Acting like Print : Drawing's Strategies of Multiplication

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Acting like Print : Drawing's Strategies of Multiplication

Sonraí bibleagrafaíochta
Foilsithe in:	The challenge of the object : 33rd Congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012 ; CIHA 2012, Nürnberg (2013)S. Seite 959-962 : Illustrationen
Príomhchruthaitheoir:	Schmidlin, Laurence (Údar)
Formáid:	Alt
Teanga:	English
Foilsithe / Cruthaithe:	2013
Ábhair:	Aufsatz
Le fáil in:	In: The challenge of the object : 33rd Congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012 ; CIHA 2012, Nürnberg

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the Multiple Art Work : the New Meaning of the Multiple Artwork in the Contemporary Print
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Mapping the Market for Mechanical Multiples : Associated American Artists' Prints in the Age of Online Reproduction
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Contructivism and Journal Editing : Reviews as an Example of Multiple Artworks
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"To create is divine - to reproduce is human" (Man Ray) : the Multiple Artwork
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Vasarely's Multiples : their Artistic Context and Long-term Philosophical Significance
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"Damaged Goods" : das multiple Objekt" in den 1980er Jahren
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The Multiples by Joseph Beuys as a Self-Referential Expansion of the Traditional Definition of Art
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Drawing as an Expression of the Artist? : Reflections on the Status and Function of Sixteenth-Century German Drawings
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Necessarily Unique : the Drawing as the Multiplicand in the 1960s
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Event/Site
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Infinite Social Landscape
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Charged Sites : on the Representation of Historic Place in Contemporary Photography
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Media Arts Challenge for our Societies : New Structures for 21. Centuries Humanities
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Political art in the Age of Invisibility : Contesting the Supermax
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Idol - Aura - Art : New Horizons of Early Modern Europe and the Beginnings of "Global Art History"
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The Persistence of Aura : from Medium-object to Medium-memory
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Art and Culture as Site of Contestation : the French Reception of the Frankfurt School
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Display or Displacement? Featuring the Object of Art in Photography
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The More Things Change : the Museum as Producer and Performer
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Dak'Art : the Biennial Exhibition of Contemporary African Art in Dakar : a Site Charged with Political Issues
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Verisimilitude, Artistry and Alterity : Carl Einstein and the african Object as Subject of Aesthetic Renewal c. 1915-1935
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Charged Conterpublics : Mediating Strangers in Thomas Hirschhorn's "Bijlmer Spinoza-Festival"
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Dürer as Object : Relic(t)s of an Artist
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"Yearning for Biography" : the Elusive Life of Mathis Grünewald
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"Common Painting" and Diligent Fiddling" : Technical Analysis for Insight into the Divergent Styles of Dürer's "Madonna and Child" / "Lot and his Daughters"
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Albrecht Dürer's Idyll : An Artist, a Humanist, and a Book
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Folds, Traces and Holes : Dürer's Ideal Bodies
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Dürer's Marking of Time
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Appropriations of Albrecht Dürer's Self Portraits
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Dürer's Life and Work : the Object as a Key to the Subject?
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"an original after all" : Original, Copy and Variation in the Art of Wilhelm Lehmbruck
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The Work of Art in the Age of Impossible Production : Jafar Panahi's "This Is Not a Film"
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The Reproduction of Phantoms. Fernand Khnopff and Photography
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From Motif to Site. Cézanne's Landscapes as seen through Art History's Photographic Eye
de réir: Orfila, Jorgelina
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Felix Gonzalez Torres : the Fleeting Life of Flesh and Objects
de réir: Bravo, Laura
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On the Return of the Aura in de Chirico's "Sill Life" 1913-1914
de réir: Messina, Maria Grazia
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"[E]in gar sonderbares Schaustück"
de réir: Kirch, Miriam H.
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Künstlerreisen der Dürerzeit : kurze Anmerkungen zu einem biographischen Stereotyp
de réir: Schauerte, Thomas
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Creative Visions : Photography, the Art Historical Canon, and the Object of art History
de réir: Locher, Hubert
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Where the Object finds ists Place? From its birth to the Paginal Exhibition of "Objets Surrealistes"
de réir: Abe, Mayumi
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