the atelier: mixes, crossovers, displacements

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the atelier: mixes, crossovers, displacements

Sonraí bibleagrafaíochta
Foilsithe in:	The Dynamics of now : Papers submitted at conferences held at the Tate Gallery in 1995, 1996, 1997 and 1998, organised by the Wimbledon School of Art in collaboration with the Tate Gallery (2000)S. Seite 201-202
Príomhchruthaitheoir:	Echevarria, Guadalupe (Údar)
Formáid:	Alt
Teanga:	English
Foilsithe / Cruthaithe:	2000
Ábhair:	Aufsatz
Le fáil in:	In: The Dynamics of now : Papers submitted at conferences held at the Tate Gallery in 1995, 1996, 1997 and 1998, organised by the Wimbledon School of Art in collaboration with the Tate Gallery

Míreanna comhchosúla

At the end of the day
de réir: Gooding, Mel
Foilsithe / Cruthaithe: (2000)

This is tomorrow
de réir: Bauer, Ute Meta
Foilsithe / Cruthaithe: (2000)

the invisible subject. views from the missionary position
de réir: Catling, Brian
Foilsithe / Cruthaithe: (2000)

Travelling light: a brief analysis of the end of the work and the triumpf of the photographic colour transparency
de réir: Barlow, Phyllida
Foilsithe / Cruthaithe: (2000)

Mighty baby
de réir: Collings, Matthew
Foilsithe / Cruthaithe: (2000)

Teaching ignorance: a one-step programme
de réir: McKee, Francis
Foilsithe / Cruthaithe: (2000)

Burning questions, fiery answers
de réir: Jantjes, Gavin
Foilsithe / Cruthaithe: (2000)

I do it because I want to': fine artists, self-sufficiency and the arts economy
de réir: Selwood, Sara
Foilsithe / Cruthaithe: (2000)

New Labour, Tony Blair and the future of fine art
de réir: Sedgemore, Brian
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Chair's introduction
de réir: Allthorpe-Guyton, Marjorie
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Chair's summing up
de réir: Frayling, Christopher
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Beginning with intention
de réir: Orton, Fred
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The value of vision
de réir: Watson, Gray
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Students' intentions, archievement and evaluation
de réir: Wicks, Sylvia
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With intent: the burden of proof
de réir: Bickers, Patricia
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Avoiding the object
de réir: Parker, Cornelia
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On intention
de réir: Horsfield, Craigie
Foilsithe / Cruthaithe: (2000)

I need art like I need God
de réir: Emin, Tracey
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Clear inentions and withered promises
de réir: Baldwin, Michael
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A peculiarity of constitution or temperament
de réir: Farthing, Stephen
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Pirates in the museum : new strategies for fine art
de réir: Morgan, Jill
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Accelerated architecture : the new museum and electronic culture
de réir: Cubitt, Sean
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Back to the future
de réir: Wiggins, Colin
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The museum as a catalyst
de réir: Biswas, Sutapa
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Locations and strategies
de réir: Furlong, William
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The emerging artist and the museum
de réir: Miro, Victoria
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Here We Go
de réir: Aljabour, Fadi
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A Ghost's Note Symphobie
de réir: Nagel, Danae
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Stuck Online - A Diary on Teaching During Quarantine
de réir: Husain, Nadira
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A Line of Tape in the Wind
de réir: Kaaf, Ali
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Headbanging in the Bathroom
de réir: Grau, Max
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The Disobedient Class : Bottom-up Academies and Affirmative Education
de réir: Scotini, Marco
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Thinking about Thinking together
de réir: Kreuger, Anders
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Disciplining Thought vs. Nimble Thinging : possible stakes of Teaching Theory
de réir: Laermans, Rudi
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Masters of Unpredictability : Academies and Art Education
de réir: Hertmans, Stefan
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Art, Research, Entertainment
de réir: Lesage, Dieter
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Chain Reactions : Stepping Backwards or Escaping Forward?
de réir: Muzyczuk, Daniel
Foilsithe / Cruthaithe: (2013)

Between Romantic Isolation and Avant-Gardist Adaptation
de réir: Taken, Bert, et al.
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School - a Matter fo Form
de réir: Simons, Maarten, et al.
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Students, Teachers and their Managers in the Drama School
de réir: Bruyne, Paul de
Foilsithe / Cruthaithe: (2013)