Drones and Snakes : Native American activists and artists see incursions like the Dakota Access Pipeline as violations of their history and being

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Drones and Snakes : Native American activists and artists see incursions like the Dakota Access Pipeline as violations of their history and being

Sonraí bibleagrafaíochta
Foilsithe in:	Art in America 105(2017)9 = October, S. Seite 104-109 : Illustrationen
Príomhchruthaitheoir:	Horton, Jessica L. (Údar)
Formáid:	Alt
Teanga:	English
Foilsithe / Cruthaithe:	2017
Ábhair:	Aufsatz
Le fáil in:	In: Art in America

Míreanna comhchosúla

After Columbus : five-hundreth anniversary of Christopher Columbus's epochal landing, Native American artists and curators offered their own take on First Contact and its often disastrous consequences
de réir: Montiel, Anya
Foilsithe / Cruthaithe: (2017)

What lies Beneath : foregrounding materilas and process in her sculptures, Sonya Kelliher-Combs grapples with the nuances and contradictions of Native life in the Arctic
de réir: Hutchinson, Elizabeth
Foilsithe / Cruthaithe: (2017)

Drastic Times : Radical Women: Latin American Art, 1960-1985 forges a new significance for previously excluded artists
de réir: Kreimer, Julian
Foilsithe / Cruthaithe: (2017)

Tropical Fantasies, Dark Histories : Nari Ward
de réir: Swenson, Kirsten
Foilsithe / Cruthaithe: (2017)

The Lightning Field : an Interview
de réir: Smith, William S., et al.
Foilsithe / Cruthaithe: (2017)

Alexander Calder at Whitney Museum of American Art, New York
de réir: Merjian, Ara H.
Foilsithe / Cruthaithe: (2017)

2017 Guide to Museums, Galleries, Artists
Foilsithe / Cruthaithe: (2017)

Laura Cottingham at Artists Space
de réir: Vogel, Wendy
Foilsithe / Cruthaithe: (2017)

The repatriation of FS : Florine Stettehimer's work reflects both the wealth that helped make her part of New York's cultural elite and the interwar era's conflicts over the meaning of American identity
de réir: Ives, Lucy
Foilsithe / Cruthaithe: (2017)

Citizen Noguchi : an exhibition at the noguchi Museum reveals how the artist's experience in a World War II internment camp altered both his art and his sense of identity
de réir: Gharavi, Maryam Monalisa
Foilsithe / Cruthaithe: (2017)

Farewell our Globalism : samöong China's post-Tiananmen avant-garde, the Guggenheim Museum evokes both fading one-world hopes and rising ethical divisiveness
de réir: Vine, Richard
Foilsithe / Cruthaithe: (2017)

They, the People : populist political movements have gained strength in recent years, but for whom, exactly, are they speaking?
de réir: Provan, Alexander
Foilsithe / Cruthaithe: (2017)

The Collective Imagination
de réir: Zacks, Stephen
Foilsithe / Cruthaithe: (2017)

MFA Quality : Bruce High Quality Foundation University has had to negotiate a position between institutionalization and anarchy
de réir: Lyle, Erica Dawn
Foilsithe / Cruthaithe: (2017)

Molecular Sculpture : chemical and biological processes open the encounter with artwork to nonvisual modes of sensation
de réir: Katrib, Ruba
Foilsithe / Cruthaithe: (2017)

In the Studio : Hock E Aye VI Edgar Heap of Birds : an Interview
de réir: Smith, William S., et al.
Foilsithe / Cruthaithe: (2017)

Postcommodity
de réir: Moreno, Gean
Foilsithe / Cruthaithe: (2017)

Embodying Survivance : Demian DineYazhi works in a DIY spirit, infusing punk aesthetics with a testimony to the endurance of Indigenous culture
de réir: Abreu, Manuel Arturo
Foilsithe / Cruthaithe: (2017)

Under Indigenous Eyes : European exhibitions revealed the critical spirit of global Indigeneity
de réir: McMaster, Gerald
Foilsithe / Cruthaithe: (2017)

Art Warriors and Wooden Indians
de réir: Ash-Milby, Kathleen
Foilsithe / Cruthaithe: (2017)

End of an Era
de réir: Struth, Thomas
Foilsithe / Cruthaithe: (2017)

First Look : Carolyn Lazard
de réir: Sutphin, Eric
Foilsithe / Cruthaithe: (2017)

First Look : Julia Weist
de réir: Smith, William S.
Foilsithe / Cruthaithe: (2017)

Thomas Trosch at Fredericks & Freiser
de réir: Sutphin, Eric
Foilsithe / Cruthaithe: (2017)

the Strength of Water : Maria Hupfield's community-oriented projects draw connections based on tribal relations and kinship, rather than the institutional structures of the art world
de réir: Fletcher, Vanessa Dion
Foilsithe / Cruthaithe: (2017)

First Look : Andrew Ross
de réir: Carney, Sean J. Patrick
Foilsithe / Cruthaithe: (2017)

First Look : Asgerdur Birna Björndsottir
de réir: Droitcour, Brian
Foilsithe / Cruthaithe: (2017)

Portfolio : Stephen Shore
de réir: Cohe, Joshua
Foilsithe / Cruthaithe: (2017)

Igniting the Archive : Minerva Cuevas
de réir: Simblist, Noah
Foilsithe / Cruthaithe: (2017)

Dithyrambs and Centaurs : two museum exhibitions in Washington, D.C., explore the references - from Classical to Nazi to Pop - running through the eccentric oeuvre of Markus Lüpertz
de réir: Adams, Brooks
Foilsithe / Cruthaithe: (2017)

Tom Burr at Armstrong Rubber Conpany / Prelli Tire Building
de réir: Markus, David
Foilsithe / Cruthaithe: (2017)

Moyra Davey at Buchholz
de réir: Elderton, Louisa
Foilsithe / Cruthaithe: (2017)

Marcia Hafif at Kunsthaus Baselland, Muttenz, Switzerland
de réir: Rosenmeyer, Aoife
Foilsithe / Cruthaithe: (2017)

Gianfranco Baruchello at Raven Row
de réir: Florian, Federico
Foilsithe / Cruthaithe: (2017)

Rachel Whiteread at Tate Britain, London
de réir: Coxhead, Gabriel
Foilsithe / Cruthaithe: (2017)

Storme Webber at Frye Art Museum, Seattle
de réir: Nguyen, Minh
Foilsithe / Cruthaithe: (2017)

Lisa Lapinski at Kristina Kite
de réir: Li, Jennifer S.
Foilsithe / Cruthaithe: (2017)

Stephanie Syjuco at Ryan Lee
de réir: Adamson, Glenn
Foilsithe / Cruthaithe: (2017)

Birdie Lusch at Kerry Schuss
de réir: Istomina, Tatiana
Foilsithe / Cruthaithe: (2017)

Kahlil Robert Irving at Callicoon Fine Arts
de réir: Ebony, David
Foilsithe / Cruthaithe: (2017)