Bots vs. Ai : one kind of software art scrapes the digital commons. Another ind lives there.

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Bots vs. Ai : one kind of software art scrapes the digital commons. Another ind lives there.

Chi tiết về thư mục
Xuất bản năm:	Art in America 108(2020)1 = January, S. Seite 58-63 : Illustrationen
Tác giả chính:	Plummer-Fernandez, Matthew (Tác giả)
Định dạng:	Bài viết
Ngôn ngữ:	English
Được phát hành:	2020
Những chủ đề:	Aufsatz
Các quyển sách có liên quan:	In: Art in America

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Lurking in an Ai World
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Arturo Herrera at Corbett vs. Dempsey
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Doing things with Computers : how software has made generative methods accessible to artists, from the 1990s to today.
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Debt and Other Fabulations : what do money and fairy tales have in common? a feminist scholar and an artist discuss
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No one could afford equipment, so we shared : an Interview with Clotilde Jimenez
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The Work of Realist Art
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Art in America Guide : Museums + Galleries + Artists
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Agnes Pelton at Whitney Museum of American Art
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Climate changes everything : Ecological crisis isn't just a topic for art to address. It's a condition that informs all contemporary art
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Bottom of the supply chain : Art about Amazon highlights human frailty in the face of the ubiquitous behemoth and offers reason to resist.
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Donald Judd at Museum of Modern Art
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Felix Vallotton at Metropolitan Museum of Art
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Vaginal Davis at Art Institute of Chicago
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Dorothea Lange at Museum of Modern Art
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Vivian Suter at Camden Arts Centre
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Art and Aging : a gerontologist and a painter discuss taboos around growing old in and beyond the art world.
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Dizzying Visits to Virtual Museums : the closure of institutions during the Covid-19 pandemic requires other ways of looking at art
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Juan Roberto Diago at Lowe Art Museum
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Garrett Bradley at Contemporary Arts Museum Houston
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"Vida Americana" at Whitney Museum of American Art
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William Christenberry at Ogden Museum of Southern Art
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Polaroid's History through two Lenses : two exhibitions in the Boston area explore the diverse effects that fine art photographers achieved with Polaroid cameras
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Solo and Ensemble : Marina Abramovic's big-budget Belgrade retrospective eclipsed values of collectivity and collaboration in Yugoslav art.
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Plantation Politics : the Congolese Plantation Workers Art League - spearheaded by a Dutch artist - makes sculptures from cacao to disrupt the global supply chain of culture
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Auto-Advance : the Art of the Slide Deck : since the early 2000s, artists have been appropriating PowerPoint's cringy design to mock performative thetorical strategies.
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"The Allure of Matter" at Smart Museum of Art and Wrightwood 659
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All or nothing : the ecological art practices of today were born from the confluence of feminism and environmentalism in the 1970s
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"Defant Muses" at Museo Nacional Centro de Arte Reina Sofia
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High-Intensity Art : few artists and ideas survive an era. Who's missing now from the early 2000s? Who should return?
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False Grit : the popularity of "gritty realism" depends on fantasies of authenticity and danger
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It's a Neorealist World : the international influence of Italian neorealism changed postwar cinema - and remains a paradoxical touchstone for many fimmakers today
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Erotic Power : Titan's poesie paintings meld myth, Renaissance politics, and the history of violence
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Survival Stories : drawing on their everyday experiences, Karrabing Film Collective shows the cultural and environmental devastation of settler colonialism
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The Dark Day Returns : in the early twentieth century, architects and planners championed open spaces and "healthy" sunlight. Now, rising temperatures demand that we rethink their views.
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Seeking Feminist Ground : a global survey of women in architecture opens up questions about feminist design and history writing
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A Monumental Uprising : with Slave Rebellion Reenactment, Dread Scott brought to life a brutal chapter in American history - and sought to redeem the present
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Tenth Street and after : Pat Passlof was a master of Midcentury american painting.
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First Look : Rami George
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Devotion and Solitude : Midcentury artist Lenore Tawney offered a radical vision of what weaving could be.
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First look : Emilie L. Gossiaux
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