Supermannerism : When everything is appropriated, production and reproduction become one.

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Supermannerism : When everything is appropriated, production and reproduction become one.

Bibliografiske detaljer
Udgivet i:	Flash Art 19(1986)127, S. 59-61
Hovedforfatter:	Ottmann, Klaus (VerfasserIn)
Format:	Aufsatz in Zeitschrift
Sprog:	German
Udgivet:	1986
Fag:	Aufsatz
Relaterede værker:	In: Flash Art

Lignende værker

Supermannerism : new attitudes in post-modern architecture
af: Smith, C. R.
Udgivet: (1977)

Mannerism Anti-Mannerism : Simulation art has no need to transform advertisement and consumer goods into art ; Art is advertisement, consumer goods and vice versa
af: Ottmann, Klaus
Udgivet: (1986)

Heidegger, Beuys And The Consequences
af: Ottmann, Klaus
Udgivet: (1990)

The gaze of Orpheus : Face to face with the obscene; Painting is engaged in the delirium of communication
af: Ottmann, Klaus
Udgivet: (1988)

The art of the deal : Like wall street the Gallery is an intermediary between the past and the future, the old and the new art, the place where the power of art meet and money changes hands
af: Ottmann, Klaus
Udgivet: (1988)

Photomannerisms : The direct descendant of Parmigianino's Convex Mirror, photography is the mannerist art form par excellence
af: Ottmann, Klaus
Udgivet: (1987)

Georg Baselitz : Head Of The German State
af: Ottmann, Klaus
Udgivet: (1991)

Anselm Kiefer : Bacteritic Seaweed. Dioxin. Toxin. Weed Killer
af: Ottmann, Klaus
Udgivet: (1989)

James Lee Byars : A Master Thief Of Time
af: Ottmann, Klaus
Udgivet: (1989)

Edward Kienholz And Nancy Reddin Kienholz
af: Ottmann, Klaus
Udgivet: (1990)

Who's Afraid of Salomé? : "I'm not painting for others. Naturally, I'm happy and satisfied when people like what I do, but mainly I'm painting for myself. Maybe that's why the paintings have so much to do with sex."
af: Ottmann, Klaus, et al.
Udgivet: (1985)

The Solid and the Fluid Bartlett, Laib, Kiefer : A rhapsody on three artists who exploit the properties of matter
af: Ottmann, Klaus
Udgivet: (1985)

Artists in Exile : The postavant-garde artists are not interested in originality, but in displaceability ; their works are driftworks, compilations of found objects
af: Ottmann, Klaus
Udgivet: (1985)

The world according to Byars, Beuys, Dokoupil
af: Ottmann, Klaus
Udgivet: (1985)

Space fictions : "There is a place where illusion and reality become one "
af: Brooks, Rosetta
Udgivet: (1986)

Everything that's interesting is new
af: Ferguson, Bruce, et al.
Udgivet: (1996)

Gérard Garouste : Today One Of The Traps Is Our Abominable Consciousness Of Good Taste Where Everything Is Possible ; An Interview
af: Lebert, Muriel, et al.
Udgivet: (1989)

Sherrie Levine : Enshrinement As An Appropriate Critique
af: Harrison, Katherine
Udgivet: (1989)

Wolfgang Laib. "I like Africa, India, but also St. Francis of Assisi
af: Ottmann, Klaus, et al.
Udgivet: (1988)

Becoming digital
af: Eamon, Christopher
Udgivet: (2003)

Into me / out of me : hell : one of the last chapters
af: Biesenbach, Klaus
Udgivet: (2006)

Jeff Koons : "Popples", An Appropriate Icon For An Era Of Gross Inanity
af: Chua, Lawrence
Udgivet: (1989)

How latitudes become forms
af: Knode, Marilu
Udgivet: (2003)

Russia defocused : the periphery becomes the center
af: Matveyeva, Anna
Udgivet: (2005)

Fareed Armaly : The Nature and Method Of Cultural Production
af: Draxler, Helmut
Udgivet: (1992)

Signature as content : where words become pictures
af: Lewisohn, Cedar
Udgivet: (2002)

A conversation : A salon history of appropriation with Leo Castelli and Elaine Sturtevant
af: Cameron, Dan, et al.
Udgivet: (1988)

The Chapman Bros. : When will I be famous
af: Maloney, Martin
Udgivet: (1996)

Andro Wekua : Being At One With One's Self
af: Baumann, Daniel
Udgivet: (2007)

From Prague : Tradition becomes a moral obligation
af: Sefcik, Jana, et al.
Udgivet: (1988)

Andreas Schulze : "When the room is empty one goes to a corner." ; "I see my work within the tradition of German romanticism from Caspar David Friedrich to Beuys."
af: Dickhoff, Wilfried, et al.
Udgivet: (1986)

Rachel Feinstein : When Arte Povera meets Rococo
af: Dannatt, Adrian
Udgivet: (2003)

Jean-Luc Vilmouth : The Words "Painter" Or "Sculptor" In No Way Define Everything I Do
af: Prodhon, Françoise-Claire, et al.
Udgivet: (1992)

Zilla Leutenegger : you're innocent when you dream
af: Robecchi, Michele
Udgivet: (2004)

Station to station : Amsterdam has become a test market for the international new
af: Nieuwenhuyzen, Martijn van
Udgivet: (1987)

Spain's new generation : In this period of reconstruction, artworks become guideposts to a new openness
af: Grout, Catherine
Udgivet: (1988)

Return of the surreal : when the surrealists get real, the real fo surreal
af: Christochowitz, Dunja, et al.
Udgivet: (2002)

An economy of truth : Everything you always wanted to know about belgian art, but were afraid to ask a belgian.
af: Peeters, Wim
Udgivet: (2004)

Manuel Ocampo : One-Man National Movement
af: Scarborough, James
Udgivet: (1994)

Spinning one`s wheels in L. A. : Off the record
af: Tumlir, Jan
Udgivet: (2003)