The importance of being earnest : (or how not to confuse Whimsy or Camp with Ironic Kitsch)

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The importance of being earnest : (or how not to confuse Whimsy or Camp with Ironic Kitsch)

Sonraí bibleagrafaíochta
Foilsithe in:	frieze 92(2005)S. 116/117
Príomhchruthaitheoir:	Taylor, Charlotte (Údar)
Formáid:	Alt
Teanga:	German
Foilsithe / Cruthaithe:	2005
Ábhair:	Aufsatz
Le fáil in:	In: frieze

Míreanna comhchosúla

Being There
de réir: MacFarland, Dale
Foilsithe / Cruthaithe: (2001)

Earnest & Algernon

Being there : Jessica Lack on contemporary artists' response to war
de réir: Lack, Jessica
Foilsithe / Cruthaithe: (2003)

Thomas Scheibitz : the important of being earnest
de réir: Ellis, Patricia
Foilsithe / Cruthaithe: (2001)

How has art changed? frieze asks 33 artists, critics, curators, educators, gallerists, and collectors "What have been the most important shifts in art and the structures that surround it over the last 40 or so years?
Foilsithe / Cruthaithe: (2005)

Maria Pask : Musicals, naturist camps, lifestyle manuals and education
de réir: Pethick, Emily
Foilsithe / Cruthaithe: (2006)

The Time is Now : On being an American in Europe
de réir: Storr, Robert
Foilsithe / Cruthaithe: (2007)

Kan Xuan : No fakery, rhetoric or kitsch; video, photographs and contemplative humour
de réir: Heingartner, Douglas
Foilsithe / Cruthaithe: (2007)

Michael Rakowitz : An import-export business, posters, shelters for the homeless and the smell of buns
de réir: Eleey, Peter
Foilsithe / Cruthaithe: (2006)

Generation Gap : How has Feminism in the art world changed?
de réir: Storr, Robert
Foilsithe / Cruthaithe: (2007)

Seeing is Believing : How photography killed Victorian Fairy Painting
de réir: Higgie, Jennifer
Foilsithe / Cruthaithe: (1998)

How things get done: Louise Neri in conversation with Richard Artschwager
de réir: Neri, Louise
Foilsithe / Cruthaithe: (2002)

Good circulation : artists explore the space between production and consumption: who is addressed and how?
de réir: Heiser, Jörg
Foilsithe / Cruthaithe: (2005)

Centre of Attention : Trafalgar Square recently hosted a screening of Sergei Eisenstein's Battleship Potemkin to the accompaniment of a new soundtrack by the Pet Shop Boys. It was an event that highlighted the symbolic importance of London's largest public square
de réir: Hoare, Philip
Foilsithe / Cruthaithe: (2005)

How does your garden grow? : Dominic Eichler visits Asger Jorn's Albisola retreat
de réir: Eichler, Dominic
Foilsithe / Cruthaithe: (2003)

Desert boom : more art than ever is being bought and sold in Las Vegas. Haluk Akakçe's 'Sky is the Limit' was recently shown there - on the largest video screen in the world
de réir: Stern, Steven
Foilsithe / Cruthaithe: (2007)

Cosmic Rays : The work of Sigmar Polke, one of the most important artist of postwar Germany, was this year the subject of two major exhibitions. His new cycle of paintings, "Axial Age" also formed a key part of the 2007 Venice Biennale
de réir: Heiser, Jörg
Foilsithe / Cruthaithe: (2007)

27th Sao Paulo Biennial : "How to live together", was a compelling challenge to biennial models based on national representation
de réir: Trainor, James
Foilsithe / Cruthaithe: (2007)

Important Announcement
Foilsithe / Cruthaithe: (2006)

Making History : Using sources as varied as "Schindler's List" and the CNN news, Omer Fast scrutinizes how history is presented and meaning is disseminated
de réir: Godfrey, Mark
Foilsithe / Cruthaithe: (2006)

Part two of his discussion of the new NoMA asks how, with its vastly expanded galleries, the museum will mine the riches of its unparalleled collections
de réir: Storr, Robert
Foilsithe / Cruthaithe: (2005)

Welcome to the real world : Rirkrit Tiravanija's mid-career retrospective demonstrates how his work has emphasized interpersonal activity over art production
de réir: Fox, Dan
Foilsithe / Cruthaithe: (2005)

City report : Warsaw : increased international interest in polish art coincides with the country joining the European Union. How do the economic and social changes affect making and showing art, and Warsaw's urban environment?
de réir: Verwoert, Jan, et al.
Foilsithe / Cruthaithe: (2004)

2nd Seville Biennial : curated by Okwui Enwezor, "The unhomely: phantom scenes in a global society" seemed to ask: what kind of a mess are we in; why; and how do we get out of it?
de réir: Herbert, Martin
Foilsithe / Cruthaithe: (2007)

Veiled Import : Leslie Camhi on "The Circle"
de réir: Camhi, Leslie
Foilsithe / Cruthaithe: (2001)

The Importance of Remembering Andy
de réir: Hickey, Dave

Very Rare And Important
de réir: Archer, B. J.
Foilsithe / Cruthaithe: (1990)

Pop Import : eine selektive Abhandlung über Pop Artisten
de réir: Scholz-Wanckel, Katharina
Foilsithe / Cruthaithe: (1965)

Import Export : Philippe Durand, Rainer Ganahl, Pierre Joseph
Foilsithe / Cruthaithe: (2000)

Ästhetische Importe : die Bedeutung künstlerischer Autonomie für die ökonomische Praxis
de réir: Krämer, Hannes
Foilsithe / Cruthaithe: (2017)

Travelling hopefully : art has changed dramatically over recent decades - but many of these developements have been positive
de réir: Godfrey, Mark
Foilsithe / Cruthaithe: (2005)

Istanbul : including the work of 53 artists and artistgroups, the low-key 9th Istanbul Biennal was simply titled "Istanbul".
de réir: Heiser, Jörg, et al.
Foilsithe / Cruthaithe: (2005)

Singapore
de réir: Eichler, Dominic, et al.
Foilsithe / Cruthaithe: (2005)

Common people : held simultaneously in four venues across Europe this summer, the exhibition 'Populism' represented an ambitious and timely cultural intervention in an urgent political debate
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2005)

A theory of relativity : what is slow?
de réir: Higgie, Jennifer
Foilsithe / Cruthaithe: (2005)

Is the pen still mightier? : are curators responding more quickly to developments in the art world than critics?
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2005)

Books : art since 1900: modernism, antimodernism, postmodernism : Hal Foster, Rosalind Krauss, Yves-Alain Boys, Benjamin Buchloh
de réir: Bryson, Norman
Foilsithe / Cruthaithe: (2005)

Screen print : illustrated posters are a creative antidote to insipid commercial film marketing
de réir: King, Emily
Foilsithe / Cruthaithe: (2005)

Debate: Biennials : the proliferation of biennials has become integral to the global explosion of contemporary art. Are large-scale international shows sites for experiment and exchange, of little more than tourist attractions? Francesco Bonami and Charles Esche discuss
de réir: Bonami, Francesco, et al.
Foilsithe / Cruthaithe: (2005)

What are the ever increasing numbers of art school graduates to do?
de réir: Storr, Robert
Foilsithe / Cruthaithe: (2005)