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|a MAG ZS Art 4 2009(3
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|a Godfrey, Mark
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|a Divided Interests
|b Between the abundance of postwar Italy's "economic miracle" and the ascetic bent of Conceptual art, the artist Alighiero Boetti took up the multiple implications of making and thinking, consumption and revolution, local and global. His remarkable oevre : On the occasion of a major retrospective of Boetti's work at the Museo d'Arte Contemporanea Donna Regina (MADRE) in Naples, on view until May 11, Artforum asked critic and curator Mark Godfrey to examine the artist's twinned and protean practices.
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|c 2009
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|g 47(2009)9 = May, S. 204-213
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|a Boetti, Alighiero
|0 11885241
|1 https://explore.gnd.network/search?term=11885241&rows=25
|1 https://explore.gnd.network/search?term=Boetti, Alighiero&rows=25
|4 art
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|a Boetti, Alighiero
|0 11885241
|1 https://explore.gnd.network/search?term=11885241&rows=25
|1 https://explore.gnd.network/search?term=Boetti, Alighiero&rows=25
|4 art
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