Subverting and Conserving the Authentic and the Original in Contemporary Art
Foilsithe in: | The challenge of the object : 33rd Congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012 ; CIHA 2012, Nürnberg (2013)S. Seite 1262-1264 |
---|---|
Príomhchruthaitheoir: | Matyssek, Angela (Údar) |
Formáid: | Alt |
Teanga: | English |
Foilsithe / Cruthaithe: |
2013
|
Ábhair: | |
Le fáil in: | In:
The challenge of the object : 33rd Congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012 ; CIHA 2012, Nürnberg |
Míreanna comhchosúla
-
Radio Art : the Perception of a Special Form of Dematerialized Art
de réir: Thurmann-Jajes, Anne
Foilsithe / Cruthaithe: (2013) -
From World Art to Blobal Art : View on a New Panorama
de réir: Belting, Hans
Foilsithe / Cruthaithe: (2013) -
The Absent Objects of EcoArt : Strategies of the Remote & Ephemeral
de réir: Cheetham, Mark A.
Foilsithe / Cruthaithe: (2013) -
The Re- and Dematerialization of the Object (of Art) : Through the analysis of Hungarian Examples from the Late 20th and 21. Century
de réir: Tatai, Erzsebet
Foilsithe / Cruthaithe: (2013) -
Dissolving the Art Object. Creating Experiences : the Collective El Sindicato, 1976-1978
de réir: Rodriguez, Mari
Foilsithe / Cruthaithe: (2013)