Yoshua Okón : Crying wolf

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Yoshua Okón : Crying wolf

Manylion Llyfryddiaeth
Cyhoeddwyd yn:	Flash Art 37(2004)234, S. 96-99
Prif Awdur:	Welchman, John (Awdur)
Fformat:	Erthygl
Iaith:	German
Cyhoeddwyd:	2004
Pynciau:	Okon, Yoshua Aufsatz
Eitemau Perthynol:	In: Flash Art

Eitemau Tebyg

Yoshua Okón : Subtitle ; 1997 - 2007
Cyhoeddwyd: (2008)

Yoshua Okon at Proyectos Monclova
gan: Cepeda, Gaby
Cyhoeddwyd: (2020)

Trading Places : On the eve of his first survey exhibiton, Yoshua Okón talks to Magalí Arriola about Mexico, CIA covert ops, globalization and a derelict statue of George H. W. Bush : an interview
gan: Arriola, Magalí, et al.
Cyhoeddwyd: (2017)

Education : Soma, Mexico City
gan: Thorne, Tom, et al.
Cyhoeddwyd: (2012)

Ima-Abasi Okon
gan: Walsh, Maria
Cyhoeddwyd: (2019)

Aniedi Okon Akpan & Sunday Jack Akpan
gan: Ruprecht, Ronald
Cyhoeddwyd: (1993)

Der Schock des Alltäglichen : MEXartes in Berlin
gan: Einfeldt, Kirsten
Cyhoeddwyd: (2002)

Focus Mexico : contemporary Mexico art today
Cyhoeddwyd: (2002)

Focus Los Angeles : a survey of contemporary Los Angeles art
Cyhoeddwyd: (2006)

Day is done : the false, the real and the memory in Mike Kelley's Thirtytwo Stations
gan: Welchman, John
Cyhoeddwyd: (2005)

Focus photography : Contemporary photography (Part one)
Cyhoeddwyd: (2003)

Mexico City : An Exhibition about the Exchange Rates of Bodies and Values ; A thematic exhibition of international artists based in Mexiko City
Cyhoeddwyd: (2002)

Cal-aesthetics : At California Institut Of The Arts. Visual intelligence seems to have been redefined as mobilizing the inscrutable
gan: Welchman, John
Cyhoeddwyd: (1988)

London: last exit painting : Peter Doig, McKenzie, Tomma Abts
gan: Slyce, John
Cyhoeddwyd: (2002)

My files of movie stills : a sort of reality
gan: Baldessari, John
Cyhoeddwyd: (2004)

Wearing a Mask
gan: Slyce, John
Cyhoeddwyd: (1998)

Chris Ofili : Stirring the Afro-Kitsch Caldron
gan: Slyce, John
Cyhoeddwyd: (1999)

Paul Noble
gan: Slyce, John
Cyhoeddwyd: (2001)

Darren Almond : transport medium
gan: Slyce, John
Cyhoeddwyd: (2002)

Jeremy Deller: Fables of the reconstruction
gan: Slyce, John
Cyhoeddwyd: (2003)

Brice Marden : The desire to undo the self until it enters the realm of the modest and private
gan: Yau, John
Cyhoeddwyd: (1988)

Sarah Sze : Cheerios, Candy Kisses, Q-Tips, And Duct Tape
gan: Slyce, John
Cyhoeddwyd: (1999)

Sarah Jones : Spatial Alientions
gan: Slyce, John
Cyhoeddwyd: (1999)

Mike Kelley : you have made an epic!
gan: Waters, John
Cyhoeddwyd: (2005)

Steve McQueen
gan: Slyce, John
Cyhoeddwyd: (1999)

Random Rules: Eva Rothschild and Keith Tyson
gan: Slyce, John
Cyhoeddwyd: (2003)

Richard Prince : the hidden currency of Richard Prince's art
gan: McWhinnie, John
Cyhoeddwyd: (2005)

John Stezaker : I Don't Think Freud Has The Copyright On Regression
gan: Dannatt, Adrian, et al.
Cyhoeddwyd: (1991)

"My dream is that people don't discuss the work, but discuss the content. Content creates the form. But critics are concerned with form creating content."
gan: Yau, John, et al.
Cyhoeddwyd: (1986)

Malcolm, Morley : "I don't think art should be a professional activity, like being a doctor. I think when you are a professional artist, you rape the creative spirit."
gan: Yau, John, et al.
Cyhoeddwyd: (1985)

2013 California-Pacific Triennial
Cyhoeddwyd: (2013)

John M Armleder : A Gentleman In The Fluxus Tradition
gan: Kontova, Helena, et al.
Cyhoeddwyd: (1992)

Ben Judd
gan: Slyce, John
Cyhoeddwyd: (1998)

Laughing in a foreign language
Cyhoeddwyd: (2008)

Charles Avery
gan: Slyce, John
Cyhoeddwyd: (1998)

Made in Italy
gan: Slyce, John
Cyhoeddwyd: (1998)

The Young Pretty
gan: Slyce, John
Cyhoeddwyd: (1999)

Postmodernism in a Nominalist frame : The emergence and diffusion of a cultural category
gan: Rajchman, John
Cyhoeddwyd: (1987)

Sensation
gan: Slyce, John
Cyhoeddwyd: (1997)

John Weber : "I shy away from art that I can understand in the first three seconds of looking "
gan: Taylor, Paul, et al.
Cyhoeddwyd: (1986)