Supermannerism : When everything is appropriated, production and reproduction become one.

Côd QR

Supermannerism : When everything is appropriated, production and reproduction become one.

Manylion Llyfryddiaeth
Cyhoeddwyd yn:	Flash Art 19(1986)127, S. 59-61
Prif Awdur:	Ottmann, Klaus (Awdur)
Fformat:	Erthygl
Iaith:	German
Cyhoeddwyd:	1986
Pynciau:	Aufsatz
Eitemau Perthynol:	In: Flash Art

Eitemau Tebyg

Supermannerism : new attitudes in post-modern architecture
gan: Smith, C. R.
Cyhoeddwyd: (1977)

Mannerism Anti-Mannerism : Simulation art has no need to transform advertisement and consumer goods into art ; Art is advertisement, consumer goods and vice versa
gan: Ottmann, Klaus
Cyhoeddwyd: (1986)

Heidegger, Beuys And The Consequences
gan: Ottmann, Klaus
Cyhoeddwyd: (1990)

The gaze of Orpheus : Face to face with the obscene; Painting is engaged in the delirium of communication
gan: Ottmann, Klaus
Cyhoeddwyd: (1988)

The art of the deal : Like wall street the Gallery is an intermediary between the past and the future, the old and the new art, the place where the power of art meet and money changes hands
gan: Ottmann, Klaus
Cyhoeddwyd: (1988)

Photomannerisms : The direct descendant of Parmigianino's Convex Mirror, photography is the mannerist art form par excellence
gan: Ottmann, Klaus
Cyhoeddwyd: (1987)

Georg Baselitz : Head Of The German State
gan: Ottmann, Klaus
Cyhoeddwyd: (1991)

Anselm Kiefer : Bacteritic Seaweed. Dioxin. Toxin. Weed Killer
gan: Ottmann, Klaus
Cyhoeddwyd: (1989)

James Lee Byars : A Master Thief Of Time
gan: Ottmann, Klaus
Cyhoeddwyd: (1989)

Edward Kienholz And Nancy Reddin Kienholz
gan: Ottmann, Klaus
Cyhoeddwyd: (1990)

Who's Afraid of Salomé? : "I'm not painting for others. Naturally, I'm happy and satisfied when people like what I do, but mainly I'm painting for myself. Maybe that's why the paintings have so much to do with sex."
gan: Ottmann, Klaus, et al.
Cyhoeddwyd: (1985)

The Solid and the Fluid Bartlett, Laib, Kiefer : A rhapsody on three artists who exploit the properties of matter
gan: Ottmann, Klaus
Cyhoeddwyd: (1985)

Artists in Exile : The postavant-garde artists are not interested in originality, but in displaceability ; their works are driftworks, compilations of found objects
gan: Ottmann, Klaus
Cyhoeddwyd: (1985)

The world according to Byars, Beuys, Dokoupil
gan: Ottmann, Klaus
Cyhoeddwyd: (1985)

Space fictions : "There is a place where illusion and reality become one "
gan: Brooks, Rosetta
Cyhoeddwyd: (1986)

Everything that's interesting is new
gan: Ferguson, Bruce, et al.
Cyhoeddwyd: (1996)

Gérard Garouste : Today One Of The Traps Is Our Abominable Consciousness Of Good Taste Where Everything Is Possible ; An Interview
gan: Lebert, Muriel, et al.
Cyhoeddwyd: (1989)

Sherrie Levine : Enshrinement As An Appropriate Critique
gan: Harrison, Katherine
Cyhoeddwyd: (1989)

Wolfgang Laib. "I like Africa, India, but also St. Francis of Assisi
gan: Ottmann, Klaus, et al.
Cyhoeddwyd: (1988)

Becoming digital
gan: Eamon, Christopher
Cyhoeddwyd: (2003)

Into me / out of me : hell : one of the last chapters
gan: Biesenbach, Klaus
Cyhoeddwyd: (2006)

Jeff Koons : "Popples", An Appropriate Icon For An Era Of Gross Inanity
gan: Chua, Lawrence
Cyhoeddwyd: (1989)

How latitudes become forms
gan: Knode, Marilu
Cyhoeddwyd: (2003)

Russia defocused : the periphery becomes the center
gan: Matveyeva, Anna
Cyhoeddwyd: (2005)

Fareed Armaly : The Nature and Method Of Cultural Production
gan: Draxler, Helmut
Cyhoeddwyd: (1992)

Signature as content : where words become pictures
gan: Lewisohn, Cedar
Cyhoeddwyd: (2002)

A conversation : A salon history of appropriation with Leo Castelli and Elaine Sturtevant
gan: Cameron, Dan, et al.
Cyhoeddwyd: (1988)

The Chapman Bros. : When will I be famous
gan: Maloney, Martin
Cyhoeddwyd: (1996)

Andro Wekua : Being At One With One's Self
gan: Baumann, Daniel
Cyhoeddwyd: (2007)

From Prague : Tradition becomes a moral obligation
gan: Sefcik, Jana, et al.
Cyhoeddwyd: (1988)

Andreas Schulze : "When the room is empty one goes to a corner." ; "I see my work within the tradition of German romanticism from Caspar David Friedrich to Beuys."
gan: Dickhoff, Wilfried, et al.
Cyhoeddwyd: (1986)

Rachel Feinstein : When Arte Povera meets Rococo
gan: Dannatt, Adrian
Cyhoeddwyd: (2003)

Jean-Luc Vilmouth : The Words "Painter" Or "Sculptor" In No Way Define Everything I Do
gan: Prodhon, Françoise-Claire, et al.
Cyhoeddwyd: (1992)

Zilla Leutenegger : you're innocent when you dream
gan: Robecchi, Michele
Cyhoeddwyd: (2004)

Station to station : Amsterdam has become a test market for the international new
gan: Nieuwenhuyzen, Martijn van
Cyhoeddwyd: (1987)

Spain's new generation : In this period of reconstruction, artworks become guideposts to a new openness
gan: Grout, Catherine
Cyhoeddwyd: (1988)

Return of the surreal : when the surrealists get real, the real fo surreal
gan: Christochowitz, Dunja, et al.
Cyhoeddwyd: (2002)

An economy of truth : Everything you always wanted to know about belgian art, but were afraid to ask a belgian.
gan: Peeters, Wim
Cyhoeddwyd: (2004)

Manuel Ocampo : One-Man National Movement
gan: Scarborough, James
Cyhoeddwyd: (1994)

Spinning one`s wheels in L. A. : Off the record
gan: Tumlir, Jan
Cyhoeddwyd: (2003)