Marcin Maciejowski : Painting The Good, Love And Culture

Cód QR

Marcin Maciejowski : Painting The Good, Love And Culture

Sonraí bibleagrafaíochta
Foilsithe in:	Flash Art 40(2007)257, S. 92-94
Príomhchruthaitheoir:	Henry, Max (Údar)
Formáid:	Alt
Teanga:	German
Foilsithe / Cruthaithe:	2007
Ábhair:	Maciejowski, Marcin > Interview Aufsatz
Le fáil in:	In: Flash Art

Míreanna comhchosúla

Marcin Maciejowski : I wanna talk to you
Foilsithe / Cruthaithe: (2007)

Marcin Maciejowski : Zachowujmy sie normalnie
Foilsithe / Cruthaithe: (2003)

Der polnische Pate : Marcin Maciejowski ist ein Star der internationalen Kunstszene.
de réir: Soboczynski, Adam
Foilsithe / Cruthaithe: (2005)

Marcin Berdyszak : 1993 - 2001
Foilsithe / Cruthaithe: (2001)

Marcin Jasik : everything is ahead of us, nothing is ahead of us
Foilsithe / Cruthaithe: (2023)

Designer Chat : Marcin Rusak
de réir: Feuer, Katharina
Foilsithe / Cruthaithe: (2017)

Aufschwung mit Gegenwind : Junge Künstler aus Polen
de réir: Altmann, Susanne
Foilsithe / Cruthaithe: (2004)

Karger Reichtum im Ensemble : Piotr Brzoza und Marcin Kwietowicz ; Haus und Atelier für Monika Sosnowska, Warschau
de réir: Hägele, Steffen
Foilsithe / Cruthaithe: (2011)

Rechtspflege : Konferenz-Etage Linklaters Oppenhoff & Rädler im Trianon in Frankfurt : Entwurf: OX2architeckten, Aachen
Foilsithe / Cruthaithe: (2003)

Stefan Kern : if something is good, it's good tomorrow
de réir: Luckow, Dirk
Foilsithe / Cruthaithe: (2001)

Andrei Monastyrsky : from Russia with love
de réir: Obrist, Hans-Ulrich
Foilsithe / Cruthaithe: (2005)

Martin Kippenberger : an artist doesn't have to be new, an artist has to be good
de réir: Koether, Jutta
Foilsithe / Cruthaithe: (2006)

Kathe Burkhart : Bad Girl Made Good
de réir: Kontova, Helena, et al.
Foilsithe / Cruthaithe: (1990)

Martin Kippenberger : An Artist Doesn't have To Be Old, He Doesn't Have to Be New. An Artist Has To Be Good
de réir: Koether, Jutta, et al.
Foilsithe / Cruthaithe: (1991)

Gérard Garouste : Today One Of The Traps Is Our Abominable Consciousness Of Good Taste Where Everything Is Possible ; An Interview
de réir: Lebert, Muriel, et al.
Foilsithe / Cruthaithe: (1989)

Art & Language : Painting By Mouth
de réir: Holert, Tom, et al.
Foilsithe / Cruthaithe: (1994)

London: last exit painting : Peter Doig, McKenzie, Tomma Abts
de réir: Slyce, John
Foilsithe / Cruthaithe: (2002)

Painting platform in NY : Matthew Ritchie, Julie Mehretu, Barnaby Furnas
de réir: Firstenberg, Lauri
Foilsithe / Cruthaithe: (2002)

Anselm Reyle : paintings as objet trouvé
de réir: Asthoff, Jens
Foilsithe / Cruthaithe: (2006)

Peter Schuyff : "What inspires me is not what is in my paintings. The role of the painting is to inspire, not to be a relic of inspiration. Monet's paintings inspire me, and van Gogh's paintings tell me how inspired he was. And for that reasons I much prefer Monet."
de réir: Kohn, Michael, et al.
Foilsithe / Cruthaithe: (1985)

Richard Bosman : "When I paint I feel I'm inside the painting. It's the opposite of pop art, where you get out of the painting and the painting becomes an object, and then you feel removed. However silly it may seem, I take some of the images from comic strips seriously, because I paint them as if I were inside the situation
de réir: Soldaini, Antonella, et al.
Foilsithe / Cruthaithe: (1985)

Dossier Portugal : The democratic revolution of 1974 gave birth to a new cultural order ; Portuguese artists seek a personal response to the contemporary scene
de réir: Melo, Alexandre, et al.
Foilsithe / Cruthaithe: (1988)

Julije Knifer : If A Painting Of Mine Ever Suggested A Sign Or "Significance", It Was Merely An Accident
de réir: Purgar, Kresimir, et al.
Foilsithe / Cruthaithe: (1991)

Luc Tuymans : Sowing the seed of a new painting
de réir: Lambrecht, Luk
Foilsithe / Cruthaithe: (1996)

Werner Büttner and Albert Oehlen : We don't consider political art to be something special. That's another role in which the system can isolate a person. We read the newspapers in the morning, paint in the afternoon, and the State is responsible for the result
de réir: Schmidt-Wulffen, Stephan, et al.
Foilsithe / Cruthaithe: (1985)

Ross Bleckner : The Crucial Thing Is That I Separate Myself From The Paintings. I Look At Them Looking At Me ; An Interview
de réir: Chua, Laura, et al.
Foilsithe / Cruthaithe: (1989)

Charlemagne Palestine : "I loved being in a sacred place, I just liked the sacred feeling. I felt that again in an abstracted way when I was standing in front of a Rothko, or a Clifford Still, of a Pollock. To me, art is our social sanctuary."
de réir: Stadler, Anselm, et al.
Foilsithe / Cruthaithe: (1985)

I love acting. As a kid I used to watch Michael Jackson, and get up in front of the TV and do his number. My brothers used to say I was going to be a rock'n'roll star. And i liked the idea : A talk with Keith Haring
de réir: Scharf, Kenny, et al.
Foilsithe / Cruthaithe: (1985)

Krebber's Punch And Judy Show : I Don't Need To Make Art ; I Can Simply Look At A Painting And It's The Same As Repainting It
de réir: Wulffen, Thomas
Foilsithe / Cruthaithe: (1991)

Andreas Schulze : It is very important that sculpture and painting look alike, producing confusion about which was there first, which is the illustration of the other. In a way, they cancel each other out
de réir: Schmidt-Wulffen, Stephan, et al.
Foilsithe / Cruthaithe: (1985)

Empire Of Goods : Young Japanese Artists And The Commodity Culture
de réir: Friis-Hansen, Dana
Foilsithe / Cruthaithe: (1992)

From Criticism to Complicity : "Our approaching destination looks frighteningly familiar. We might have to find someplace else." ; Sherrie Levine, Peter Halley, Jeff Koons, Haim Steinbach, Ashley Bickerton, Philip Taaffe
de réir: Nagy, Peter, et al.
Foilsithe / Cruthaithe: (1986)

Gilbert & George : We Do Pictures
de réir: Dannatt, Adrian
Foilsithe / Cruthaithe: (1994)

Marina Abramovic : Vanessa Beecroft ; Shirin Neshat ; Modern Nomads
de réir: Kontova, Helena, et al.
Foilsithe / Cruthaithe: (2007)

Marina and Ulay : Half Man, Half Woman
de réir: Kontova, Helena, et al.
Foilsithe / Cruthaithe: (2008)

Terence Koh, Banks Violette : Two Of A Kind
de réir: Koh, Terence, et al.
Foilsithe / Cruthaithe: (2007)

Moser & Schwinger : the theater and its double
de réir: Politi, Gea
Foilsithe / Cruthaithe: (2005)

Allora & Calzadilla : the monstrous dimension of art
de réir: McKee, Yates
Foilsithe / Cruthaithe: (2005)

Possible works : Henrik Olesen and Kirsten Pieroth
de réir: Fabricius, Jacob
Foilsithe / Cruthaithe: (2002)

A conversation : Uklanski / Cattelan ; earth, wind and fire
de réir: Uklanski, Piotr, et al.
Foilsithe / Cruthaithe: (2004)