Savage Space : Anna Uddenberg's heterotopic forms

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Savage Space : Anna Uddenberg's heterotopic forms / von David Andrew Tasman

Sonraí bibleagrafaíochta
Foilsithe in:	Flash Art 51(2018)319, S. Seite 74-79 : Illustrationen
Príomhchruthaitheoir:	Tasman, David Andrew (Údar)
Formáid:	Alt
Teanga:	English
Foilsithe / Cruthaithe:	2018
Ábhair:	Uddenberg, Anna Aufsatz
Le fáil in:	In: Flash Art

Míreanna comhchosúla

Review : Anna Uddenberg : "Power Play", Bundeskunsthalle, Bonn, bis 22. September
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Foilsithe / Cruthaithe: (2019)

Power play : Anna Uddenberg
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Showroom Extended : Guan Xiao, Anna Uddenberg : Kraupa-Tuskany Zeidler, Berlin, 10.03.-09.05.2020
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Review : Anna Uddenberg : "Premium Economy", Kunsthalle Mannheim, bis 21. April
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Anna Uddenberg : Premium Economy
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Sex mit dem Koffer : ob kopfüber oder rittlings - die Skulpturen der schwedischen Bildhauerin Anna Uddenberg bringen den menschlichen Körper in ulkige wie unwürdige Posen. Dieser sexuell aufgeladenen Brutalität kann man sich kaum entziehen.
de réir: Braun, Adrienne
Foilsithe / Cruthaithe: (2023)

Anna Uddenberg im Kontext der Theoriebildung und künstlerischen Tradition des (Post-)Internet-Feminismus : Subversion und Wiederaneignung von Weiblichkeitsbildern : Forschungsarbeit
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Planned Obsolescence : Antek Walczak and the medium of painting
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Cauleen Smith : the art of giving
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What you have, when you have it : Tiana Reid on landscape and the figural in the sculptures of Tau Lewis
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Scene of a Scene : Fact and Fiction in the Art of Tobias Kaspar
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The Mask and the Motor : the Vagaries of Geography and History in the Work of Raul Guerrero
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The Way Men Never See Women : the Rediscovered Paintings of Luchita Hurtado
de réir: Wagley, Catherine
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Kopfkino : Julia Phillips' sculptures beyond the binary
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Material Soul : Photography and corporeality in the work of Josh Tonsfeldt
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Self-Abstractions Juan Antonio Olivares' 3-D animation Moléculas, 2017
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To Be : the ever malleable materials of Margaret Honda
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Judy Chicago : On the occasion of "Judy Chicago : A Reckoning", a major survey of the artist's work at the Institute of Contemporary Art, Miami, Flash Art invited four contributors to reflect on Chicago's practice and legacy.
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An impossible language : Kerstin Stakemeier on Amy Sillman's new paintings
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The Other Side of the Story : Minimalism in Rasheed Araeen's Work
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Rebellious Inversions : Tony Cokes's 1988 video Black Celebration (A Rebellion Against the Commodity)
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Bruce Nauman : Being is Nothing
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Zooms : Lena Henke (b. 1982, Germany; lives in New York) creates objects that pervert the canonical verticality and solidity of modern sculpture yet remain outside the postmodern aesthetic
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Death Defying : Alexandra Pirici's materiality-burdened performances
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Pure Invention : Originally published in Flash Art 127 Apr-May 1986
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Under Female Competence : Jutta Koether is a central figure in the recent history of painting. On the occasion of this summer's ambitious survey of Koether's work at the Museum Brandhorst, Munich, this issue of Flash Art presents the following special dossier on the artist. Kerstin Stakemeier discusses Koether's paintings while Quinn Latimer considers Koether's novella f., first published in German in 1987
de réir: Stakemeier, Kerstin, et al.
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Of Visuality and the Politics of White Fear
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Please Don't Call Me a Black Artist Please Don't Call Me a Woman Artist
de réir: Lee, Yaniya
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Where art can work : interview with Tania Bruguera
de réir: Gratza, Agnieszka
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Symbolic Violence/Physical Violence : Yngve Holen's new body of work Rose Painting, 2018 : an interview
de réir: D'Aurizio, Michele, et al.
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The Key Word Here is System : Beckman discusses with Attilia Fattori Franchini the use of digital technology as political tool, and together they consider some of the main themes and subjects presented in her work ; an interview
de réir: Franchini, Attilia Fattori, et al.
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Inside Joke : the captivating and inscrutable sculptures of Michael E. Smith
de réir: Diner, Eli
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I Love Long Durations
de réir: Palestine, Charlemagne
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The Everyday Right Outside The Door : Eric N. Mack (b. 1987, US; lives in New York)
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Art is Like a Vampire
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I Can Play Anything, Anytime, Anywhere : Kamasi Washington is radically reshaping the role of jazz music in the twenty-first century. A saxophonist. In anticipation of his sophomore album, due for release next summer, Wahington met with Hans Ulrich Obrist. An interview
de réir: Obrist, Hans-Ulrich, et al.
Foilsithe / Cruthaithe: (2018)

Post-Feminism : Originally published in Flash Art International Edition 132 February-March 1987
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The Cultural Capital Cooperative Object License Agreement
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Sympathetic Perpetrators : the Signature Style of Director Stefano Sollima
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Lives of Performers : Ian White (1971-2013)
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