Is the pen still mightier? : are curators responding more quickly to developments in the art world than critics?

Cód QR

Is the pen still mightier? : are curators responding more quickly to developments in the art world than critics?

Sonraí bibleagrafaíochta
Foilsithe in:	frieze 92(2005)S. 118/119
Príomhchruthaitheoir:	Farquharson, Alex (Údar)
Formáid:	Alt
Teanga:	German
Foilsithe / Cruthaithe:	2005
Ábhair:	Aufsatz
Le fáil in:	In: frieze

Míreanna comhchosúla

Venice Biennale : Politics, war, and representation at the world's oldest biennial ; The Edge of the World
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2007)

Pen to paper
Foilsithe / Cruthaithe: (2010)

No Pen Pal : Miriam Rosen on Catherine Trautmann
de réir: Rosen, Miriam
Foilsithe / Cruthaithe: (1997)

Common people : held simultaneously in four venues across Europe this summer, the exhibition 'Populism' represented an ambitious and timely cultural intervention in an urgent political debate
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2005)

Action play : Alex Farquharson on live museum events
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2003)

Richard Hughes
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2005)

The darkness : Alex Farquharson on Cameron Jamie
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2004)

Flim flam man
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2002)

The Glass Menagerie
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2001)

Minority report
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2005)

Out of time : Alex Farquharson on Haluk Akakce
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2004)

Guys and dolls : Alex Farquharson on Morton Bartlett
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2003)

Back to the wall : Alex Farquharson on Richard Wright
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2001)

Before and after science : Carsten Höller by Alex Farquharson : after training as a phytopathologist and agronomic entomologist, he specialized in insect communication. Then he became an artist
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2004)

Drastic plastic : Alex Farquharson on Jim Lambie
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2002)

Girls Interrupted: Alex Farquharson on Hannah Starkey
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2000)

Different Strokes : Richard Hawkins' collages and paintings explore desire and decadence, the culture industry, abstraction, land-rights and fandom
de réir: Farquharson, Alex
Foilsithe / Cruthaithe: (2006)

Still Ill : Collier Schorr on Liza May Post
de réir: Schorr, Collier
Foilsithe / Cruthaithe: (1997)

Quick on the draw : Dan Nadel on the lost art of 'chalk talks'
de réir: Nadel, Dan
Foilsithe / Cruthaithe: (2003)

American pie : the 2004 Whitney Biennial, a survey of contemporary art made in the US, opened in March at the Whitney Museum of American Art, New York. It was curated by Chrissie Illes, Shamim M. Momin and Debra Singer. frieze asked seven critics and curators to respond to a few questions.
de réir: Cameron, Dan, et al.
Foilsithe / Cruthaithe: (2004)

Still life in mobile homes : Andrew Gellatly talks to Vito Acconci
de réir: Gellatly, Andrew
Foilsithe / Cruthaithe: (2001)

Desert boom : more art than ever is being bought and sold in Las Vegas. Haluk Akakçe's 'Sky is the Limit' was recently shown there - on the largest video screen in the world
de réir: Stern, Steven
Foilsithe / Cruthaithe: (2007)

Saadane Afif : art doesn't get much more provisional-looking than Saadane Afif's 'Memory of fire' 2004
de réir: Morton, Tom
Foilsithe / Cruthaithe: (2004)

What the world needs now : Lars Bang Larsen, Katy Siegel, Jan Verwoert and 22 artists respond
de réir: Larsen, Lars Bang, et al.
Foilsithe / Cruthaithe: (2004)

Going solo : photography has more to do with uncertainty and insecurity than is often recognized : Kristin M. Jones on Jitka Hanzlová
de réir: Jones, Kristin M.
Foilsithe / Cruthaithe: (2003)

A Clean, Well-Lit Space : 21st-century museum buildings are more than repositories of art; they also function as centres of urban activity and symbols of cultural regeneration
de réir: Bell, Jonathan
Foilsithe / Cruthaithe: (2006)

Sao Paulo : With more than 20 million inhabitants, Sao Paulo has recently become one of the world's first 'hypercities'. In a constant state of transformation, the city has fostered an attitude of improvisation, resourcefulness and cultural cannibalism amongst its artists
de réir: Trainor, James, et al.
Foilsithe / Cruthaithe: (2007)

The other side : Occult art has come a long way since the manipulation of photographic plates and painters responding to supposed dictates from the spirit world. Many contemporary artists are turning to the unseen to evoke a sense of historical space
de réir: Larsen, Lars Bang
Foilsithe / Cruthaithe: (2007)

Stranger than Fiction : Sean Snyder's videos and photographs explore the often bizarre world of urban planning, architecture and the news media
de réir: Eichler, Dominic
Foilsithe / Cruthaithe: (2006)

Architecture : Irene Cheng looks back over a year in which - despite some masterly exceptions - discussions about architecture were more prevalent than great new buildings
de réir: Cheng, Irene
Foilsithe / Cruthaithe: (2007)

Debate: Biennials : the proliferation of biennials has become integral to the global explosion of contemporary art. Are large-scale international shows sites for experiment and exchange, of little more than tourist attractions? Francesco Bonami and Charles Esche discuss
de réir: Bonami, Francesco, et al.
Foilsithe / Cruthaithe: (2005)

How has art changed? frieze asks 33 artists, critics, curators, educators, gallerists, and collectors "What have been the most important shifts in art and the structures that surround it over the last 40 or so years?
Foilsithe / Cruthaithe: (2005)

Is the growing popularity of art fairs creating a culture of 'spotting' rather than 'looking'?
de réir: Storr, Robert
Foilsithe / Cruthaithe: (2005)

City Report : Winnipeg : Prairie Surrealism, paddlewheel disasters, endemic somnambulism, honeybee collaborations, hockey and hairdryers: more is going on in the Great White North than anyone suspected. Robert Enright and Guy Maddin report from the city supposedly chosen by the London 'Times' four years running as 'the world capital of sorrow'
de réir: Enright, Robert, et al.
Foilsithe / Cruthaithe: (2006)

In other words : Sue Tompkins' performances and exhibitions explore the shifts and ruptures of reverie, recollection and allusion. The artist responded to this text with the specially commissioned work on the left
de réir: Higgie, Jennifer
Foilsithe / Cruthaithe: (2006)

Travelling hopefully : art has changed dramatically over recent decades - but many of these developements have been positive
de réir: Godfrey, Mark
Foilsithe / Cruthaithe: (2005)

Strange fascination : Jan Verwoert on pleasure and criticism
de réir: Verwoert, Jan
Foilsithe / Cruthaithe: (2002)

San Keller : Careers, critics, money and music
de réir: Zolghadr, Tirdad
Foilsithe / Cruthaithe: (2007)

Live and Learn : For over 40 years Argentinian artist Roberto Jacoby has argued that art should be social, rather than object-oriented
de réir: Navarro, García
Foilsithe / Cruthaithe: (2007)

Informant : a recent book examining crowd behaviour asserts that groups are often wiser than individuals
de réir: Pendle, George
Foilsithe / Cruthaithe: (2004)