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141112s2014 gw ger d |
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20190726092243.0 |
| 020 |
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|a 978-3-86736-184-2
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| 090 |
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|a L 450 Fäls
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| 100 |
1 |
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|a Zimmermann, Anne
|4 aut
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| 245 |
1 |
0 |
|a Fake Kunst Bildung
|b Die künstlerische Strategie Fake aus kunstpädagogischer Perspektive
|c Anne Zimmermann
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| 264 |
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1 |
|a München :
|b kopaed,
|c 2014
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| 300 |
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|a 163 S.
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| 500 |
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|a Berlin, Univ., Diss., 2013
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| 502 |
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|a Zugl.: Berlin, Univ. d. Künste, Diss., 2013
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| 600 |
1 |
7 |
|a Sturtevant, Elaine
|2 gnd
|0 (DE-588)11907256
|1 https://explore.gnd.network/search?term=11907256&rows=25
|1 https://explore.gnd.network/search?term=Sturtevant, Elaine&rows=25
|4 art
|
| 690 |
1 |
7 |
|a Sturtevant, Elaine
|2 gnd
|0 (DE-588)11907256
|1 https://explore.gnd.network/search?term=11907256&rows=25
|1 https://explore.gnd.network/search?term=Sturtevant, Elaine&rows=25
|4 art
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| 655 |
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4 |
|a Dissertation
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| 689 |
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|s Kunst
|s Fälschung <Motiv>
|s Rezeption
|8 213
|8 312
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| 689 |
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|s Kunstfälschung
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| 689 |
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|s Kunsterziehung
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| 689 |
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|k The Yes Men
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| 952 |
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|i 2014/2700
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|a 20141112
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