What are the ever increasing numbers of art school graduates to do?

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What are the ever increasing numbers of art school graduates to do?

Bibliografiske detaljer
Udgivet i:	frieze 92(2005)S. 99
Hovedforfatter:	Storr, Robert (VerfasserIn)
Format:	Aufsatz in Zeitschrift
Sprog:	German
Udgivet:	2005
Fag:	Aufsatz
Relaterede værker:	In: frieze

Lignende værker

What could you imagine doing if you didn't do what to do? I'd like to have an oyster bar
af: Ortega, Damián
Udgivet: (2007)

New York's Museum of Modern Art has been transformed into an elegant modernist Museum. But what happens now?
af: Storr, Robert
Udgivet: (2005)

What is art for? : Figuring it out
af: Walker, Kara
Udgivet: (2006)

Make & do
af: King, Emily
Udgivet: (2005)

Do it again
af: Heiser, Jörg
Udgivet: (2005)

Back To School : Carl Freedman on Jake and Dinos Chapman
af: Freedman, Carl
Udgivet: (1998)

Bright lights, big cavity : social events in the art world can result in a sense of disorientation that has little to do with the wine
af: Storr, Robert
Udgivet: (2007)

What it is : Jennifer Higgie on Jean-Siméon Chardin
af: Higgie, Jennifer
Udgivet: (2000)

The Evil That Men Do : Matthew DeBord on Keith Edmier
af: DeBord, Matthew
Udgivet: (1997)

Is the growing popularity of art fairs creating a culture of 'spotting' rather than 'looking'?
af: Storr, Robert
Udgivet: (2005)

Making Do : Tue Greenfort is an artist and environmentalist who drives a bus fuelled by vegetable oil and makes sculptures from recycled materials
af: Eichler, Dominic
Udgivet: (2007)

What I did in the holidays
af: Higgie, Jennifer
Udgivet: (2000)

Generation Gap : How has Feminism in the art world changed?
af: Storr, Robert
Udgivet: (2007)

I do not want to paint music : Dan Fox on Katy Dove
af: Fox, Dan
Udgivet: (2004)

What's the difference? : Jörg Heiser and Jan Verwoert discuss the relationship between art and documentary filmmaking with artists Yael Bartana, Annika Eriksson, Anri Sala and Gitte Villesen
af: Heiser, Jörg, et al.
Udgivet: (2004)

Lead by Example : Sol LeWitt's exemplary approach to art and life
af: Storr, Robert
Udgivet: (2007)

Graduation 96
Udgivet: (1996)

Do you ever think of me?
af: Kuhlbrodt, Susanne
Udgivet: (2003)

What should change? : The West's concept of war ; I've always wanted to start my own War Department
af: Vallance, Jeffrey
Udgivet: (2007)

What is the Object? : the Donald Judd retrospective opened at Tate Modern in February. It is the first mayor survey of the artist's career since 1988. Frieze asked the following artists, historians, critics and designers for their responses to the show
af: Meyer, James, et al.
Udgivet: (2004)

Part two of his discussion of the new NoMA asks how, with its vastly expanded galleries, the museum will mine the riches of its unparalleled collections
af: Storr, Robert
Udgivet: (2005)

Positions Vacant : Has technocracy replaced vision in top museum jobs?
af: Storr, Robert
Udgivet: (2007)

Type Cast : Academic sculpture can provide a welcome distraction from contemporary concerns
af: Storr, Robert
Udgivet: (2007)

The Time is Now : On being an American in Europe
af: Storr, Robert
Udgivet: (2007)

Comrades & Friends : Has the magnitude of China's second Cultural Revolution only been noticed by those with vested interests?
af: Storr, Robert
Udgivet: (2006)

When colour theory is no longer enough
af: Storr, Robert
Udgivet: (2004)

In the black and white political climate of 'with us or against us' there is a newly calibrated rainbow of fear and anxiety
af: Storr, Robert
Udgivet: (2004)

This mortal coil : as a recent retrospective made clear, the playful and visceral work of Dieter Roth is a vivid reminder of human fragility
af: Storr, Robert
Udgivet: (2004)

Ever. Ever. Ever : in Conversation with Hans Ulrich Obrist / 2006
af: Obrist, Hans-Ulrich, et al.
Udgivet: (2016)

Paul Chan : What do you wish you know? ; What everyone else wishes they knew; the answer to Kant's three questions. What can I know? What ought I do? For what may I hope?
af: Chan, Paul
Udgivet: (2007)

City report : Warsaw : increased international interest in polish art coincides with the country joining the European Union. How do the economic and social changes affect making and showing art, and Warsaw's urban environment?
af: Verwoert, Jan, et al.
Udgivet: (2004)

What the world needs now : Lars Bang Larsen, Katy Siegel, Jan Verwoert and 22 artists respond
af: Larsen, Lars Bang, et al.
Udgivet: (2004)

What ever happened to new institutionalism?
Udgivet: (2016)

What film has most influenced you? : "Ben Hur". It was the first film I saw at the cinema when I was a kid
af: Genzken, Isa
Udgivet: (2006)

University of Chicago Graduate School of Business, Chicago, Illinois : Rafael Viñoly Architects, PC, New York

The Art of War : The Israeli Defence Forces have been heavily influenced by contemporary philosophy, highlighting the fact that there is considerable overlap among theoretical texts deemed essential by military academies and architectural schools
af: Weizman, Eyal
Udgivet: (2006)

Debate: discipline : do artists need it? what does it really mean? : Richard Wentworth and Michael Craig-Martin discuss
af: Wentworth, Richard, et al.
Udgivet: (2005)

How has art changed? frieze asks 33 artists, critics, curators, educators, gallerists, and collectors "What have been the most important shifts in art and the structures that surround it over the last 40 or so years?
Udgivet: (2005)

Power Dressing : From Rem Kolhaas to Herzog & de Meuron, a number of today's most famous architects accept commissions from repressive regimes. What does this say about the relationship between architectural innovation, ethics and ideology?
af: Sudjic, Deyan
Udgivet: (2006)

Graduating Class '97 : '96 -'97
Udgivet: (1998)