Copeland, H. (2009). Figures and Grounds: By turns extravagant and direct, the portraits Barkley L. Hendricks has made of his African-American friends and neighbours since the late 1960s variously recall the indolent nudes of Philip Pearlstein and the deadpan chic of David Hockney Artforum asked art historian Huey Copeland to engage Hendricks's alternate realisms. Artforum.
Chicago-Zitierstil (17. Ausg.)Copeland, Huey. "Figures and Grounds: By Turns Extravagant and Direct, the Portraits Barkley L. Hendricks Has Made of His African-American Friends and Neighbours Since the Late 1960s Variously Recall the Indolent Nudes of Philip Pearlstein and the Deadpan Chic of David Hockney Artforum Asked Art Historian Huey Copeland to Engage Hendricks's Alternate Realisms." Artforum 2009.
MLA-Zitierstil (8. Ausg.)Copeland, Huey. "Figures and Grounds: By Turns Extravagant and Direct, the Portraits Barkley L. Hendricks Has Made of His African-American Friends and Neighbours Since the Late 1960s Variously Recall the Indolent Nudes of Philip Pearlstein and the Deadpan Chic of David Hockney Artforum Asked Art Historian Huey Copeland to Engage Hendricks's Alternate Realisms." Artforum, 2009.