Dossier : black clay : artist Helen Cammock, Phoebe Collings-James, Theaster Gates, Magdalene Odundo and Julia Phillips reflect on what we might learn from centring ceramics, as well as its politics. They share what brought them to clay and how this medium, malleable and brittle, has shaped them / von Helen Cammock, Phoebe Collings-James, Theaster Gates

Gelijkaardige items

• Ton ist ein sinnliches Material : Magdalene Odundo begeistert das Publikum mit majestätischen Skulpturen - und befreit den Ton von seinem mitunter tumben Ruf
  door: Pietsch, Hans, et al.
  Gepubliceerd in: (2021)
• Full-circle horror : James Bantone in conversation with Olamiju Fajemisin : a conversation
  door: Bantone, James, et al.
  Gepubliceerd in: (2022)
• On the eve of his 92nd birthday and a major retrospective at the Serpentine Gallery, the photographer James Barnor speaks to Afua Hirsch about being rediscovered at 80 and why he will always feel lucky to have documented Ghanaian independence in 1957 : an interview
  door: Barnor, James, et al.
  Gepubliceerd in: (2021)
• Future Fictions : How will stories be told in the future? ; frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances ; An Interview
  door: Provan, Alexander, et al.
  Gepubliceerd in: (2013)
• [net.art 2.0] : Neue Materialien zur Netzkunst
  door: Baumgärtel, Tilman
  Gepubliceerd in: (2001)