Figures and Grounds : By turns extravagant and direct, the portraits Barkley L. Hendricks has made of his African-American friends and neighbours since the late 1960s variously recall the indolent nudes of Philip Pearlstein and the deadpan chic of David Hockney Artforum asked art historian Huey Copeland to engage Hendricks's alternate realisms

Bibliographische Detailangaben
Veröffentlicht in:Artforum 47(2009)8 = April, S. 142-149
VerfasserIn: Copeland, Huey (VerfasserIn)
Format: Aufsatz in Zeitschrift
Sprache:German
Veröffentlicht: 2009
Schlagworte:
Ähnliche Datensätze:In: Artforum
LEADER 00884naa a22001811c 4500
001 u67852
008 090504s2009 gw ger d
005 20250223154531.0
090 |a MAG ZS Art 4 2009(1 
100 1 |a Copeland, Huey  |4 aut 
245 1 0 |a Figures and Grounds  |b By turns extravagant and direct, the portraits Barkley L. Hendricks has made of his African-American friends and neighbours since the late 1960s variously recall the indolent nudes of Philip Pearlstein and the deadpan chic of David Hockney Artforum asked art historian Huey Copeland to engage Hendricks's alternate realisms 
264 1 |c 2009 
773 0 8 |i In  |t Artforum  |w z00003  |g 47(2009)8 = April, S. 142-149 
500 |a MAG ZS Art 4 2009(1 
591 0 |a MAG ZS Art 4 2009(1 
600 1 4 |a Hendricks, Barkley L.  |1 https://explore.gnd.network/search?term=Hendricks, Barkley L.&rows=25  |4 art 
655 4 |a Aufsatz 
099 1 |a 20090504