Culture vultures : the US government has been relentless in its assault on contemporary art by privileging all things patriotic

QR-Code

Culture vultures : the US government has been relentless in its assault on contemporary art by privileging all things patriotic

Bibliographische Detailangaben
Veröffentlicht in:	frieze 104(2007)S. 31
VerfasserIn:	Spector, Nancy (VerfasserIn)
Format:	Aufsatz in Zeitschrift
Sprache:	German
Veröffentlicht:	2007
Schlagworte:	Aufsatz
Ähnliche Datensätze:	In: frieze

Ähnliche Einträge

Cultural tourism
Veröffentlicht: (2001)

Cultural politics : Melinda Guy on the role of art at the United Nations
von: Guy, Melinda
Veröffentlicht: (2003)

Culture club : Martin Pesch on Gerwald Rockenschaub
von: Pesch, Martin
Veröffentlicht: (1999)

Comrades & Friends : Has the magnitude of China's second Cultural Revolution only been noticed by those with vested interests?
von: Storr, Robert
Veröffentlicht: (2006)

Writing on the Wall : Dan Perjovschi simple drawings and cartoons mount a fleeting assault on the white cube
von: Lorch, Catrin
Veröffentlicht: (2006)

frieze : contemporary art and culture

New York's Museum of Modern Art has been transformed into an elegant modernist Museum. But what happens now?
von: Storr, Robert
Veröffentlicht: (2005)

Travelling hopefully : art has changed dramatically over recent decades - but many of these developements have been positive
von: Godfrey, Mark
Veröffentlicht: (2005)

Free Style : From photorealist paintings to conceptual travel pieces, Pádraig Timoney has created a visual language that privileges diversity over uniformity
von: Eichler, Dominic
Veröffentlicht: (2007)

Manifesta 6 : 2006 ; Nicosia, the capital of Cyprus, has been chosen to host Manifesta 6 in September, 2006.
von: Fox, Dan, et al.
Veröffentlicht: (2006)

Heroes and villains : for almost 30 years Thomas Schütte has been concerned with puncturing manifestations of power and subjection
von: Heiser, Jörg
Veröffentlicht: (2005)

Sao Paulo : With more than 20 million inhabitants, Sao Paulo has recently become one of the world's first 'hypercities'. In a constant state of transformation, the city has fostered an attitude of improvisation, resourcefulness and cultural cannibalism amongst its artists
von: Trainor, James, et al.
Veröffentlicht: (2007)

Bringin' it all back home : for almost 40 years Martha Rosler has been challenging the status quo. She talked with Christy Lange about politics, feminism, the art world, media, religion and integrity.
von: Lange, Christy
Veröffentlicht: (2005)

Is the growing popularity of art fairs creating a culture of 'spotting' rather than 'looking'?
von: Storr, Robert
Veröffentlicht: (2005)

Clean up your act : Viennese Actionism has finally been embraced by Austria's art establishment. Bert Rebhandl investigates three major museum retrospectives
von: Rebhandl, Bert
Veröffentlicht: (2004)

Things Fall Apart : Modernity, violence, narrative, repetition ; slapstick shares as much with contemporary art as it does comedy
von: O'Reilly, Sally
Veröffentlicht: (2007)

Been there : Jonathan Jones on celebrations of the future
von: Jones, Jonathan
Veröffentlicht: (2000)

The Shape of Things : Charles Ray's new work continues to explore the themes of space, objecthood and mimesis that have been at the centre of his practice for over 30 years.
von: Morton, Tom
Veröffentlicht: (2007)

How has art changed? frieze asks 33 artists, critics, curators, educators, gallerists, and collectors "What have been the most important shifts in art and the structures that surround it over the last 40 or so years?
Veröffentlicht: (2005)

Who loves the Sun? : Since the early 1960s, Jonas Mekas has been documenting his life on film, creating a personaltestament to friendship, exile and flow of history
von: Verwoert, Jan
Veröffentlicht: (2006)

Infinite jester : since the late 1980s Maurizio Cattelan has been making darkly comic work that holds a mirror up to our pomposities, foibles and fears
von: Morton, Tom
Veröffentlicht: (2005)

Them and Us : There is a fine line between represting other people's suffering and perpetuating it. In much contemporary art the explaitation of misery could be termed 'poornography'
von: Zolghadr, Tirdad
Veröffentlicht: (2006)

Generation Gap : How has Feminism in the art world changed?
von: Storr, Robert
Veröffentlicht: (2007)

The Art of War : The Israeli Defence Forces have been heavily influenced by contemporary philosophy, highlighting the fact that there is considerable overlap among theoretical texts deemed essential by military academies and architectural schools
von: Weizman, Eyal
Veröffentlicht: (2006)

Venice Biennale : The US Pavilion
von: Doyle, Jennifer
Veröffentlicht: (2007)

Demand the impossible : of the generation that came through art school during the upheavals of may 1968, John Stezaker has long been intrigued by the power of images. Michael Bracewell talks to him about fascination, education, politics and dreaming of bridges
von: Bracewell, Michael, et al.
Veröffentlicht: (2005)

Fairground attraction : its ersatz Venetian canals and mechanical horse-races may be things of the past, but a recent excursion to Coney island revealed the fabled amusement park's newest attractions
von: Stern, Steven
Veröffentlicht: (2004)

In the black and white political climate of 'with us or against us' there is a newly calibrated rainbow of fear and anxiety
von: Storr, Robert
Veröffentlicht: (2004)

The illuminated man : Artificial light has not been the same since a designer from Munich pioneered low-voltage cable systems and halogen bulbs tor general use. Emily King talks to Ingo Maurer
von: King, Emily
Veröffentlicht: (2004)

Don't ask : has the gloss of grandiose statements replaced real discussion and engagement with art?
von: Heiser, Jörg
Veröffentlicht: (2004)

Remembrance of things past : Brian on Emma Kay
von: Dillon, Brian
Veröffentlicht: (2004)

Things In Proportion : Carl Freedman on Tobias Rehberger
von: Freedman, Carl
Veröffentlicht: (1997)

Doors of perception : is contemporary art overpackaged?
von: Fox, Dan
Veröffentlicht: (2007)

Beautiful Things : Dale McFarland on Wolfgang Tillmans
von: MacFarland, Dale
Veröffentlicht: (1999)

Manifesta 5 : European Biennial of Contemporary Art
von: Fox, Dan
Veröffentlicht: (2004)

Part two of his discussion of the new NoMA asks how, with its vastly expanded galleries, the museum will mine the riches of its unparalleled collections
von: Storr, Robert
Veröffentlicht: (2005)

Debate: Biennials : the proliferation of biennials has become integral to the global explosion of contemporary art. Are large-scale international shows sites for experiment and exchange, of little more than tourist attractions? Francesco Bonami and Charles Esche discuss
von: Bonami, Francesco, et al.
Veröffentlicht: (2005)

Ain't no such thing as superman : James Trainor on William Pope.L
von: Trainor, James
Veröffentlicht: (2004)

Positive And Negative : Michelle Grabner on Mona Hatoum's US retrospective
von: Grabner, Michelle
Veröffentlicht: (1998)

The other side : Occult art has come a long way since the manipulation of photographic plates and painters responding to supposed dictates from the spirit world. Many contemporary artists are turning to the unseen to evoke a sense of historical space
von: Larsen, Lars Bang
Veröffentlicht: (2007)