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201127s2018 gw ger d |
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20241220190205.0 |
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|a ger
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| 090 |
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|a MAT 110 2018/3
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| 100 |
1 |
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|a Ende, Teresa
|4 aut
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| 245 |
1 |
5 |
|a "Das Echte bleibt der Nachwelt unverloren"?
|b zum Problem der Authentizität in der Plastik um 1900 am Beispiel von Auguste Rodin und Wilhelm Lehmbruck
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| 264 |
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1 |
|c [2018]
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| 600 |
1 |
7 |
|a Rodin, Auguste
|2 gnd
|0 (DE-588)11860171
|1 https://explore.gnd.network/search?term=11860171&rows=25
|1 https://explore.gnd.network/search?term=Rodin, Auguste&rows=25
|4 art
|
| 600 |
1 |
7 |
|a Lehmbruck, Wilhelm
|2 gnd
|0 (DE-588)11857111
|1 https://explore.gnd.network/search?term=11857111&rows=25
|1 https://explore.gnd.network/search?term=Lehmbruck, Wilhelm&rows=25
|4 art
|
| 690 |
1 |
7 |
|a Rodin, Auguste
|2 gnd
|0 (DE-588)11860171
|1 https://explore.gnd.network/search?term=11860171&rows=25
|1 https://explore.gnd.network/search?term=Rodin, Auguste&rows=25
|4 art
|
| 690 |
1 |
7 |
|a Lehmbruck, Wilhelm
|2 gnd
|0 (DE-588)11857111
|1 https://explore.gnd.network/search?term=11857111&rows=25
|1 https://explore.gnd.network/search?term=Lehmbruck, Wilhelm&rows=25
|4 art
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| 655 |
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|a Aufsatz
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| 773 |
0 |
8 |
|i In
|t Authentizität und Material : Konstellationen in der Kunst seit 1900
|w b6457306
|g ([2018])S. Seite 30-53 : Illustrationen
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| 099 |
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|a 20201127
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