The Chaplin Files, 1952

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The Chaplin Files, 1952 : von Jennifer Wild

Sonraí bibleagrafaíochta
Foilsithe in:	October 160(2017)S. Seite 51-78 : Illustrationen
Príomhchruthaitheoir:	Wild, Jennifer (Údar)
Formáid:	Alt
Teanga:	English
Foilsithe / Cruthaithe:	2017
Ábhair:	Aufsatz
Le fáil in:	In: October

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Insertions into Historiographic Circuits
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Photographic Ecologies
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The Modern Invention of Barbarians : Ethnicity and the Transmission of Form
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Death Work in Venice : In memoriam Khadija Saye
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Fake News and Alternative Facts : Three Antidotes from History
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Global Comedy : Humor, Irony, Biennials
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Frankfurter Slapstick : Benjamin, Kracauer, and Adorno on American Screen Comedy
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Comedy and the Avant-Garde : an Introduction
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Future from the Balkans
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The Cinema of Afflictions
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The Feudal Unconscious : Capitalism and the Family Romance
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Fake News, Art, and Cognitive Justice
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Crazy
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Montage October : Dialectic of the Shot
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From Magician to Epistemologist : Vertov's The man with a Movie Camera
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October before October
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The GAKhN Dictionary of Artistic Terms
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Philanthropy and Plutocracy
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A Conversation with Jacques Tati
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What's So Funny? : Laughter and Anger in the Time of the Assasins
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Rooms : Richard Hamilton and Postmodernism
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Philanthropy and Plutocracy : the Case Of Steve Mnuchin
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Trusteeship In The Age Of Trump
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A Conversation with Robert Barry
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Seeing Oneself Seeing : a conversation with Lucy Raven
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Primer of French Journalism : Heinrich von Kleist
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KuratorInnen, die nicht kuratieren : Zeitgenössische Infrastrukturen in Beirut, Kairo, Alexandria und Istanbul
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"Ich poste, also bin ich" : Das Subjekt im Zeitalter der kybernetischen (Re-)Produzierbarkeit : Ein Interview mit Roberto Simanowski
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Gesellschaft der Antizipation? : Zur künstlerischen Auseinandersetzung mit einer automatisierten Zukunft
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Triple Canopy : Network-Curating : Sadie Benning
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Kontrafaktische Parallelwelt : Josh Klines digitale De-Animationen
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Some notes on Chaplin's Limelight
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