Paloma Varga Weisz : My Influence ; the German artist discusses the evolution of her pictorial language and Jennifer Higgie responds to her "heart-Breaking hallucinations"

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Paloma Varga Weisz : My Influence ; the German artist discusses the evolution of her pictorial language and Jennifer Higgie responds to her "heart-Breaking hallucinations"

Λεπτομέρειες βιβλιογραφικής εγγραφής
Τόπος έκδοσης:	frieze 163(2014)S. 140-147
Κύριοι συγγραφείς:	Higgie, Jennifer (Συγγραφέας), Varga Weisz, Paloma (Συγγραφέας)
Μορφή:	Άρθρο
Γλώσσα:	German
Έκδοση:	2014
Θέματα:	Varga Weisz, Paloma > Interview Aufsatz
Σχετικά τεκμήρια:	In: frieze

Παρόμοια τεκμήρια

Paloma Varga Weisz : dem Holz entsprungen : ein Gespräch
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Paloma Varga Weisz
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Paloma Varga Weisz
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Paloma Varga Weisz über die Rembrandt-Zeichnung "Elsje Christiaens am Galgen" (1664)
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Paloma Varga Weisz : Museum Kurhaus Kleve-Ewald Mataré-Sammlung, 14.3.-9.5.2004
ανά: Jocks, Heinz-Norbert
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Gilded Age : A Tale of to-day ; Paloma Varga Weisz
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Albträume in Lindenholz : Paloma Varga Weisz
ανά: Danicke, Sandra
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Zeichnungen
ανά: Varga Weisz, Paloma
Έκδοση: (2005)

Maison de Plaisance : "Rosemarie Trockel / Paloma Varga Weisz" ; Museum Morsbroich, Leverkusen, 17.6.-30.9.2012
ανά: Reindl, Uta M.
Έκδοση: (2012)

Review : Heiter bis schaurig ; Rosemarie Trockel und Paloma Varga Weisz in Leverkusen ; "Maison de Plaisance - Rosemarie Trockel/Paloma Varga Weisz", Museum Morsbroich, Leverkusen, bis 30. September 2012
ανά: Wach, Alexandra
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Maison de Plaisance : Rosemarie Trockel, Paloma Varga Weisz
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Paloma Polo
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raumfürraum : Katharina Grosse, Hendrik Krawen, Rita McBride, Therese Schult, Dirk Skreber, Lee Thomas Taylor, Paloma Varga Weisz ; Kunsthalle Düsseldorf und Kunstverein für die Rheinlande und Westfalen (Düsseldorf), 4.12.2004 - 6.2.2005
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Paloma Proudfoot
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Paloma Navares : Fragmentos del jardin de la memoria
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Paloma Torres : ihre Kunst im öffentlichen Raum transferiert die Stadtlandschaft
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8 Painters On Painting : Jennifer Higgie asked eight artists to share their thoughts on the whys and wherefores of figurative painting
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Raumfürraum : Katharina Grosse
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Matt Lipps : Home and where the heart is
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Queer Time & Place : "What does it mean to make queer art now?" ; Paul Clinton asks artists and writers Catherine Lord, Carlos Motta, Charlotte Prodger, James Richards, Prem Sahib and A. L. Steiner to respond ; An Interview
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Sonntag mit Helios : die neue Eva im "Paradies" von Morgen
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Beaverworld
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Island Life : Holly Bynoe, Charles Campbell Caryl Ivrisse-Crochemar reflect on the role of contemporary art in the Caribbean ; An interview
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Meric Algün Ringborg : The act of writing and the "shadowy constitution of authorship"
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Claudia Wieser : A post-Bauhaus approach to transforming public and private spaces
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Janine Janet's sculptural creations for Balenciaga's windows
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Exist Ghosts : Phantoms and immaterial labour in the films of Agnieszka Kurant
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Adapt to Change : The films of Albert Serra
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Cara Tolmic : Tension, Translation and improvisation
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Samara Golden : Disorientating interiors and invented spaces
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The New, The New : Ross Simonini talks to Henry Flynt about half a century's worth of wildly divergent activities, from his early formulation of "concept art" to musical experiments and philosophical writings ; An Interview
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Something in the Water : Magali Reus is part of a group of young, London-based artists exploring sleek surfaces and abject bodies
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Histories Of Violence : Has 12 Years a slave finally exorcised Hollywood's racist legacy? Morgan Quaintance considers representations of slavery on screen
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What Am I Doing Here? : Luca Vitone and the contemporary Italian landscape
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Loretta Fahrenholz : Films crafted from complexity, complicity and contradiction
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Raafat Ishak : The merging of politics, materials and metaphysics
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Said & Done : Cally Spooner's work explores how technology and new media are making performers of us all
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Only The Lonely : Dan Fox talks to Michael Smith about minimalism, comedy and failure ; An Interview
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Mergers & Acquisitions : Xu Zhen and his cultural production organization, MadeIn Company
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Benedict Drew : Puncturing fantasies ; exhausted images and the "me"generation
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