Is the pen still mightier? : are curators responding more quickly to developments in the art world than critics?

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Is the pen still mightier? : are curators responding more quickly to developments in the art world than critics?

Bibliografische gegevens
Gepubliceerd in:	frieze 92(2005)S. 118/119
Hoofdauteur:	Farquharson, Alex (Auteur)
Formaat:	Artikel
Taal:	German
Gepubliceerd in:	2005
Onderwerpen:	Aufsatz
Gerelateerde Items:	In: frieze

Gelijkaardige items

Venice Biennale : Politics, war, and representation at the world's oldest biennial ; The Edge of the World
door: Farquharson, Alex
Gepubliceerd in: (2007)

Pen to paper
Gepubliceerd in: (2010)

No Pen Pal : Miriam Rosen on Catherine Trautmann
door: Rosen, Miriam
Gepubliceerd in: (1997)

Common people : held simultaneously in four venues across Europe this summer, the exhibition 'Populism' represented an ambitious and timely cultural intervention in an urgent political debate
door: Farquharson, Alex
Gepubliceerd in: (2005)

Action play : Alex Farquharson on live museum events
door: Farquharson, Alex
Gepubliceerd in: (2003)

Richard Hughes
door: Farquharson, Alex
Gepubliceerd in: (2005)

The darkness : Alex Farquharson on Cameron Jamie
door: Farquharson, Alex
Gepubliceerd in: (2004)

Flim flam man
door: Farquharson, Alex
Gepubliceerd in: (2002)

The Glass Menagerie
door: Farquharson, Alex
Gepubliceerd in: (2001)

Minority report
door: Farquharson, Alex
Gepubliceerd in: (2005)

Out of time : Alex Farquharson on Haluk Akakce
door: Farquharson, Alex
Gepubliceerd in: (2004)

Guys and dolls : Alex Farquharson on Morton Bartlett
door: Farquharson, Alex
Gepubliceerd in: (2003)

Back to the wall : Alex Farquharson on Richard Wright
door: Farquharson, Alex
Gepubliceerd in: (2001)

Before and after science : Carsten Höller by Alex Farquharson : after training as a phytopathologist and agronomic entomologist, he specialized in insect communication. Then he became an artist
door: Farquharson, Alex
Gepubliceerd in: (2004)

Drastic plastic : Alex Farquharson on Jim Lambie
door: Farquharson, Alex
Gepubliceerd in: (2002)

Girls Interrupted: Alex Farquharson on Hannah Starkey
door: Farquharson, Alex
Gepubliceerd in: (2000)

Different Strokes : Richard Hawkins' collages and paintings explore desire and decadence, the culture industry, abstraction, land-rights and fandom
door: Farquharson, Alex
Gepubliceerd in: (2006)

Still Ill : Collier Schorr on Liza May Post
door: Schorr, Collier
Gepubliceerd in: (1997)

Quick on the draw : Dan Nadel on the lost art of 'chalk talks'
door: Nadel, Dan
Gepubliceerd in: (2003)

American pie : the 2004 Whitney Biennial, a survey of contemporary art made in the US, opened in March at the Whitney Museum of American Art, New York. It was curated by Chrissie Illes, Shamim M. Momin and Debra Singer. frieze asked seven critics and curators to respond to a few questions.
door: Cameron, Dan, et al.
Gepubliceerd in: (2004)

Still life in mobile homes : Andrew Gellatly talks to Vito Acconci
door: Gellatly, Andrew
Gepubliceerd in: (2001)

Desert boom : more art than ever is being bought and sold in Las Vegas. Haluk Akakçe's 'Sky is the Limit' was recently shown there - on the largest video screen in the world
door: Stern, Steven
Gepubliceerd in: (2007)

Saadane Afif : art doesn't get much more provisional-looking than Saadane Afif's 'Memory of fire' 2004
door: Morton, Tom
Gepubliceerd in: (2004)

What the world needs now : Lars Bang Larsen, Katy Siegel, Jan Verwoert and 22 artists respond
door: Larsen, Lars Bang, et al.
Gepubliceerd in: (2004)

Going solo : photography has more to do with uncertainty and insecurity than is often recognized : Kristin M. Jones on Jitka Hanzlová
door: Jones, Kristin M.
Gepubliceerd in: (2003)

A Clean, Well-Lit Space : 21st-century museum buildings are more than repositories of art; they also function as centres of urban activity and symbols of cultural regeneration
door: Bell, Jonathan
Gepubliceerd in: (2006)

Sao Paulo : With more than 20 million inhabitants, Sao Paulo has recently become one of the world's first 'hypercities'. In a constant state of transformation, the city has fostered an attitude of improvisation, resourcefulness and cultural cannibalism amongst its artists
door: Trainor, James, et al.
Gepubliceerd in: (2007)

The other side : Occult art has come a long way since the manipulation of photographic plates and painters responding to supposed dictates from the spirit world. Many contemporary artists are turning to the unseen to evoke a sense of historical space
door: Larsen, Lars Bang
Gepubliceerd in: (2007)

Stranger than Fiction : Sean Snyder's videos and photographs explore the often bizarre world of urban planning, architecture and the news media
door: Eichler, Dominic
Gepubliceerd in: (2006)

Architecture : Irene Cheng looks back over a year in which - despite some masterly exceptions - discussions about architecture were more prevalent than great new buildings
door: Cheng, Irene
Gepubliceerd in: (2007)

Debate: Biennials : the proliferation of biennials has become integral to the global explosion of contemporary art. Are large-scale international shows sites for experiment and exchange, of little more than tourist attractions? Francesco Bonami and Charles Esche discuss
door: Bonami, Francesco, et al.
Gepubliceerd in: (2005)

How has art changed? frieze asks 33 artists, critics, curators, educators, gallerists, and collectors "What have been the most important shifts in art and the structures that surround it over the last 40 or so years?
Gepubliceerd in: (2005)

Is the growing popularity of art fairs creating a culture of 'spotting' rather than 'looking'?
door: Storr, Robert
Gepubliceerd in: (2005)

City Report : Winnipeg : Prairie Surrealism, paddlewheel disasters, endemic somnambulism, honeybee collaborations, hockey and hairdryers: more is going on in the Great White North than anyone suspected. Robert Enright and Guy Maddin report from the city supposedly chosen by the London 'Times' four years running as 'the world capital of sorrow'
door: Enright, Robert, et al.
Gepubliceerd in: (2006)

In other words : Sue Tompkins' performances and exhibitions explore the shifts and ruptures of reverie, recollection and allusion. The artist responded to this text with the specially commissioned work on the left
door: Higgie, Jennifer
Gepubliceerd in: (2006)

Travelling hopefully : art has changed dramatically over recent decades - but many of these developements have been positive
door: Godfrey, Mark
Gepubliceerd in: (2005)

Strange fascination : Jan Verwoert on pleasure and criticism
door: Verwoert, Jan
Gepubliceerd in: (2002)

San Keller : Careers, critics, money and music
door: Zolghadr, Tirdad
Gepubliceerd in: (2007)

Live and Learn : For over 40 years Argentinian artist Roberto Jacoby has argued that art should be social, rather than object-oriented
door: Navarro, García
Gepubliceerd in: (2007)

Informant : a recent book examining crowd behaviour asserts that groups are often wiser than individuals
door: Pendle, George
Gepubliceerd in: (2004)