Music and Feeling

Código QR

Music and Feeling

Detalhes bibliográficos
Publicado no:	The Journal of Aesthetics and Art Criticism 52(1994)1, S. 23-35
Autor principal:	Sparshott, Francis (VerfasserIn)
Formato:	Artigo
Idioma:	German
Publicado em:	1994
Assuntos:	Aufsatz
Exemplares Relacionados:	In: The Journal of Aesthetics and Art Criticism

Registos relacionados

Political Music and the Politics of Music
Por: Goehr, Lydia
Publicado em: (1994)

Music Criticism and Musical Meaning
Por: Herzog, Patricia
Publicado em: (1995)

On Listening to Music
Por: Miller, Thomas G.
Publicado em: (1994)

The Value of Music
Por: Graham, Gordon
Publicado em: (1995)

Aristotle on Music as Representation
Por: Sörbom, Göran
Publicado em: (1994)

The Experience of Emotion in Music
Por: Matravers, Derek
Publicado em: (2003)

Music for the Young at Heart
Por: Baugh, Bruce
Publicado em: (1995)

Listening with imagination. Is Music Representational?
Por: Walton, Kendall
Publicado em: (1994)

Autonomist/Formalist Aesthetics, Music Theory, and the Feminist Paradigm of Soft Boundaries
Por: Detels, Claire
Publicado em: (1994)

Introduction : New Directions in the Philosophy of Music
Por: Alperson, Philip
Publicado em: (1994)

Speech, Song, and the Transparency of Medium : a Note on Operatic Metaphysics
Por: Kivy, Peter
Publicado em: (1994)

Art and Anthropology
Por: Sparshott, Francis
Publicado em: (1997)

Musical Understanding and Musical Kinds
Por: Davies, Stephen
Publicado em: (1994)

Musical "Topics" and Expression in Music
Por: Martin, Robert L.
Publicado em: (1995)

Musical Sympathies : the Experience of Expressive Music
Por: Ridley, Aaron
Publicado em: (1995)

Feeling and Aesthetic Judgment : a Rejoinder to Tom Huhn
Por: Matthews, Patricia M.
Publicado em: (1997)

Feeling My Way : Jazz Improvisation and Its Vicissitudes - a Plea for Imperfection
Por: Brown, Lee B.
Publicado em: (2000)

Listening to Music : Performances and Recordings
Por: Gracyk, Theodore
Publicado em: (1997)

On Hearing the Music in the Sound : Scruton on Musical Expression
Por: Boghossian, Paul A.
Publicado em: (2002)

Musical Analysis as Articulation
Por: DeBellis, Mark
Publicado em: (2002)

The Cognitive Value of Music
Por: Young, James O.
Publicado em: (1999)

The Range of Musical Semantics
Por: Swain, Joseph P.
Publicado em: (1996)

"Musical Thinging" and Thinking About Music" in Ethnomusicology ; An Essay of Personal Interpretation
Por: Nettl, Bruno
Publicado em: (1994)

The Expression and Arousal of Emotion in Music
Por: Robinson, Jenefer
Publicado em: (1994)

Kinds, Types, and Musical Ontology
Por: Nussbaum, Charles
Publicado em: (2003)

Musical and Linguistic Speech Acts
Por: London, Justin
Publicado em: (1996)

Emotions in Music (a Postscript)
Por: Goldman, Alan
Publicado em: (1995)

A Lack of feeling in Kant ; Response to Patricia M. Matthews
Por: Huhn, Tom
Publicado em: (1997)

Expressiveness as a Property of the Music Itself
Por: Trivedi, Saam
Publicado em: (2001)

Narrative, Drama, and Emotion in Instrumental Music
Por: Maus, Fred Everett
Publicado em: (1997)

The Essential Role of Improvisation in Musical Performance
Por: Gould, Carol S., et al.
Publicado em: (2000)

Musical Works, Improvisation, and the Principle of Continuity
Por: Brown, Lee B.
Publicado em: (1996)

Can Music Convey Semantic Content? : a Kantian Approach
Por: Bicknell, Jeanette
Publicado em: (2002)

Music in Art : Through the Ages
Por: Phillips, Tom
Publicado em: (1998)

Avant-Garde Issues In Seventies Music
Por: DeLio, Thomas
Publicado em: (1979)

Shostakovich's Tenth Symphony and the Musical Expression of Cognitively Complex Emotions
Por: Karl, Gregory, et al.
Publicado em: (1995)

Visual Music : Synaesthesia in Art and Music since 1900
Publicado em: (2005)

Just Music : Free Fun Spectacle : Nonnenhaus, Tübingen, 28.6.1988
Por: Meinhardt, Johannes
Publicado em: (1988)

Kant on Music and the Hierarchy of the Arts
Por: Parret, Herman
Publicado em: (1998)

World Music and the Globalization of Sound and Roland Robertson
Por: Inglis, David
Publicado em: (2005)