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Buan-nasc
Break : In the field of architecture, prisons remain a much-debated typology. / von Léopold Lambert
Sonraí bibleagrafaíochta
Foilsithe in:
Topos
104(2018)S. Seite 80-85 : Illustrationen
Príomhchruthaitheoir:
Lambert, Léopold
(Údar)
Formáid:
Alt
Teanga:
English
Foilsithe / Cruthaithe:
2018
Ábhair:
Aufsatz
Le fáil in:
In:
Topos
Cur síos
Míreanna comhchosúla
Amharc foirne
Cur síos
Gairmuimhir:
MAG ZS Topo 2018(104
Míreanna comhchosúla
Metamorphosis : On the basis of the DMZ - the Demilitarized Zone - that separates the two Korean States, the South Korean architect and urbanist Dongsei Kim developed a new theoretical approach to understand a border as a space for urbanism rather than a silent line that divides two sides
de réir: Kim, Dongsei
Foilsithe / Cruthaithe: (2018)
Living where : How is public space influenced by Germany's past division into two separate states? This question is examined by the German contribution to this year's Venice Biennale of Architecture, where Marianne Birthler, former Federal Commissioner for the Stasi Records, and Graft Architekten are the curators of the "Unbuilding walls" project
de réir: Strimmer, Ute
Foilsithe / Cruthaithe: (2018)
Viewpoint : What if a border becomes a boundary between fact and fiction? : An op-ed column by Daniel Killy, journalist and Vice President of the German-Israeli Association, on the boundaries between Israel and the Palestinian territories.
de réir: Killy, Daniel
Foilsithe / Cruthaithe: (2018)
Interphase : What happens in that very special moment in urban space when a situation is about to, but hasn's yet happened?
de réir: Koller, Anja
Foilsithe / Cruthaithe: (2018)
Entering Europe : Lampedusa, a small island in the middle of the Mediterranean Sea, is the arrival port for many migrants who cross the sea. No other Mediteranean island is as strongly associated with a border character. The reason for this lies in the complex relationship between the border, the natural landscape, and the built environment
de réir: Dorbolò, Chiara
Foilsithe / Cruthaithe: (2018)