Case Study : Half Full - Half Empty ; The artist's first web-based project began with the barest of ideas ; that two people would be having a conversation, and that their relationship would be revealed indirectly

QR koda

Case Study : Half Full - Half Empty ; The artist's first web-based project began with the barest of ideas ; that two people would be having a conversation, and that their relationship would be revealed indirectly

Bibliografske podrobnosti
izdano v:	frieze 118(2008)S. 270/271
VerfasserIn:	Bloom, Barbara (VerfasserIn), Trainor, James (VerfasserIn)
Format:	Aufsatz in Zeitschrift
Jezik:	German
Izdano:	2008
Teme:	Trainor, James > Interview > Interview&rows=25 Bloom, Barbara Aufsatz
Sorodne knjige/članki:	In: frieze

Podobne knjige/članki

Barbara Bloom
od: Shottenkirk, Dena, et al.
Izdano: (1992)

Aufgespießte Schmetterlinge
od: Bloom, Barbara, et al.
Izdano: (1994)

Der Zauber der Symmetrie oder die Macht der Ordnung : ein Gespräch
od: Goldmann, Daniela, et al.
Izdano: (1990)

Case Study : Spiteful of Dream ; The artists employ voices for the first time in an installation that comprises film, sound and kinetic elements
od: Wilson, Louise, et al.
Izdano: (2008)

Case Study : "In the Cherishes Company of Others" ; A new work is a retrospective, of sorts
od: Chaimowicz, Marc Camille, et al.
Izdano: (2008)

"Ich glaube, ich stehe irgendwo zwischen Rothko und der kargen konzeptuellen Kunst" : ein Gespräch mit Barbara Bloom
od: Weskott, Hanne
Izdano: (1994)

Insert : Barbara Bloom
od: Bloom, Barbara
Izdano: (1993)

The theory : the excerpt : the following pages are selected from Gold Custody, a collaborative book by Barbara Bloom and Ben Lerner, published this month by MACK
od: Bloom, Barbara, et al.
Izdano: (2021)

Gold custody : Barbara Bloom, Ben Lerner
od: Bloom, Barbara, et al.
Izdano: (2021)

The Collections of Barbara Bloom
od: Bloom, Barbara
Izdano: (2007)

The reign of narcissism : guide book, Führer ; Württembergischer Kunstverein Stuttgart [8.2. -11.3.1990]; Kunsthalle Zürich [31.3. - 27.5.1990]; Serpentine Gallery, London [1.8. - 9.9.1990]
od: Bloom, Barbara
Izdano: (1990)

Und wenn sie nicht gestorben sind
Izdano: (1988)

Esprit de l'escalier : Barbara Bloom
Izdano: (1988)

Barbara Bloom : never odd or even : [this publication accompanies the exhibition Signa te, signa temere me tangis et angis, Kunstverein München, 1990 ; the Carnegie Museum of Art, Pittsburgh, 1992]
od: Goldmann, Daniela, et al.
Izdano: (1992)

Barbara Bloom : The Reign of Narcissism : Württembergischer Kunstverein, Stuttgart, 8.2.-11.3.1990 : Kunsthalle, Zürich, 31.3.-27.5.1990 : Serpentine Gallery, London, 1.8.-9.9.1990
od: Meinhardt, Johannes
Izdano: (1990)

Riddles for minds and Bodies : Barbara Bloom's work brings warmth and formal wit to the cerebral stategies associated with her Pictures Generation cohort.
od: Gilsdorf, Bean
Izdano: (2018)

Private and Public : Barbara Bloom's work has long engaged in a strategic flirtation with invisibility that makes looking both enticing and difficult
od: Tallman, Susan
Izdano: (1995)

Personal Effects : a chronologically scrambled exhibition of Barbara Bloom's work evokes an estate auction - and an identity whose elusiveness only increases with exposure
od: Princenthal, Nancy
Izdano: (2008)

Artist Project : Barbara Bloom
od: Tallman, Susan
Izdano: (2011)

Dazwischen : Zu einer neuen Publikation von Barbara Bloom
od: Hürlimann, Annemarie
Izdano: (1989)

Barbara Bloom and her art of entertaining
od: Rimanelli, David
Izdano: (1989)

The Collections of Barbara Bloom : Martin-Gropius-Bau, Berlin, 22.8.-9.11.2008
od: Hafner, Hans-Jürgen
Izdano: (2008)

If you could live with only one piece of art, what would it be?
od: Burr, Tom
Izdano: (2008)

As it were so to speak : a museum collection in dialogue with Barbara Bloom
Izdano: (2015)

Case Study : Harpstrings and Lava and Minotaur ; Two new films, influenced by friend's childhood nightmare and a choreographer, which grew from collaboration and improvisation
od: Martin, Daria
Izdano: (2008)

Case Study : Seizure ; In a new section, frieze examines the evolution of an art work. First up ; a commision that involved the artist filling a condemned building with 90,000 litres of chemical liquid
od: Hiorns, Roger, et al.
Izdano: (2008)

Ha! Ha! : I forgot to laugh! : John Baldessari by Barbara Bloom
od: Bloom, Barbara
Izdano: (2009)

Barbara Bloom, Shelley Hirsch : Die Versuchung der Künste
od: Ochaim, Brygida
Izdano: (1994)

Harold Bloom : I do not think there is what can be called an advanced cognitive criticism of the visual arts. : The major nineteenth century art critics were really literary figures
od: Schwabsky, Barry, et al.
Izdano: (1988)

Re-opening the National Glass Centre in Sunderland ; Ein Interview
od: Klotz, Uta M., et al.
Izdano: (2013)

Japanese designer Naoto Fukasawa talks to Emily King about his interest in the interaction between people, everyday objects and their environments
od: King, Emily, et al.
Izdano: (2008)

James Clar : 2001 - 2010
od: Clar, James
Izdano: (2010)

Metal Works : Richard Serra's new show of monumental sculptures heralds the artist's first exhibition in London for 16 years he talked with Adrian Searle about the evolution of his ideas and his plans for the future
od: Searle, Adrian, et al.
Izdano: (2008)

Full-circle horror : James Bantone in conversation with Olamiju Fajemisin : a conversation
od: Bantone, James, et al.
Izdano: (2022)

Big Shoes and small Footprints : ein Interview
od: Lovell, Sophie, et al.
Izdano: (2013)

James Lee Byars im Gespräch mit Joachim Sartorius
od: Sartorius, Joachim
Izdano: (1996)

An Interview
od: Barnes, Julia, et al.
Izdano: (1996)

An Interview
od: Mandle, Julia Barnes, et al.
Izdano: (2012)

What images keep you company in the space where you work? A newspaper clipping of a massive circus elephant with pink feathers on its head
od: Ström, Annika
Izdano: (2008)

On Making Pictures : Glaswegian novelist and artist Alasdair Gray answers questions from frieze about his approach to art, life and literature
od: Gray, Alasdair
Izdano: (2008)