History and Antihistory : Confusing history, which is judgement and choice, with the past, which is a confused conglomeration of events, postmodernism draws and quotes from the catalogue of past events; but since it does not make value judgements, the information is worthless

Κώδικας QR

History and Antihistory : Confusing history, which is judgement and choice, with the past, which is a confused conglomeration of events, postmodernism draws and quotes from the catalogue of past events; but since it does not make value judgements, the information is worthless

Λεπτομέρειες βιβλιογραφικής εγγραφής
Τόπος έκδοσης:	Flash Art 18(1985)125, S. 54/55
Κύριος συγγραφέας:	Argan, Giulio Carlo (Συγγραφέας)
Μορφή:	Άρθρο
Γλώσσα:	German
Έκδοση:	1985
Θέματα:	Aufsatz
Σχετικά τεκμήρια:	In: Flash Art

Παρόμοια τεκμήρια

Reworking History : It Is Not Enough To "Relive" Germany's Past.
ανά: Graw, Isabelle
Έκδοση: (1989)

Edward Ruscha : An Abrogation Of Quality Judgement
ανά: Rubinstein, Meyer Raphael
Έκδοση: (1989)

Andreas Schulze : It is very important that sculpture and painting look alike, producing confusion about which was there first, which is the illustration of the other. In a way, they cancel each other out
ανά: Schmidt-Wulffen, Stephan, κ.ά.
Έκδοση: (1985)

Daniel Richter : Beauty through confusion
ανά: Romano, Gianni
Έκδοση: (2000)

Irwin : We Use Motifs which Surround Us From The Experience Of The History Of Forms. : An Interview
ανά: Bourriaud, Nicolas, κ.ά.
Έκδοση: (1989)

Yoko Ono : Testimony To The Confusion About What Art Might Be In The Art World Today
ανά: Liu, Catherine
Έκδοση: (1989)

Against Judgement : Photography problematises judgement argues
ανά: O'Kane, Paul
Έκδοση: (2014)

Value Judgement : Implacable convictions - the criticism of Benjamin Buchloh
ανά: Archer, Michael
Έκδοση: (2001)

History for : Conceptual art's bridge to mainstream art through postminimalism has blunted and unfocused the potential of its mission
ανά: Kosuth, Joseph
Έκδοση: (1988)

Matt Mullican : Cities As Machines In Which To Live
ανά: Als, Hilton
Έκδοση: (1989)

The Whitney Biennal : A post 80S Event
ανά: Salvioni, Daniela
Έκδοση: (1997)

Sculpture in France : Judgement can no longer be hierarchical, the battle is being fought elsewhere, it seems to be raging contemporaneously on the level of space and on that of fast-paced fashion, where is not seductive or well made is suddenly considered important, and conversely what does not correspond to the "criteria" is left aside
ανά: Grout, Catherine
Έκδοση: (1985)

Negotiating history : German art and the past
Έκδοση: (2002)

Walking Into History : Richard Long Uncovers The Experience Of Vast, Open Landscape Buried Beneath The Foundation Of Sculpture And All Human Construction
ανά: Joyce, Conor
Έκδοση: (1989)

José Maldonado : A Theater Of Reality Which Staggers Comprehension And Denies Fulfilment
ανά: Brea, José Luis
Έκδοση: (1992)

The unbearable lightness of whiteness : Whose past, present, and future?
ανά: Sirmans, Franklin
Έκδοση: (1997)

Room as Medium : For Förg, Mucha and Merz the room is not only a stage on which they present their works, but the material. Their intervention transforms the space, making it full of meaning
ανά: Schmidt-Wulffen, Stephan
Έκδοση: (1986)

Michelangelo Pistoletto : The Mirror of Judgement
Έκδοση: (2011)

Guyton / Walker : The Failever of Judgement
Έκδοση: (2005)

Judgement Call : the return of aesthetic
ανά: Wilsher, Mark
Έκδοση: (2004)

Anthony Caro : The Last Judgement
ανά: Drathen, Doris von
Έκδοση: (1999)

Ulrich Horndasch : Horndasch presents pictorial riddles in which formal elements awaken vague remembrances
ανά: Hegewisch, Katharina
Έκδοση: (1988)

a Rude choice
ανά: Udé, Iké
Έκδοση: (1999)

a RudeChoice
ανά: Udé, Iké
Έκδοση: (1999)

a Rude Choice
ανά: Udé, Iké
Έκδοση: (1999)

A rude choice
ανά: Udé, Iké
Έκδοση: (1999)

The Church of the New Art : Far from being a radical break with the past, British art of the past five years has attempted to emphasize the importance of a continuing tradition
ανά: Januszczak, Waldemar
Έκδοση: (1985)

The American BiNational : No Compelling Or Logical Insights, But Which Curator Was Able To Pander How Many Of His Or Her Protegés
ανά: Graw, Isabelle
Έκδοση: (1989)

Interview With Peter Bürger : Art Which Functions As Commodity Strikes Me As A Dead End - It Has No Bite ; An Interview
ανά: Graw, Isabelle, κ.ά.
Έκδοση: (1989)

A joyful confusion
ανά: Boullet, Victor
Έκδοση: (2002)

Peter Halley : At The End Of History
ανά: Politi, Giancarlo, κ.ά.
Έκδοση: (2008)

Fluxus : A history Of Fluxus
ανά: Dreyfus, Charles
Έκδοση: (2008)

Anri Sala : unfinished histories
ανά: Gioni, Massimiliano, κ.ά.
Έκδοση: (2001)

Stephen Prina : History As Image
ανά: Decter, Joshua
Έκδοση: (1991)

Pure Invention : "Precisely pure, arbitrary invention only valid when it has been built on the ground of the past "
ανά: Koether, Jutta
Έκδοση: (1986)

The Last Judgement Sculpture von Anthony Caro
Έκδοση: (2001)

Mario Perniola : "For at least ten years my work has been moving towards a positive form of thought which declares that "Knowledge is power"
ανά: Perretta, Gabriele, κ.ά.
Έκδοση: (1988)

Phil Collins : face value
ανά: Robecchi, Michele, κ.ά.
Έκδοση: (2002)

Shirin Neshat : Eastern values
ανά: Bertucci, Lina
Έκδοση: (1997)

Rith Kligman : A commodity in art history
ανά: Pincus-Witten, Robert
Έκδοση: (1988)