Painting Epiphany : Happy days are where, again?

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Painting Epiphany : Happy days are where, again?

Sonraí bibleagrafaíochta
Foilsithe in:	Flash Art 31(1998)200, S. 76-79
Príomhchruthaitheoir:	Brown, Cecily (Údar)
Formáid:	Alt
Teanga:	German
Foilsithe / Cruthaithe:	1998
Ábhair:	Aufsatz
Le fáil in:	In: Flash Art

Míreanna comhchosúla

Epiphanie
de réir: Schjeldahl, Peter
Foilsithe / Cruthaithe: (1997)

Epiphany Of The Other
de réir: Strauss, David Levi
Foilsithe / Cruthaithe: (1991)

Epiphanie : zur ersten Skizze in der literarischen Moderne
de réir: Fuëss, Roderich
Foilsithe / Cruthaithe: (1982)

Painting Camp : The Subculture Of Painting ; The Mainstream Of decoration
de réir: Myers, Terry R.
Foilsithe / Cruthaithe: (1994)

Paint it black : painting as a zombie medium
de réir: Hannula, Mika
Foilsithe / Cruthaithe: (2002)

The triumph of painting
de réir: Garrett, Craig
Foilsithe / Cruthaithe: (2005)

Painting as paradox
de réir: Kerr, Merrily
Foilsithe / Cruthaithe: (2003)

German painting : At the end of the beginning
de réir: Thiel, Wolf-Günter
Foilsithe / Cruthaithe: (2000)

Bad painting : Pinning the tail on the donkey
de réir: Maloney, Martin
Foilsithe / Cruthaithe: (1998)

Happiness
de réir: Rian, Jeff
Foilsithe / Cruthaithe: (1999)

Painting at the edge of the world
de réir: Gioni, Massimiliano
Foilsithe / Cruthaithe: (2001)

Black Paintings : From Rainer Werner Fassbinder's Berlin Alexanderplatz
de réir: Biesenbach, Klaus
Foilsithe / Cruthaithe: (2007)

Epiphanie und Bilderfahrzeug : Antikenkopien und die Wahrnehmungsstrategien des frühen Landschaftsgarten
de réir: Becker, Marcus
Foilsithe / Cruthaithe: (2015)

Thrift Store Paintings : Jim Shaw Recruits The Salvation Army
de réir: D'Amato, Brian
Foilsithe / Cruthaithe: (1991)

Painting platform in NY : Matthew Ritchie, Julie Mehretu, Barnaby Furnas
de réir: Firstenberg, Lauri
Foilsithe / Cruthaithe: (2002)

Happy 41 : Focus Galleries
de réir: Politi, Giancarlo
Foilsithe / Cruthaithe: (2008)

London: last exit painting : Peter Doig, McKenzie, Tomma Abts
de réir: Slyce, John
Foilsithe / Cruthaithe: (2002)

The Mutation Painstaking Realism In Indonesian Contemporary Painting
de réir: Nagoya, Satoru
Foilsithe / Cruthaithe: (1998)

Painting your way into europe : As a means of authorizing "Identity," style now seems a capricious choice
de réir: Power, Kevin
Foilsithe / Cruthaithe: (1988)

Micha Klein : Shallow happiness never lasts
de réir: Cook, Jim
Foilsithe / Cruthaithe: (1999)

Takashi Murakami : lite happiness + the super flat
de réir: Kaplan, Cheryl
Foilsithe / Cruthaithe: (2001)

Zum Beispiel: Timm Ulrichs "Landschafts-Epiphanie"
de réir: Schütz, Helmut G.
Foilsithe / Cruthaithe: (1994)

The day after tomorrow
de réir: Brea, José Luis
Foilsithe / Cruthaithe: (1995)

Swedish Art : From Irony To Sublime & Back Again
de réir: Nilsson, John Peter
Foilsithe / Cruthaithe: (1991)

Painting From All Over To All Round : Lauren Szold And Jessica Stockholder Start Gigging
de réir: Troncy, Eric
Foilsithe / Cruthaithe: (1994)

Signature as content : where words become pictures
de réir: Lewisohn, Cedar
Foilsithe / Cruthaithe: (2002)

Rirkrit Tiravanija : Other Things, Elsewhere
de réir: Brown, Gavin
Foilsithe / Cruthaithe: (1994)

Louis Marin : painting and theory, semiology and representation, postmodernism and quotation, deconstruction and invention ; an Interview on art from Renaissance to present day
de réir: Conti, Viana
Foilsithe / Cruthaithe: (1986)

Who's Afraid of Salomé? : "I'm not painting for others. Naturally, I'm happy and satisfied when people like what I do, but mainly I'm painting for myself. Maybe that's why the paintings have so much to do with sex."
de réir: Ottmann, Klaus, et al.
Foilsithe / Cruthaithe: (1985)

John Baldessari : before day falls
de réir: Politi, Gea
Foilsithe / Cruthaithe: (2004)

Paul Chan : where form ends and content begins
de réir: Bellini, Andrea
Foilsithe / Cruthaithe: (2005)

Die Epiphanie auf der Barrikade : zum Bild der Revolution bei Delacroix
de réir: Traeger, Jörg

Yes, difference again : What history plays the first time around as tragedy, it repeats as farce
de réir: Burgin, Victor
Foilsithe / Cruthaithe: (1988)

Space fictions : "There is a place where illusion and reality become one "
de réir: Brooks, Rosetta
Foilsithe / Cruthaithe: (1986)

Richard Bosman : "When I paint I feel I'm inside the painting. It's the opposite of pop art, where you get out of the painting and the painting becomes an object, and then you feel removed. However silly it may seem, I take some of the images from comic strips seriously, because I paint them as if I were inside the situation
de réir: Soldaini, Antonella, et al.
Foilsithe / Cruthaithe: (1985)

Day is done : the false, the real and the memory in Mike Kelley's Thirtytwo Stations
de réir: Welchman, John
Foilsithe / Cruthaithe: (2005)

Three variations on sculpture : E. V. Day, Teresita Fernandez, Tom Friedman
de réir: Momin, Shamim M.
Foilsithe / Cruthaithe: (2003)

Epiphany Hotel, Palo Alto, Kalifornien : Ein Umbau, der den produktiven Charakter der kalifornischen Gründerszene reflektiert
de réir: Gutzmer, Alexander
Foilsithe / Cruthaithe: (2015)

L'Ouvre Au Noir : Belgian Art In The Eighties Is A Crossroads Where Various European Cultural Contexts Meet.
de réir: Cassiman, Bart
Foilsithe / Cruthaithe: (1989)

Gérard Garouste : Today One Of The Traps Is Our Abominable Consciousness Of Good Taste Where Everything Is Possible ; An Interview
de réir: Lebert, Muriel, et al.
Foilsithe / Cruthaithe: (1989)