Polarization : "Polish Presences," an exhibition mounted last fall by the Pompidou Center in Paris, granted equal time to diametrically opposed artistic tendencies of the 1920s and '30s. Below, a consideration of Wladyslaw Strzeminski and Katarzyna Kobro, the beacons of the Polish Constructivist movement.

書誌詳細
出版年:Art in America 72(1984)4, S. 152-161
第一著者: Bois, Yve-Alain (著者)
フォーマット: 論文
言語:German
出版事項: 1984
主題:
関連資料:In: Art in America
その他の書誌記述
請求記号:ZG ZS Art 5