After the Cull

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After the Cull

Sonraí bibleagrafaíochta
Foilsithe in:	Art and the moving image : a critical reader S. 246-257
Príomhchruthaitheoir:	Hupp, Elizabeth Bennett (Údar)
Formáid:	Alt
Teanga:	German
Ábhair:	Aufsatz
Le fáil in:	In: Art and the moving image : a critical reader

Míreanna comhchosúla

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Art and Cinema : Some Critical Reflections
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White Cube, Black Box and Grey Areas : Venues and Values
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The Gap Between Film and Installation Art
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Of an other Cinema
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Moving Images
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Siting Cinema
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Video Projection : The Space Between Screens
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Dissolution of the Frame : Immersion and Participation in Video Installations
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From Movies to Moving
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Difference and Repetition : On Guy Dbord's Films
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Deleuze's Time, or How the Cinematic Changes our Idea of Art
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Five Years Later
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Video, Flows and Real Time
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Live on Tape : Video, Liveness and the Immediate
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Tale of the Tape : Radical Software
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Video : The aesthetics of Narcissism
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Hardware : The Videosphere
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The Agonistic Relationship Between Video and Television

The Two Avant-Gardes
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Bare Lives
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Paul Sharits and the Active Spectator
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Culture: Intercom and Expanded Cinema : A Proposal and Manifesto
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Fluxfilms in Three False Starts
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Modes of Film Practice in the Avant-Garde
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You Never Know the Whole Story : Ute Friedrike Jürss and the Aesthetics of the Heterochronic Image
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Dependent Participation : Brucde Nauman's Environments
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The Art of the Possible : Notes About Some Installations by Harun Farocki
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The Museum of Attractions : Marcel Broodthaers and the Section Cinéma
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My Mind Split Open : Andy Warhol's Exploding Plastic Inevitable
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Enclosed by Images : The Eameses Multimedia Architecture
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Art after Philosophy and After : Collected Writings, 1966 - 1990
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After Europe
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Before and After
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After Images
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Theory After
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