the Multiplicand in the 1960s

6. L'objectivation sociale de l'artiste dans l'art bresilien : de Helio Oiticica (1967) a Vik Muniz (2010)

7. Dissolving the Art Object. Creating Experiences : the Collective El Sindicato, 1976-1978

8. "Damaged Goods" : das multiple Objekt" in den 1980er Jahren

9. Between Commodity and Thing : the Object from 1985 to 1995

10. Dekonstruktion oder Regression. über "Entleerung" in der Musik des 20.Jahrunderts

11. The Re- and Dematerialization of the Object (of Art) : Through the analysis of Hungarian Examples from the Late 20th and 21. Century

12. Media Arts Challenge for our Societies : New Structures for 21. Centuries Humanities

13. From World Art to Blobal Art : View on a New Panorama

14. Radio Art : the Perception of a Special Form of Dematerialized Art

15. Objecthood and the Problem of Form : a Critical Introduction

16. Dak'Art : the Biennial Exhibition of Contemporary African Art in Dakar : a Site Charged with Political Issues

17. Albrecht Dürer's Idyll : An Artist, a Humanist, and a Book

18. Dürer's Life and Work : the Object as a Key to the Subject?

19. The Multiples by Joseph Beuys as a Self-Referential Expansion of the Traditional Definition of Art

20. The Work of Art in the Age of Impossible Production : Jafar Panahi's "This Is Not a Film"

21. On the Object Archiving its own Absence

22. The Absent Objects of EcoArt : Strategies of the Remote & Ephemeral

23. Die Abwesenheit des Objekts und die Leere

24. Acting like Print : Drawing's Strategies of Multiplication

25. The Becoming of the Readymade. The Concept of the Work of Art after Duchamp

26. "an original after all" : Original, Copy and Variation in the Art of Wilhelm Lehmbruck

27. Mapping the Market for Mechanical Multiples : Associated American Artists' Prints in the Age of Online Reproduction

28. Political art in the Age of Invisibility : Contesting the Supermax

29. the Illuminated Manuscript in the age of Digital Reproduction. Beyond Benjamin and "contra" Camille?

30. Dürers Bildniszeichnungen als biographische Zeugnisse : zur Netzwerkbildung auf der niederländischen reise

31. Appropriations of Albrecht Dürer's Self Portraits

32. Echo-Logy : Allan Kaprow and the Energy Crisis

33. "Common Painting" and Diligent Fiddling" : Technical Analysis for Insight into the Divergent Styles of Dürer's "Madonna and Child" / "Lot and his Daughters"

34. Künstlerreisen der Dürerzeit : kurze Anmerkungen zu einem biographischen Stereotyp

35. Art as (Gendered) Quasi-Subject : Anthropomorphism, Human Figures and Mannequins in the Work of Isa Genzken and Rachel Harrison

36. Between Art and Technology. Antonio da Sangallo the Younger's Wooden Model for St. Peter's Basilica in Rome

37. Subverting and Conserving the Authentic and the Original in Contemporary Art

38. In Retrospect : Laszlo-Moholy-Nagy and the Work of Art

39. the Multiple Art Work : the New Meaning of the Multiple Artwork in the Contemporary Print

40. Idol - Aura - Art : New Horizons of Early Modern Europe and the Beginnings of "Global Art History"

41. Art and Culture as Site of Contestation : the French Reception of the Frankfurt School

42. Creative Visions : Photography, the Art Historical Canon, and the Object of art History

43. Display or Displacement? Featuring the Object of Art in Photography

44. From Motif to Site. Cézanne's Landscapes as seen through Art History's Photographic Eye

45. Broken Glass and/on the Move. The Poetics of Moving Objects in Contemporary Art

46. Dürer as Object : Relic(t)s of an Artist

47. Drawing as an Expression of the Artist? : Reflections on the Status and Function of Sixteenth-Century German Drawings

48. Vasarely's Multiples : their Artistic Context and Long-term Philosophical Significance

49. Beyond Restitution. Recapture as Artistic Strategy

50. Contructivism and Journal Editing : Reviews as an Example of Multiple Artworks

51. "To create is divine - to reproduce is human" (Man Ray) : the Multiple Artwork

52. Zur ästhetischen Lebendigkeit moderner Kunst-Dinge

53. Die Auferweckung und der Tod der Dinge im "Reismus" der russischen Avantgarde

54. Dürers Entwürfe für die Augsburger Fuggerepitaphe und die Umwege der autonomen Zeichenkunst

55. The Persistence of Aura : from Medium-object to Medium-memory

56. Dürer : Autor und Protagonist deutschsprachiger Fachprosa

57. The Visibility of the Dead between Virtuality and Materiality : Visual Culture and the Culture of Visibility ihn the Works of Christoph Schlingensief, Teresa Margolles and Gregor S...

58. I trattati di Dürer nelle biblioteche italiane. Primi risultati di un censimento in corso

59. Charged Conterpublics : Mediating Strangers in Thomas Hirschhorn's "Bijlmer Spinoza-Festival"

60. "Yearning for Biography" : the Elusive Life of Mathis Grünewald

61. Where the Object finds ists Place? From its birth to the Paginal Exhibition of "Objets Surrealistes"

62. Prospectus : Blumenberg and Fried on Objecthood

63. Folds, Traces and Holes : Dürer's Ideal Bodies

64. Le mythe de la disparition de l'objet : Cas "Home Stories"

65. The challenge of the object

66. The challenge of the object

67. The challenge of the object

68. The More Things Change : the Museum as Producer and Performer

69. Charged Sites : on the Representation of Historic Place in Contemporary Photography

70. the Trace of the Wounds in the White Cloth

71. Lucas Cranach the Elder. Production Processes and Invention

72. Some Remarks on Dan Flavin's "Image-Objects"

73. To Destroy/Engender : the Reconfiguration of the Object in Gabriel de la Mora's Work

74. "Weit herumkommen ". Über den Mobilitätslook in der Gegenwartskunst

75. Picassos Porträt von Gertrude Stein - Gertrude Steins Porträt von Picasso : Körperlichkeit und kulturelle Differenz im Vorfeld des Kubismus

76. Dürer's Marking of Time

77. Dürers Selbstakt in Weimar

78. Futurism = Symbolism + Dynamism

79. "[E]in gar sonderbares Schaustück"

80. Remarks on "Emptiness" or "Intervals" in Painting : Modernism and Orientalism

82. Felix Gonzalez Torres : the Fleeting Life of Flesh and Objects

83. The Reproduction of Phantoms. Fernand Khnopff and Photography

84. The Fugitive Kind. Sigmar Polke's Snakeskins

85. Infinite Social Landscape

86. Leerfelder : Intermediäre Räume in kinematografischen Installationen

87. Malevic's Sickle

88. The Wandering "Merzbau"

89. Questioning the Object : the "Non-object" and Others

90. Touching Things