Bots vs. Ai : one kind of software art scrapes the digital commons. Another ind lives there.

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Bots vs. Ai : one kind of software art scrapes the digital commons. Another ind lives there.

Bibliografiset tiedot
Julkaisussa:	Art in America 108(2020)1 = January, S. Seite 58-63 : Illustrationen
Päätekijä:	Plummer-Fernandez, Matthew (Tekijä)
Aineistotyyppi:	Artikkeli
Kieli:	English
Julkaistu:	2020
Aiheet:	Aufsatz
Liittyvät tietueet:	In: Art in America

Samankaltaisia teoksia

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Arturo Herrera at Corbett vs. Dempsey
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Doing things with Computers : how software has made generative methods accessible to artists, from the 1990s to today.
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Debt and Other Fabulations : what do money and fairy tales have in common? a feminist scholar and an artist discuss
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Agnes Pelton at Whitney Museum of American Art
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Climate changes everything : Ecological crisis isn't just a topic for art to address. It's a condition that informs all contemporary art
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Bottom of the supply chain : Art about Amazon highlights human frailty in the face of the ubiquitous behemoth and offers reason to resist.
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Felix Vallotton at Metropolitan Museum of Art
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Vaginal Davis at Art Institute of Chicago
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Dorothea Lange at Museum of Modern Art
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Vivian Suter at Camden Arts Centre
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Art and Aging : a gerontologist and a painter discuss taboos around growing old in and beyond the art world.
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Garrett Bradley at Contemporary Arts Museum Houston
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William Christenberry at Ogden Museum of Southern Art
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Auto-Advance : the Art of the Slide Deck : since the early 2000s, artists have been appropriating PowerPoint's cringy design to mock performative thetorical strategies.
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"Defant Muses" at Museo Nacional Centro de Arte Reina Sofia
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High-Intensity Art : few artists and ideas survive an era. Who's missing now from the early 2000s? Who should return?
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False Grit : the popularity of "gritty realism" depends on fantasies of authenticity and danger
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Erotic Power : Titan's poesie paintings meld myth, Renaissance politics, and the history of violence
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Survival Stories : drawing on their everyday experiences, Karrabing Film Collective shows the cultural and environmental devastation of settler colonialism
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The Dark Day Returns : in the early twentieth century, architects and planners championed open spaces and "healthy" sunlight. Now, rising temperatures demand that we rethink their views.
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First look : Emilie L. Gossiaux
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