Reclaiming female agency : feminist art history after postmodernism

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Reclaiming female agency : feminist art history after postmodernism / edited by Norma Broude and Mary D. Garrard

Bibliographische Detailangaben
Weitere Personen:	Broude, Norma (HerausgeberIn), Garrard, Mary D. (HerausgeberIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Berkeley ; Los Angeles ; London : University of California Press, 2005
Aufsatz in Zeitschrift/Bände/Inhalte:	23 Datensätze
Online Zugang:	http://www.loc.gov/catdir/toc/ecip0420/2004016111.html

1. Nudity à la Grecque in 1799

2. The "Sexual Plitics" of the Dinner Party : a Critical Context

3. Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity

4. A Womand's Pleasure : Ingres's Grande Odalisque

5. Pictures fit for a Queen : Peter Paul Rubens and the Marie de' Medici Cycle

6. Learning to be looked at : a Portrait of (the Artist as) a Young Woman in Agnes Merlet's Artemisia

7. Depoliticizing Women : female Agency, the French Revolution, and the Art of Boucher and David

8. The new Woman in Hannah Höch's Photomontages : Issues of Androgyny, Bisexuality, and Oscillation

9. Here's looking at me : Sofonisba Anguissola and the Problem of the Woman Artist

10. The Antique Heroines of Elisabetta Sirani

11. The Portrait of the Queen : Elisabeth Vigée-Lebrun's Marie-Antoinette en chemise

12. Artemisia's Hand

13. New encounters with les demoiselles d'Avignon : Gender, Race, and the Origins of Cubism

14. Selling, seduction, and soliciting the Eye : Manet's Bar at he Folies-Bergère

15. Conduct unbecoming : Daumier and Les Bas-Bleus

16. Minimalism and Biography

17. Reconsidering the Stain : on Gender and the Body in Helen Frankenthaler's Painting

18. Louise Bourgeois's Femmes-Maisons : Confronting Lacan

19. Mary Cassatt : modern Woman or the Cult of true Womanhood

20. Cultural Collisions : Identity and History in the Work of Hung Liu

21. Shirin Neshat : Double Vision

22. The Gendering of Impressionism

23. The "Strength of the Weak" as Portrayed by Marie Laurencin