Infotainment scan : with the opening of the 3rd Berlin Biennial, Jan Verwoert wonders what can go wrong with art as cultural criticism

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Infotainment scan : with the opening of the 3rd Berlin Biennial, Jan Verwoert wonders what can go wrong with art as cultural criticism

Sonraí bibleagrafaíochta
Foilsithe in:	frieze 82(2004)S. 40-41
Príomhchruthaitheoir:	Verwoert, Jan (Údar)
Formáid:	Alt
Teanga:	German
Foilsithe / Cruthaithe:	2004
Ábhair:	Aufsatz
Le fáil in:	In: frieze

Míreanna comhchosúla

Strange fascination : Jan Verwoert on pleasure and criticism
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2002)

Adaptation : Jan Verwoert on Franz West
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2003)

World in motion : Jan Verwoert on new modernism
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2004)

Hotel Yugoslavia : Jan Verwoert on Marko Lulic
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2003)

Home truth : Jan Verwoert on Deimantas Narkevicius
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2003)

Logo rhythm : Jan Verwoert on Daniel Pflumm
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2000)

Pre-fabs sprout : Jan Verwoert on Manfred Pernice
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2002)

The state we're in : Jan Verwoert on Lucy McKenzie
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2003)

What's the difference? : Jörg Heiser and Jan Verwoert discuss the relationship between art and documentary filmmaking with artists Yael Bartana, Annika Eriksson, Anri Sala and Gitte Villesen
de réir: Heiser, Jörg, et al.
Foilsithe / Cruthaithe: (2004)

Albert Oehlen talks to Jörg Heiser and Jan Verwoert : Ordinary madness
de réir: Oehlen, Albert, et al.
Foilsithe / Cruthaithe: (2003)

What the world needs now : Lars Bang Larsen, Katy Siegel, Jan Verwoert and 22 artists respond
de réir: Larsen, Lars Bang, et al.
Foilsithe / Cruthaithe: (2004)

Infotainment in Wolfsburg : Das VW-Großprojekt Autostadt
de réir: Brandenburger, Dietmar
Foilsithe / Cruthaithe: (1998)

Nina Könnemann : her videos gently unhinge your sense of time and space. No special effects are used, and all the actions shown are real events, none of them what you might call spectacular
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2004)

Scanning : Toegepaste Kunst en Fotografie in Amsterdam
de réir: Coelewij, Leontine

Under scan
de réir: Lozano-Hemmer, Rafael
Foilsithe / Cruthaithe: (2007)

Sculpture : projects : Muenster 2007 : this summer, the German city of Muenster will host the sculpture projects for the fourth time. Ten years on from the exhibition's last incarnation, has the role of public art changed?
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2007)

Who loves the Sun? : Since the early 1960s, Jonas Mekas has been documenting his life on film, creating a personaltestament to friendship, exile and flow of history
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2006)

Sirens : David Hamilton
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2001)

Killu Sukmit & Mari Laanemets : identity is something you perform - a performance restrained by norms and expectations
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2004)

Rafał Bujnowski : no depth, no illusions, just paint
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2005)

O Lucky Man! : With his acts of everyday absurdism, Polish artist Cezary Bodzianowski holds up a mirror to an institutionalized world
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2007)

Past, Present and Future : In her murals, installations, music, radio plays and projections, German artist Michaela Melián explores the politics of memory, alternative histories and the often unsung role of women in shaping the past - and future
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2007)

Bernd Krauß : Cardboard boxes, wood chunks, mouldy fruit and newspapers
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2006)

The other side : Trisha Donnelly employs the immaterial - esoterica, occult ritual and paranormal phenomena - to explore the material world of consumer experience
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2005)

Taking a line for a walk : Roman Ondák's interventions into the patterns of daily routines are both existential and politically pointed
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2005)

Certain woman : Paulina Olowska's alternative history of the avant-garde is populated by both real and fictional heroines
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2005)

Mother country
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2002)

Under construction
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2002)

Child of the revolution
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2002)

Free radical
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2001)

Ich bereue keine Stunde
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2001)

4th Berlin Biennial 2006 : Jörg Heiser talks with Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, the team curating the 4th Berlin Biennial, which will open in March 2006.
de réir: Heiser, Jörg, et al.
Foilsithe / Cruthaithe: (2006)

City report : Warsaw : increased international interest in polish art coincides with the country joining the European Union. How do the economic and social changes affect making and showing art, and Warsaw's urban environment?
de réir: Verwoert, Jan, et al.
Foilsithe / Cruthaithe: (2004)

Documenta : Roger M. Bruegel and Ruth Noack's much-anticipated documenta 12 opened to strong criticism
de réir: Heiser, Jörg
Foilsithe / Cruthaithe: (2007)

The Ex-Files: Jan Tumlir on David Bunn
de réir: Tumlir, Jan
Foilsithe / Cruthaithe: (2000)

Paul Chan : What do you wish you know? ; What everyone else wishes they knew; the answer to Kant's three questions. What can I know? What ought I do? For what may I hope?
de réir: Chan, Paul
Foilsithe / Cruthaithe: (2007)

Manifesta 5 : European Biennial of Contemporary Art
de réir: Fox, Dan
Foilsithe / Cruthaithe: (2004)

American pie : the 2004 Whitney Biennial, a survey of contemporary art made in the US, opened in March at the Whitney Museum of American Art, New York. It was curated by Chrissie Illes, Shamim M. Momin and Debra Singer. frieze asked seven critics and curators to respond to a few questions.
de réir: Cameron, Dan, et al.
Foilsithe / Cruthaithe: (2004)

What is the Object? : the Donald Judd retrospective opened at Tate Modern in February. It is the first mayor survey of the artist's career since 1988. Frieze asked the following artists, historians, critics and designers for their responses to the show
de réir: Meyer, James, et al.
Foilsithe / Cruthaithe: (2004)

Scan-Scapes : Marc Räders Fotoessay über kalifornische Gated House Communities
de réir: Räder, Marc
Foilsithe / Cruthaithe: (2000)