Perfect symmetry : Brian Dillon on the aesthetics of scientific photography

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Perfect symmetry : Brian Dillon on the aesthetics of scientific photography

Λεπτομέρειες βιβλιογραφικής εγγραφής
Τόπος έκδοσης:	frieze 73(2003)S. 65-67
Κύριος συγγραφέας:	Dillon, Brian (Συγγραφέας)
Μορφή:	Άρθρο
Γλώσσα:	German
Έκδοση:	2003
Θέματα:	Aufsatz
Σχετικά τεκμήρια:	In: frieze

Παρόμοια τεκμήρια

Eternal return : Brian Dillon on the philosophy of repetition
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Brief encounters : Brian Dillon on the pleasure of aphorisms
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London Calling : Brian Dillon talks to Parick Keiller
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Weather girl : Brian Dillon on Marie Darrieussecq's A Brief Stay with the Living
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Small faces : Brian Dillon on Babbette Hines' study of photo booth images
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World Perfect
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Remembrance of things past : Brian on Emma Kay
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In The Future Perfect : Michael Horsham on Utopian Design
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The appearance of thinking
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Another Fine Mess : Nine theses on slapstick
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Laughter, tears and rage : one of the photographs in the recent exhibition 'About face' at the Hayward Gallery in London is an apt example of an ancient but historically pressing image: the hooded face
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Second Sight : For over three decades, Susan Hiller's work has inhabited a space between knowledge and emotion
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Anne Collier : Photographs, LPs, abstraction, humour and melancholy
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Michael Stevenson : adventure and anthropology, false economics and ditch digging in Devon
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All That Is Solid : Brian Dillon On Helen Martens's Peanuts, 2012
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This is Planet Earth : Brian W. Aldiss examines literature and cinema's ongoing fascination with tales of ecological and global apocalypse
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Lopped and Hewed : Brian Dillon considers the 'monstrous homunculi' of Enrico David
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Symmetrie
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Brian Jungen : Owls, Inuits and cultural collision; museums, marketing and clichés
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Buddha Built My Hot Rod : Edward Allington on cars, art and the perfect finish
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Symmetrie : eine französische Manie
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Pavement to penthouse : Aubrey Powell on the aesthetics of Folk
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Symmetrie : Haus F. in Aachen-Horbach
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The chosen few : Tom Morton on aesthetic and political élites
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Decline and Fall : Brian Dillon traces the history of ruins in art, from 18th-century painting to 21st-century film
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The perfect medium : Photography and the Occult
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Fearless Symmetry
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Valentin Carron : alpine aesthetics and Modernism; imitation and a boar's head
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A man entering america with a camera : on the occasion of Robert Frank's centenary, Brian Dillon revisits the career of the photografpher of the landmark photo-book
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Candid camera : Kate Bush on "unauthored" photography
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Who do You Think You're Talking to? : Boris Groys in conversation with Brian Dillon
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Blow up : Bruce Hainley looks at contemporary photography
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Seeing is Believing : How photography killed Victorian Fairy Painting
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Dynamische Symmetrie : Wellerhaus in Biberach
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The good, the bad and the ugly : Daniel Birnbaum on porn, photography and Picabia's late paintings
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Making a drama out of a crisis : James Roberts on the photography of Sam Taylor-Wood
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Subtile Symmetrie : Wohnhaus am Pilsensee
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Symmetrie-Modelle : Grundlagen der Gestaltung
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The bigger picture : Morgan Fisher engages with definitions of the filmic not only in cinema but within painting, video and photography
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Wired for sound : From their origins in the art student bohemia of Dusseldorf nearly 40 years ago to their iconic status today as pioneers of Techno, Kraftwerk have never compromised their singular aesthetic. Ralf Hütter talked to Michael Bracewell.
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