Berlin Stories : On the occasion of the first Berlin Biennale, Flash Art edited a portfolio of texts celebrating Berlin as an art city at the nexus of space Tess Edmonson asks what's left of "the Berlin Myth." / von Tess Edmonson

Ähnliche Einträge

• Cattelan Cover Story : In 1994, Maurizio Cattelan was featured on the cover of Flash Art for the first time. Marco Senaldi analyses the strategic proliferation and canny mediation of Cattelan's bold imagery.
  von: Senaldi, Marco
  Veröffentlicht: (2017)
• Becoming Jeff : Jeff Koons was first featured on the cover of an art magazine in the February - March 1987 issue of Flash Art. Here, Maurizio Cattelan engages Koons in one of his tongue-in-cheek interviews - a practice also inaugurated in the pages of Flash Art : an Interview
  von: Koons, Jeff, et al.
  Veröffentlicht: (2017)
• Art Has to Stay Art : In 1967 and 1968, Flash Art published Piero Gilardi's diary of his travels between the United States and Northern Europe. In reassessing those texts, Marco Scotini reveals the significant role that Gilardi played in promoting the emergence of the post-Minimalist, poverista and conceptual art tendencies of the 1960s
  von: Gilardi, Piero, et al.
  Veröffentlicht: (2017)
• Aspiring to Dissolution : "Ambivalent Witness", Hou Hanru's survey of Chinese contemporary art published in Flash Art in 1996 Weng Xiaoyu sifts through the delemmas that still haunt the identity of Chinese art
  von: Weng, Xiaoyu, et al.
  Veröffentlicht: (2017)
• Bad Memory : During the early 1980s, Jeffrey Deitch wrote a regular column for Flash Art called "Art and Money". One such column - titled "Who Has the Power?" - specifically explored how art-world success is dependent on artist networks. Dena Yago reappraises Deitch's argument by reflecting on how collective memory is enacted and recorded.
  von: Yago, Dena
  Veröffentlicht: (2017)