Video Show House : In the voyeuristically addictive daytime television programme Through The Keyhole Loyd Grossman takes us on a televisual tour of celebrity homes

Código QR

Video Show House : In the voyeuristically addictive daytime television programme Through The Keyhole Loyd Grossman takes us on a televisual tour of celebrity homes

Detalhes bibliográficos
Publicado no:	Art Monthly (2000)238 = July - August, S. 11-14
Autor principal:	Staple, Polly (VerfasserIn)
Formato:	Artigo
Idioma:	German
Publicado em:	2000
Assuntos:	Aufsatz
Exemplares Relacionados:	In: Art Monthly

Registos relacionados

Video Lives : An item of domestic white goods is being martyred
Por: Archer, Michael
Publicado em: (1999)

The Art of the Third Way : The art of New Labour
Por: Charlesworth, JJ
Publicado em: (2000)

Whoops Apocalypse! : More funfair than fin de siécle
Por: Wilson, Michael
Publicado em: (2000)

Order v Chaos : The compulsion to classify
Por: Wilson, Andrew
Publicado em: (2000)

Art for All? : art's new popularity signals a shift in public attitudes
Por: Molyneux, John
Publicado em: (2000)

Continental Drift : on the marketing of multiculturalism
Por: Hylton, Richard
Publicado em: (2000)

Tate Trials : much to admire in Tate Britain's new hang
Por: Garlake, Margaret
Publicado em: (2000)

The Curator also Rises : Tate Modern
Por: Bickers, Patricia
Publicado em: (2000)

Shop Front : Saatchi and White Cube open for business
Por: Wilson, Michael
Publicado em: (2000)

On the Dome Front : A lukewarm utopia
Por: Beech, Dave
Publicado em: (2000)

Mayday! May Day! : Social conscience and political engagement in art is back in the mainstream
Por: Charlesworth, JJ
Publicado em: (2000)

MoMA 2 : The merging of MoMA and PS 1
Por: Kastner, Jeff
Publicado em: (2000)

Women Behaving Badly : Dada girls and boys and yBas
Por: Hopkins, David
Publicado em: (2000)

Babe Power : Bad Girls and Babes ; Postfeminism
Por: Pollack, Barbara
Publicado em: (2000)

Photoshock : A Parisian perspective
Por: Dusinberre, Deke
Publicado em: (2000)

Flights of Fancy : Panamarenko's flying machines
Por: Schultz, Deborah
Publicado em: (2000)

Obsession : by Yayoi Kusama
Por: Walsh, Maria
Publicado em: (2000)

Everything and Nothing : Conceptual Art in Britain
Por: Wilson, Andrew
Publicado em: (2000)

All You Need is Love : Warhol and Koons in Love
Por: Beech, Dave
Publicado em: (2000)

2000 and What? : One answer to the question ; 2000 and what? could be 2001
Por: Bickers, Patricia
Publicado em: (1999)

Beuys will be Beuys : The German Century ; The canonisation of Joseph Beuys
Por: Archer, Michael
Publicado em: (1999)

Cruise Control : The American Century ; The blockbuster picks up speed
Por: Kastner, Jeffrey
Publicado em: (1999)

Writing Art : The performative cast of writing, which normally dictates
Por: Williamson, Aaron
Publicado em: (1999)

Global v Local : Where "Cities on the Move" at the Hayward Gallery was concerned with the Far East as a global phenomenon
Por: Hylton, Richard
Publicado em: (1999)

The fame Game : From Marilyn to Monica
Por: Pollack, Barbara
Publicado em: (1999)

Ever Felt Had? : The Tate's summer entertainment is indeed provocative ; Abracadabra is claimed as the result of curatorial labour but is more readily comprehended as a work by Maurizio Cattelan
Por: Hunt, Ian
Publicado em: (1999)

Hell in the Pacific : Is there a new orientalism abroad?
Por: Farquharson, Alex
Publicado em: (1999)

American Angst : Enormous wealth and unrivalled power are not typically thought of as spurs to introspection
Por: Kastner, Jeffrey
Publicado em: (1999)

All over the place : The 48th Venice Biennale will also be the last of the 20th Century
Por: Wilson, Andrew
Publicado em: (1999)

Trade Wins : East meets West in Venice ; Hidden agendas at the Biennale
Por: Barrett, David
Publicado em: (1999)

Back to the Land : Landscape art without irony?
Por: Haldane, John
Publicado em: (1999)

The Main Complaint : Art after apartheid
Por: Chambers, Eddie
Publicado em: (1999)

Show and tell : Polly Staple talks with Jens Hoffmann about his recent appointment as director of exhibitions at the Institute of Contemporary Arts (ICA), London
Por: Staple, Polly, et al.
Publicado em: (2004)

The Producer : Seth Price's exploration and manipulation of music, writing, publishing, plastic, curating, discursive performance, exhibition formats and video- and film-making
Por: Staple, Polly
Publicado em: (2008)

Essay on Video, Architecture and Television
Por: Graham, Dan

Video - Architecture - Television : Writings on Video and Video Works 1970 - 1978
Por: Graham, Dan
Publicado em: (1979)

Curator's Key : Polly Staple, Leiterin der Chisenhale Gallery in London, über Gustave Courbets "Ein Begräbnis in Ornans" (1849-50)
Por: Staple, Polly
Publicado em: (2014)

Switzerland : An ostensibly tidy, punctual and neutral country, and a global economic force : Polly Staple discusses ways of seeing
Por: Staple, Polly
Publicado em: (2008)

Tales from the City : How we create architectural spaces that in turn define our social behaviour is a constant theme in films of Clemens Wedemeyer
Por: Staple, Polly
Publicado em: (2008)

Risk Assessment : Elegant and minimal in form yet charged with menace, Micol Assaël's installations articulate the fear of violence and the terrible potency of technology
Por: Staple, Polly
Publicado em: (2007)