Supermannerism : When everything is appropriated, production and reproduction become one.

क्यूआर कोड

Supermannerism : When everything is appropriated, production and reproduction become one.

ग्रंथसूची विवरण
में प्रकाशित:	Flash Art 19(1986)127, S. 59-61
मुख्य लेखक:	Ottmann, Klaus (लेखक)
स्वरूप:	लेख
भाषा:	German
प्रकाशित:	1986
विषय:	Aufsatz
संबंधित चीजें :	In: Flash Art

समान संसाधन

Supermannerism : new attitudes in post-modern architecture
द्वारा: Smith, C. R.
प्रकाशित: (1977)

Mannerism Anti-Mannerism : Simulation art has no need to transform advertisement and consumer goods into art ; Art is advertisement, consumer goods and vice versa
द्वारा: Ottmann, Klaus
प्रकाशित: (1986)

Heidegger, Beuys And The Consequences
द्वारा: Ottmann, Klaus
प्रकाशित: (1990)

The gaze of Orpheus : Face to face with the obscene; Painting is engaged in the delirium of communication
द्वारा: Ottmann, Klaus
प्रकाशित: (1988)

The art of the deal : Like wall street the Gallery is an intermediary between the past and the future, the old and the new art, the place where the power of art meet and money changes hands
द्वारा: Ottmann, Klaus
प्रकाशित: (1988)

Photomannerisms : The direct descendant of Parmigianino's Convex Mirror, photography is the mannerist art form par excellence
द्वारा: Ottmann, Klaus
प्रकाशित: (1987)

Georg Baselitz : Head Of The German State
द्वारा: Ottmann, Klaus
प्रकाशित: (1991)

Anselm Kiefer : Bacteritic Seaweed. Dioxin. Toxin. Weed Killer
द्वारा: Ottmann, Klaus
प्रकाशित: (1989)

James Lee Byars : A Master Thief Of Time
द्वारा: Ottmann, Klaus
प्रकाशित: (1989)

Edward Kienholz And Nancy Reddin Kienholz
द्वारा: Ottmann, Klaus
प्रकाशित: (1990)

Who's Afraid of Salomé? : "I'm not painting for others. Naturally, I'm happy and satisfied when people like what I do, but mainly I'm painting for myself. Maybe that's why the paintings have so much to do with sex."
द्वारा: Ottmann, Klaus, और अन्य
प्रकाशित: (1985)

The Solid and the Fluid Bartlett, Laib, Kiefer : A rhapsody on three artists who exploit the properties of matter
द्वारा: Ottmann, Klaus
प्रकाशित: (1985)

Artists in Exile : The postavant-garde artists are not interested in originality, but in displaceability ; their works are driftworks, compilations of found objects
द्वारा: Ottmann, Klaus
प्रकाशित: (1985)

The world according to Byars, Beuys, Dokoupil
द्वारा: Ottmann, Klaus
प्रकाशित: (1985)

Space fictions : "There is a place where illusion and reality become one "
द्वारा: Brooks, Rosetta
प्रकाशित: (1986)

Everything that's interesting is new
द्वारा: Ferguson, Bruce, और अन्य
प्रकाशित: (1996)

Gérard Garouste : Today One Of The Traps Is Our Abominable Consciousness Of Good Taste Where Everything Is Possible ; An Interview
द्वारा: Lebert, Muriel, और अन्य
प्रकाशित: (1989)

Sherrie Levine : Enshrinement As An Appropriate Critique
द्वारा: Harrison, Katherine
प्रकाशित: (1989)

Wolfgang Laib. "I like Africa, India, but also St. Francis of Assisi
द्वारा: Ottmann, Klaus, और अन्य
प्रकाशित: (1988)

Becoming digital
द्वारा: Eamon, Christopher
प्रकाशित: (2003)

Into me / out of me : hell : one of the last chapters
द्वारा: Biesenbach, Klaus
प्रकाशित: (2006)

Jeff Koons : "Popples", An Appropriate Icon For An Era Of Gross Inanity
द्वारा: Chua, Lawrence
प्रकाशित: (1989)

How latitudes become forms
द्वारा: Knode, Marilu
प्रकाशित: (2003)

Russia defocused : the periphery becomes the center
द्वारा: Matveyeva, Anna
प्रकाशित: (2005)

Fareed Armaly : The Nature and Method Of Cultural Production
द्वारा: Draxler, Helmut
प्रकाशित: (1992)

Signature as content : where words become pictures
द्वारा: Lewisohn, Cedar
प्रकाशित: (2002)

A conversation : A salon history of appropriation with Leo Castelli and Elaine Sturtevant
द्वारा: Cameron, Dan, और अन्य
प्रकाशित: (1988)

The Chapman Bros. : When will I be famous
द्वारा: Maloney, Martin
प्रकाशित: (1996)

Andro Wekua : Being At One With One's Self
द्वारा: Baumann, Daniel
प्रकाशित: (2007)

From Prague : Tradition becomes a moral obligation
द्वारा: Sefcik, Jana, और अन्य
प्रकाशित: (1988)

Andreas Schulze : "When the room is empty one goes to a corner." ; "I see my work within the tradition of German romanticism from Caspar David Friedrich to Beuys."
द्वारा: Dickhoff, Wilfried, और अन्य
प्रकाशित: (1986)

Rachel Feinstein : When Arte Povera meets Rococo
द्वारा: Dannatt, Adrian
प्रकाशित: (2003)

Jean-Luc Vilmouth : The Words "Painter" Or "Sculptor" In No Way Define Everything I Do
द्वारा: Prodhon, Françoise-Claire, और अन्य
प्रकाशित: (1992)

Zilla Leutenegger : you're innocent when you dream
द्वारा: Robecchi, Michele
प्रकाशित: (2004)

Station to station : Amsterdam has become a test market for the international new
द्वारा: Nieuwenhuyzen, Martijn van
प्रकाशित: (1987)

Spain's new generation : In this period of reconstruction, artworks become guideposts to a new openness
द्वारा: Grout, Catherine
प्रकाशित: (1988)

Return of the surreal : when the surrealists get real, the real fo surreal
द्वारा: Christochowitz, Dunja, और अन्य
प्रकाशित: (2002)

An economy of truth : Everything you always wanted to know about belgian art, but were afraid to ask a belgian.
द्वारा: Peeters, Wim
प्रकाशित: (2004)

Manuel Ocampo : One-Man National Movement
द्वारा: Scarborough, James
प्रकाशित: (1994)

Spinning one`s wheels in L. A. : Off the record
द्वारा: Tumlir, Jan
प्रकाशित: (2003)