Video Show House : In the voyeuristically addictive daytime television programme Through The Keyhole Loyd Grossman takes us on a televisual tour of celebrity homes

QR koda

Video Show House : In the voyeuristically addictive daytime television programme Through The Keyhole Loyd Grossman takes us on a televisual tour of celebrity homes

Bibliografske podrobnosti
izdano v:	Art Monthly (2000)238 = July - August, S. 11-14
Glavni avtor:	Staple, Polly (VerfasserIn)
Format:	Aufsatz in Zeitschrift
Jezik:	German
Izdano:	2000
Teme:	Aufsatz
Sorodne knjige/članki:	In: Art Monthly

Podobne knjige/članki

Video Lives : An item of domestic white goods is being martyred
od: Archer, Michael
Izdano: (1999)

The Art of the Third Way : The art of New Labour
od: Charlesworth, JJ
Izdano: (2000)

Whoops Apocalypse! : More funfair than fin de siécle
od: Wilson, Michael
Izdano: (2000)

Order v Chaos : The compulsion to classify
od: Wilson, Andrew
Izdano: (2000)

Art for All? : art's new popularity signals a shift in public attitudes
od: Molyneux, John
Izdano: (2000)

Continental Drift : on the marketing of multiculturalism
od: Hylton, Richard
Izdano: (2000)

Tate Trials : much to admire in Tate Britain's new hang
od: Garlake, Margaret
Izdano: (2000)

The Curator also Rises : Tate Modern
od: Bickers, Patricia
Izdano: (2000)

Shop Front : Saatchi and White Cube open for business
od: Wilson, Michael
Izdano: (2000)

On the Dome Front : A lukewarm utopia
od: Beech, Dave
Izdano: (2000)

Mayday! May Day! : Social conscience and political engagement in art is back in the mainstream
od: Charlesworth, JJ
Izdano: (2000)

MoMA 2 : The merging of MoMA and PS 1
od: Kastner, Jeff
Izdano: (2000)

Women Behaving Badly : Dada girls and boys and yBas
od: Hopkins, David
Izdano: (2000)

Babe Power : Bad Girls and Babes ; Postfeminism
od: Pollack, Barbara
Izdano: (2000)

Photoshock : A Parisian perspective
od: Dusinberre, Deke
Izdano: (2000)

Flights of Fancy : Panamarenko's flying machines
od: Schultz, Deborah
Izdano: (2000)

Obsession : by Yayoi Kusama
od: Walsh, Maria
Izdano: (2000)

Everything and Nothing : Conceptual Art in Britain
od: Wilson, Andrew
Izdano: (2000)

All You Need is Love : Warhol and Koons in Love
od: Beech, Dave
Izdano: (2000)

2000 and What? : One answer to the question ; 2000 and what? could be 2001
od: Bickers, Patricia
Izdano: (1999)

Beuys will be Beuys : The German Century ; The canonisation of Joseph Beuys
od: Archer, Michael
Izdano: (1999)

Cruise Control : The American Century ; The blockbuster picks up speed
od: Kastner, Jeffrey
Izdano: (1999)

Writing Art : The performative cast of writing, which normally dictates
od: Williamson, Aaron
Izdano: (1999)

Global v Local : Where "Cities on the Move" at the Hayward Gallery was concerned with the Far East as a global phenomenon
od: Hylton, Richard
Izdano: (1999)

The fame Game : From Marilyn to Monica
od: Pollack, Barbara
Izdano: (1999)

Ever Felt Had? : The Tate's summer entertainment is indeed provocative ; Abracadabra is claimed as the result of curatorial labour but is more readily comprehended as a work by Maurizio Cattelan
od: Hunt, Ian
Izdano: (1999)

Hell in the Pacific : Is there a new orientalism abroad?
od: Farquharson, Alex
Izdano: (1999)

American Angst : Enormous wealth and unrivalled power are not typically thought of as spurs to introspection
od: Kastner, Jeffrey
Izdano: (1999)

All over the place : The 48th Venice Biennale will also be the last of the 20th Century
od: Wilson, Andrew
Izdano: (1999)

Trade Wins : East meets West in Venice ; Hidden agendas at the Biennale
od: Barrett, David
Izdano: (1999)

Back to the Land : Landscape art without irony?
od: Haldane, John
Izdano: (1999)

The Main Complaint : Art after apartheid
od: Chambers, Eddie
Izdano: (1999)

Show and tell : Polly Staple talks with Jens Hoffmann about his recent appointment as director of exhibitions at the Institute of Contemporary Arts (ICA), London
od: Staple, Polly, et al.
Izdano: (2004)

The Producer : Seth Price's exploration and manipulation of music, writing, publishing, plastic, curating, discursive performance, exhibition formats and video- and film-making
od: Staple, Polly
Izdano: (2008)

Essay on Video, Architecture and Television
od: Graham, Dan

Video - Architecture - Television : Writings on Video and Video Works 1970 - 1978
od: Graham, Dan
Izdano: (1979)

Curator's Key : Polly Staple, Leiterin der Chisenhale Gallery in London, über Gustave Courbets "Ein Begräbnis in Ornans" (1849-50)
od: Staple, Polly
Izdano: (2014)

Switzerland : An ostensibly tidy, punctual and neutral country, and a global economic force : Polly Staple discusses ways of seeing
od: Staple, Polly
Izdano: (2008)

Tales from the City : How we create architectural spaces that in turn define our social behaviour is a constant theme in films of Clemens Wedemeyer
od: Staple, Polly
Izdano: (2008)

Risk Assessment : Elegant and minimal in form yet charged with menace, Micol Assaël's installations articulate the fear of violence and the terrible potency of technology
od: Staple, Polly
Izdano: (2007)