New York's Museum of Modern Art has been transformed into an elegant modernist Museum. But what happens now?

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New York's Museum of Modern Art has been transformed into an elegant modernist Museum. But what happens now?

Chi tiết về thư mục
Xuất bản năm:	frieze 88(2005)S. 63
Tác giả chính:	Storr, Robert (Tác giả)
Định dạng:	Bài viết
Ngôn ngữ:	German
Được phát hành:	2005
Những chủ đề:	Aufsatz
Các quyển sách có liên quan:	In: frieze

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As It Happens : Greg Hilty on Pascal Hervey
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What the world needs now : Lars Bang Larsen, Katy Siegel, Jan Verwoert and 22 artists respond
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What film has most influenced you? : "Ben Hur". It was the first film I saw at the cinema when I was a kid
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Comrades & Friends : Has the magnitude of China's second Cultural Revolution only been noticed by those with vested interests?
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What are the ever increasing numbers of art school graduates to do?
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Positions Vacant : Has technocracy replaced vision in top museum jobs?
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Transformer : Martin Herbert on David Musgrave
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Has-been there, done that
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Part two of his discussion of the new NoMA asks how, with its vastly expanded galleries, the museum will mine the riches of its unparalleled collections
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How has art changed? frieze asks 33 artists, critics, curators, educators, gallerists, and collectors "What have been the most important shifts in art and the structures that surround it over the last 40 or so years?
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NowHere : Ina Blum, Daniel Birnbaum and Maria Lind on the Louisiana Museum's five-part extravaganza
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Happening high priestess : After a touring retrospective and the reissue of eleven albums, Jörg Heiser decides it's time to take Yoko Ono seriously
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Generation Gap : How has Feminism in the art world changed?
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The Power of Now : Michel Majerus
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What it is : Jennifer Higgie on Jean-Siméon Chardin
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The Context has always been there
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The ground has been covered
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Bright lights, big cavity : social events in the art world can result in a sense of disorientation that has little to do with the wine
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Time has told me : Tacita Dean's private mythologies and homages are explored through journeys and chance connections; yet the structure and logic of the work remains elusive
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What is art for? : Figuring it out
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All Together Now : Daniel Birnbaum on Manifesta 2
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The Macabre Museum : James Meyer on Mark Dion
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New York conversation : Andy Warhol is everywhere, again. Bruce Hainley reads the reissued "a: A novel by Andy Warhol" and tries to work out why.
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Eleanor Antin : What is art for? To make meaning happen!
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What I did in the holidays
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What's the difference? : Jörg Heiser and Jan Verwoert discuss the relationship between art and documentary filmmaking with artists Yael Bartana, Annika Eriksson, Anri Sala and Gitte Villesen
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What is the Object? : the Donald Judd retrospective opened at Tate Modern in February. It is the first mayor survey of the artist's career since 1988. Frieze asked the following artists, historians, critics and designers for their responses to the show
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What happened to the Curator?
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What should change? : The West's concept of war ; I've always wanted to start my own War Department
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Lead by Example : Sol LeWitt's exemplary approach to art and life
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Type Cast : Academic sculpture can provide a welcome distraction from contemporary concerns
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Is the growing popularity of art fairs creating a culture of 'spotting' rather than 'looking'?
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When colour theory is no longer enough
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In the black and white political climate of 'with us or against us' there is a newly calibrated rainbow of fear and anxiety
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This mortal coil : as a recent retrospective made clear, the playful and visceral work of Dieter Roth is a vivid reminder of human fragility
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What had happened? : Reflections in Response to Melvin Edwards' Lynch Fragments
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Clean up your act : Viennese Actionism has finally been embraced by Austria's art establishment. Bert Rebhandl investigates three major museum retrospectives
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What's happening? : [Danish Avant-Garde and Feminism 1965 - 1975]
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