Smith, W. S. (2017). Color is a boundary: Byron Kim's monochromes deftly combine Color Field aesthetics with social awareness and direct observation of the natural world. Art in America.
Chicago (17e ed.) BronvermeldingSmith, William S. "Color Is a Boundary: Byron Kim's Monochromes Deftly Combine Color Field Aesthetics with Social Awareness and Direct Observation of the Natural World." Art in America 2017.
MLA (8e ed.) BronvermeldingSmith, William S. "Color Is a Boundary: Byron Kim's Monochromes Deftly Combine Color Field Aesthetics with Social Awareness and Direct Observation of the Natural World." Art in America, 2017.
Let op: Deze citaties zijn niet altijd 100% accuraat.