The Disappearing Mural : The latest entry in the postmodern genre of inventory painting, Roy Lichtenstein's "Greene Street Mural" denied the implications of the artist's own imagery by making it ephemeral, transient. What is more, by the time you read this, the work itself will no longer exist

Bibliographische Detailangaben
Veröffentlicht in:Art in America 72(1984)3, S. 102-106
VerfasserIn: Indiana, Gary (VerfasserIn)
Format: Aufsatz in Zeitschrift
Sprache:German
Veröffentlicht: 1984
Schlagworte:
Ähnliche Datensätze:In: Art in America
LEADER 00984naa a22001691c 4500
001 u88499
008 130129s1984 gw ger d
005 20241106185343.0
090 |a ZG ZS Art 5 
100 1 |a Indiana, Gary  |4 aut 
245 1 4 |a The Disappearing Mural  |b The latest entry in the postmodern genre of inventory painting, Roy Lichtenstein's "Greene Street Mural" denied the implications of the artist's own imagery by making it ephemeral, transient. What is more, by the time you read this, the work itself will no longer exist 
264 1 |c 1984 
773 0 8 |i In  |t Art in America  |w z00157  |g 72(1984)3, S. 102-106 
600 1 4 |a Lichtenstein, Roy  |0 11857263  |1 https://explore.gnd.network/search?term=11857263&rows=25  |1 https://explore.gnd.network/search?term=Lichtenstein, Roy&rows=25  |4 art 
690 1 4 |a Lichtenstein, Roy  |0 11857263  |1 https://explore.gnd.network/search?term=11857263&rows=25  |1 https://explore.gnd.network/search?term=Lichtenstein, Roy&rows=25  |4 art 
655 4 |a Aufsatz 
099 1 |a 20130129