Smith, W. S. (2017). Color is a boundary: Byron Kim's monochromes deftly combine Color Field aesthetics with social awareness and direct observation of the natural world. Art in America.
Čikaški stil citiranja (17. izdanje)Smith, William S. "Color Is a Boundary: Byron Kim's Monochromes Deftly Combine Color Field Aesthetics with Social Awareness and Direct Observation of the Natural World." Art in America 2017.
MLA način citiranja (8. izdanje)Smith, William S. "Color Is a Boundary: Byron Kim's Monochromes Deftly Combine Color Field Aesthetics with Social Awareness and Direct Observation of the Natural World." Art in America, 2017.
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