Velvet Goldmine

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Velvet Goldmine

Sonraí bibleagrafaíochta
Foilsithe in:	Flash Art 32(1999)205, S. 109
Príomhchruthaitheoir:	Cohen, Michael (Údar)
Formáid:	Alt
Teanga:	German
Foilsithe / Cruthaithe:	1999
Ábhair:	Aufsatz
Le fáil in:	In: Flash Art

Míreanna comhchosúla

All That Glitters: Todd Haynes' "Velvet Goldmine"
de réir: Seligman, Craig
Foilsithe / Cruthaithe: (1998)

George Lappas : A Spikes And Velvet Joint
de réir: Papadopoulos, Helena
Foilsithe / Cruthaithe: (1993)

Cathy De Monchaux : Velvet Sex Trap
de réir: Renton, Andrew, et al.
Foilsithe / Cruthaithe: (1990)

Velvet Terrorism : Pussy Riot's Russia : Haus der Kunst, LSK-Galerie, München, 06.09.2024-02.02.2025
de réir: Drexler, Jolanda
Foilsithe / Cruthaithe: (2024)

Reconsidering the object of art: 1965-1975
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1996)

Brad Kahlhamer : Prairie Rock
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (2001)

The love mechanics : New feminist art
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (2000)

Miguel Calderón : Máquina del tiempo
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (2003)

John McLaughlin : Synthetic Zen geometries
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1999)

Alex McQuilkin : smells like teen spirit
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (2004)

Jason Rhoades : Mean Metal Machine
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1999)

Richard Phillips
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1999)

Delia Brown: Artificial life
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (2003)

Nobuyoshi Araki : Across The Great Divide
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1998)

Anna Gaskell
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1998)

Gregory Crewdson
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (2000)

Michael Asher : Rethinking Site-Specific Critique
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1993)

Yayoi Kusama : Love Forever
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1994)

Mariko Mori : Plastic dreams in the reality bubble
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1997)

Lyle Ashton Harris
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1996)

The new gothic: Scary monsters and super creeps
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (2003)

Pachuco Style : The Strategic Ambiguity Of Bi-Nationalism
de réir: Cohen, Michael
Foilsithe / Cruthaithe: (1994)

Velvet Underground : Ein Maler, der nicht malt, keine Interviews gibt und sich nicht fotografieren lässt ; Sergej Jensen will seine Bilder nicht mit sich belasten. Also näht er, bleicht und schweigt - bis heute. Ein erstes Treffen
de réir: Frenzel, Sebastian
Foilsithe / Cruthaithe: (2009)

Monster Chetwynd. Bats and Velvet Worms! Moths, Bats and Heretics
Foilsithe / Cruthaithe: (2024)

Auction Report from New York : Never before has contemporary art been so popular, nor have contemporary works of art commanded such strong prices
de réir: Kohn, Michael
Foilsithe / Cruthaithe: (1985)

Report from Los Angeles. L. A. will never be New York; but it can learn much from its emulation of the structures and networks of the New York art world
de réir: Kohn, Michael
Foilsithe / Cruthaithe: (1985)

Romantic Vision : In the work of certain artists, formalist concerns and antiemotionalism have given way to an unabashed expression of spirituality
de réir: Kohn, Michael
Foilsithe / Cruthaithe: (1985)

Conceptual questionnaire : The artist turned businessman and worse is one of the legacies of conceptual art
de réir: Baldwin, Michael
Foilsithe / Cruthaithe: (1988)

Michaël Borremans
de réir: Borremans, Michaël
Foilsithe / Cruthaithe: (2004)

Jeff Wall's pictures : Knowledge and enchantment
de réir: Newman, Michael
Foilsithe / Cruthaithe: (1995)

Iñigo Manglano-Ovalle : Anatomy of a black hole
de réir: Workman, Michael
Foilsithe / Cruthaithe: (2004)

Conversations With Art Collectors : Michael Schwartz
de réir: Cone, Michèle, et al.
Foilsithe / Cruthaithe: (1985)

Michael Borremans : I am an avant-garde artist!
de réir: Lambrecht, Luk, et al.
Foilsithe / Cruthaithe: (2006)

Peter Schuyff : "What inspires me is not what is in my paintings. The role of the painting is to inspire, not to be a relic of inspiration. Monet's paintings inspire me, and van Gogh's paintings tell me how inspired he was. And for that reasons I much prefer Monet."
de réir: Kohn, Michael, et al.
Foilsithe / Cruthaithe: (1985)

On conceptual art's tradition : What if critique itself were a desirable commodity?
de réir: Clegg, Michael, et al.
Foilsithe / Cruthaithe: (1988)

Michael Craig-Martin : I Feel Very Strange When People Call Me A Sculptor
de réir: Renton, Andrew, et al.
Foilsithe / Cruthaithe: (1990)

Art & Language : Painting By Mouth
de réir: Holert, Tom, et al.
Foilsithe / Cruthaithe: (1994)

Barton & Glass : Margins Of Camp
de réir: Liu, Catherine, et al.
Foilsithe / Cruthaithe: (1992)

Learning from Waco : David Koresh and the modern american misfit
de réir: Joo, Michael, et al.
Foilsithe / Cruthaithe: (1994)

The Venice Biennale : smells like teen spirit : the Hip Biennale
de réir: Ellis, Patricia
Foilsithe / Cruthaithe: (1999)