Follies : from Pyramids to Pagodas and Pavilions to Palaces, the Folly is back, why?

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Follies : from Pyramids to Pagodas and Pavilions to Palaces, the Folly is back, why?

Sonraí bibleagrafaíochta
Foilsithe in:	Art Monthly (2018)417 = June, S. Seite 13-16 : Illustrationen
Príomhchruthaitheoir:	Eggleton, Lara (Údar)
Formáid:	Alt
Teanga:	English
Foilsithe / Cruthaithe:	2018
Ábhair:	Aufsatz
Le fáil in:	In: Art Monthly

Míreanna comhchosúla

Idea Home Show at Middlesbrough Institute of Modern Art
de réir: Eggleton, Lara
Foilsithe / Cruthaithe: (2018)

Melanie Jackson : Deeper in the Pyramid at Grand Union, birmingham
de réir: Velvick, Lauren
Foilsithe / Cruthaithe: (2018)

Folly : Gwangju Folly II ; [Ausstellungskatalog]
Foilsithe / Cruthaithe: (2013)

Folly
Foilsithe / Cruthaithe: (2002)

Capital Follies
de réir: Gilbert-Rolfe, Jeremy
Foilsithe / Cruthaithe: (1978)

Form, Follies, Function : Holly Folly
de réir: Hollein, Hans
Foilsithe / Cruthaithe: (2013)

From Ear to Ear to Eye : Sounds and Stories from Across the Arab World at Nottingham Contemporary
de réir: Budd, Amy
Foilsithe / Cruthaithe: (2018)

Otobong Nkanga : the Breath from Fertile Grounds at Temple Bar Gallery, Dublin
de réir: Clarke, Chris
Foilsithe / Cruthaithe: (2018)

Lucy Beech : the Hull-born, Berlin-based artist blends documentary and fiction in films wich explore all-women contexts from funeral care to fertility tourism
de réir: Walsh, Maria
Foilsithe / Cruthaithe: (2018)

The garden of follies : Alicia Paz
Foilsithe / Cruthaithe: (2016)

The Collector : the role of the Collector is too often confused with that of the Investor argues
de réir: Prince, Mark
Foilsithe / Cruthaithe: (2018)

Health v Wealth : discusses the politics of Health
de réir: Smith, Giulia
Foilsithe / Cruthaithe: (2018)

Outside the Box : Non-Hierarchical Ways of Occupying Space
de réir: Prince, Mark
Foilsithe / Cruthaithe: (2018)

Troublemaking : reconsiders Conflicting Debates about Female pleasure and Female violation in cultural Representation
de réir: Frascina, Francis
Foilsithe / Cruthaithe: (2018)

Brinkmanship : a return to the politics of Paranoia
de réir: Dickinson, Bob
Foilsithe / Cruthaithe: (2018)

Art: a suitable case for treatment?
de réir: Walsh, Maria
Foilsithe / Cruthaithe: (2018)

I, Genius. I. Robot : is the Robot in Visions of the Future what the Genius was to the Industrial Age
de réir: Beech, Dave
Foilsithe / Cruthaithe: (2018)

Red Africa : the cold War didn't End in 1989
de réir: Malik, Anna
Foilsithe / Cruthaithe: (2018)

No Surprises : it is Time that the Art World put its own House in order argues
de réir: Thatcher, Jennifer
Foilsithe / Cruthaithe: (2018)

Stillness : Brian Hatton muses on modes of attention and the Fate of the Figure
de réir: Hatton, Brian
Foilsithe / Cruthaithe: (2018)

Arab Summer : what is Arab Art
de réir: Kohleif, Omar
Foilsithe / Cruthaithe: (2018)

Terre Thaemlitz
de réir: Gogarty, Larne Abse
Foilsithe / Cruthaithe: (2017)

Proxies : what you see is not what you see argues
de réir: Prince, Mark
Foilsithe / Cruthaithe: (2017)

Maria Fusco : Eczema!
de réir: Sutcliffe, Jamie
Foilsithe / Cruthaithe: (2018)

Rehana Zaman
de réir: Benmakhlouf, Adam
Foilsithe / Cruthaithe: (2018)

Sophie Jung
de réir: Lloyd, Kathryn
Foilsithe / Cruthaithe: (2018)

Hannah Black
de réir: Homersham, Lizzie
Foilsithe / Cruthaithe: (2017)

Taryn Simon : an Occupation of Loss
de réir: Eastwood, Ashiya
Foilsithe / Cruthaithe: (2018)

Blowback : can radical Art survive any Context
de réir: Frascina, Francis
Foilsithe / Cruthaithe: (2017)

Check it out : an Interview
de réir: Gogarty, Larne Abse, et al.
Foilsithe / Cruthaithe: (2018)

Ana Vaz : the Voyage Out at Lux, London
de réir: Hibbard, Andrew
Foilsithe / Cruthaithe: (2018)

Maggie Lee : Music Videos at Arcadia Missa, London
de réir: Walsh, Maria
Foilsithe / Cruthaithe: (2018)

Ways of Learning at Grand Union, Birmingham
de réir: Emery, Tom
Foilsithe / Cruthaithe: (2018)

Time After Time at John Hansard Gallery, Southampton
de réir: Parton, John
Foilsithe / Cruthaithe: (2018)

Mark Wallinger : the Human Figure in Space at Jerwood Gallery, Hastings
de réir: Carey-Kent, Paul
Foilsithe / Cruthaithe: (2018)

Lindsay Seers : Every Thought There Ever Was at Focal Point Gallery, Southend-on-Sea
de réir: Sutcliffe, Jamie
Foilsithe / Cruthaithe: (2018)

Tai Shani : Semiramis at The Tetley, Leeds
de réir: DeWachter, Ellen Mara
Foilsithe / Cruthaithe: (2018)

Lucy Skaer : The Green Man at Talbot Rice Gallery, Edinburgh
de réir: Lesso, Rosie
Foilsithe / Cruthaithe: (2018)

Akram Zaatari : The Script at New Art Exchange, Nottingham
de réir: Walsh, Maria
Foilsithe / Cruthaithe: (2018)

Phil Collins : can't do right for doing wrong at Home, Manchester
de réir: Emery, Tom
Foilsithe / Cruthaithe: (2018)