The Blockbuster Avangarde : the immersive experiences of teamLab fuse technology and emotion, thrill audiences, and break the gallery business model. Do they even need the art worlr?
Argitaratua izan da: | Art in America 109(2021)1 = Jan./Feb., S. Seite 28-33 : Illustrationen |
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Egile nagusia: | Haigney, Sophie (Egilea) |
Formatua: | Artikulua |
Hizkuntza: | English |
Argitaratua: |
2021
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Gaiak: | |
Antzeko dokumentuak: | In:
Art in America |
Antzeko izenburuak
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A History of Presence : the aesthetics of virtual reality, and its promise of "magical" embodied experience, can be found in older experiments with immersive media
nork: Belisle, Brooke
Argitaratua: (2021) -
Cross Contamination. a conversation on pollution and dioremediation in the lab and in the gallery.
nork: Garcia, Maru, et al.
Argitaratua: (2022) -
Russkij avangard : grafika iz sobranija Nukusskogo Muzeja Iskusstv Karakalpakstana ; [Muzej Iskusstv Goroda Kemnic, 27. 9. - 29. 10. 1995]
Argitaratua: (1995) -
Broken Social Scene : Andy Warhol's sculpting of fame presaged the attention economy of social media - even (or especially) its darkest, most dystopian aspects.
nork: Horning, Rob
Argitaratua: (2018) -
Blockbusters : über "Drei Hubwagen und ein Blatt Papier: die Edition Block 1966-2022" im Museum Goch, Museum Kurhaus Kleve und Museum Schloss Moyland, Niederrhein
nork: Hess, Barbara
Argitaratua: (2024)