The Other Side of the Story : Minimalism in Rasheed Araeen's Work

QR Code

The Other Side of the Story : Minimalism in Rasheed Araeen's Work / von Luca Cerizza

Détails bibliographiques
Publié dans:	Flash Art 51(2018)322, S. Seite 80-87 : Illustrationen
Auteur principal:	Cerizza, Luca (Auteur)
Format:	Article
Langue:	English
Publié:	2018
Sujets:	Araeen, Rasheed Aufsatz
Documents similaires:	In: Flash Art

Documents similaires

Countless (Untold) Stories with Rasheed Araeen
par: Hoffmann, Jens, et autres
Publié: (2019)

Rasheed Araeen
Publié: (2017)

Rasheed Araeen ein Blick zurück
par: Araeen, Rasheed
Publié: (1995)

Rasheed Araeen : Magicians of the Earth : on 'Magiciens dela Terre', 1989
Publié: (2014)

Sharjah : Rasheed Araeen : Sharjah Art Foundation, Sao Paulo
par: Wilson-Goldie, Kaelen
Publié: (2014)

Countless (Untold) Stories : a Conversation
par: Hoffmann, Jens, et autres
Publié: (2017)

A Question of Knowledge : Tim Smith-Laing talks to Rasheed Araeen about six decades of art making, writing and publishing
par: Smith-Laing, Tim, et autres
Publié: (2016)

Ecoasthetics : Art beyond Art, 2008
par: Araeen, Rasheed
Publié: (2018)

How Does/Could/Would the Withdrawal of Art Affect the World, 2002
par: Araeen, Rasheed
Publié: (2017)

Shamiyaana : an Interview
par: Whiles, Virginia, et autres
Publié: (2018)

Araeen, Pozarek, Knifer - Konstruktivistische Korrespondenzen
par: Holderegger, Katharina
Publié: (2018)

Kameelah Janan Rasheed in the coherence, we weep
Publié: (2023)

Kameelah Janan Rasheed : I am not done yet
Publié: (2022)

Where art can work : interview with Tania Bruguera
par: Gratza, Agnieszka
Publié: (2018)

Symbolic Violence/Physical Violence : Yngve Holen's new body of work Rose Painting, 2018 : an interview
par: D'Aurizio, Michele, et autres
Publié: (2018)

Judy Chicago : On the occasion of "Judy Chicago : A Reckoning", a major survey of the artist's work at the Institute of Contemporary Art, Miami, Flash Art invited four contributors to reflect on Chicago's practice and legacy.
par: Gourbe, Géraldine, et autres
Publié: (2018)

The Key Word Here is System : Beckman discusses with Attilia Fattori Franchini the use of digital technology as political tool, and together they consider some of the main themes and subjects presented in her work ; an interview
par: Franchini, Attilia Fattori, et autres
Publié: (2018)

Under Female Competence : Jutta Koether is a central figure in the recent history of painting. On the occasion of this summer's ambitious survey of Koether's work at the Museum Brandhorst, Munich, this issue of Flash Art presents the following special dossier on the artist. Kerstin Stakemeier discusses Koether's paintings while Quinn Latimer considers Koether's novella f., first published in German in 1987
par: Stakemeier, Kerstin, et autres
Publié: (2018)

Material Soul : Photography and corporeality in the work of Josh Tonsfeldt
par: Duncan, Thomas
Publié: (2018)

The Mask and the Motor : the Vagaries of Geography and History in the Work of Raul Guerrero
par: Diner, Eli
Publié: (2018)

I Love Long Durations
par: Palestine, Charlemagne
Publié: (2018)

An impossible language : Kerstin Stakemeier on Amy Sillman's new paintings
par: Stakemeier, Kerstin
Publié: (2018)

Rebellious Inversions : Tony Cokes's 1988 video Black Celebration (A Rebellion Against the Commodity)
par: Lee, Yaniya
Publié: (2018)

Bruce Nauman : Being is Nothing
par: Graw, Isabelle
Publié: (2018)

Zooms : Lena Henke (b. 1982, Germany; lives in New York) creates objects that pervert the canonical verticality and solidity of modern sculpture yet remain outside the postmodern aesthetic
par: Barshee, Tenzing
Publié: (2018)

Death Defying : Alexandra Pirici's materiality-burdened performances
par: Vogel, Wendy
Publié: (2018)

Pure Invention : Originally published in Flash Art 127 Apr-May 1986
par: Koether, Jutta
Publié: (2018)

Of Visuality and the Politics of White Fear
par: Gaines, Charles
Publié: (2018)

Please Don't Call Me a Black Artist Please Don't Call Me a Woman Artist
par: Lee, Yaniya
Publié: (2018)

Inside Joke : the captivating and inscrutable sculptures of Michael E. Smith
par: Diner, Eli
Publié: (2018)

The Everyday Right Outside The Door : Eric N. Mack (b. 1987, US; lives in New York)
par: Brown, Jessica Bell, et autres
Publié: (2018)

Art is Like a Vampire
par: Cattelan, Maurizio, et autres
Publié: (2018)

I Can Play Anything, Anytime, Anywhere : Kamasi Washington is radically reshaping the role of jazz music in the twenty-first century. A saxophonist. In anticipation of his sophomore album, due for release next summer, Wahington met with Hans Ulrich Obrist. An interview
par: Obrist, Hans-Ulrich, et autres
Publié: (2018)

Planned Obsolescence : Antek Walczak and the medium of painting
par: Duncan, Thomas
Publié: (2018)

Cauleen Smith : the art of giving
par: Sylla, Fanta
Publié: (2018)

What you have, when you have it : Tiana Reid on landscape and the figural in the sculptures of Tau Lewis
par: Reid, Tania
Publié: (2018)

Scene of a Scene : Fact and Fiction in the Art of Tobias Kaspar
par: Moritz, Julia
Publié: (2018)

The Way Men Never See Women : the Rediscovered Paintings of Luchita Hurtado
par: Wagley, Catherine
Publié: (2018)

Kopfkino : Julia Phillips' sculptures beyond the binary
par: Adusei-Poku, Nana
Publié: (2018)

Savage Space : Anna Uddenberg's heterotopic forms
par: Tasman, David Andrew
Publié: (2018)