Prolegomena to a Hedonistic Enlightenment

Código QR (código de barras bidimensional)

Prolegomena to a Hedonistic Enlightenment

Detalhes bibliográficos
Publicado no:	Why Art criticism? : a reader ([2022])S. Seite 167-175
Autor principal:	Gorsen, Peter (Autor)
Formato:	Atigo
Idioma:	English
Publicado em:	[2022]
Assuntos:	Aufsatz
Itens Relacionados:	In: Why Art criticism? : a reader

Registros relacionados

A New Turnatround : an Interview
por: Dubrovic, Ervin, et al.
Publicado em: (2022)

A Drifting Mind : Lynne Tillman
por: Mehl, Isabel
Publicado em: (2022)

I Committed a Happening
por: Masotta, Oscar
Publicado em: (2022)

In a Hypermediatized World. Visions of Cultural Journalism
por: Nyamor, Enos
Publicado em: (2022)

Network: The Art World Described as a System
por: Alloway, Lawrence
Publicado em: (2022)

In Front of a Friedrich Seascape with Capuchin Monk
por: Brentano, Clemens, et al.
Publicado em: (2022)

Toward a Dilemmatic Archive: Historicizing Contemporar Art in Armenia
por: Azatyan, Vardan
Publicado em: (2022)

Found in Translation: Exile as a Productive Experience in the Work of Iranian Artists
por: Darabi, Helia
Publicado em: (2022)

Male Morals
por: Richter, Peter
Publicado em: (2022)

Criteria Against All Odds: Stefan Germer
por: Geimer, Peter
Publicado em: (2022)

Why Art criticism? : a reader
Publicado em: (2022)

@jeniifer-higgie
por: Higgie, Jennifer
Publicado em: (2022)

Reviews from 4Columns
por: D'Souza, Aruna
Publicado em: (2022)

Palace in Plunderland: Claire Bishop on the Shed
por: Bishop, Claire
Publicado em: (2022)

Staying With the Sirens. on the Resilience of the Past
por: Singh, Adwait
Publicado em: (2022)

Through My Reading Glasses
por: Laureate, Reader
Publicado em: (2022)

Troll: Anonymous
por: Rasch, Miriam
Publicado em: (2022)

Nearly Unbiased: Patrick Mudekereza
por: Grosse, Julia
Publicado em: (2022)

This Excess Called Lassen: What Is it That Art History Cannot Write?
por: Kashima, Takashi
Publicado em: (2022)

The Beggar's Pantomine: Performance and its Approriations
por: Gilligan, Melanie
Publicado em: (2022)

The Cultural Logic of Financialization: Melanie Gilligan
por: Kuhn, Holger
Publicado em: (2022)

What World Does this Prince Want to Rule?
por: Voss, Julia
Publicado em: (2022)

From Excavation to Dispersion : Configurations of Installation Art in Post-War Lebanon
por: Sadek, Walid
Publicado em: (2022)

Greetings from the Provinces
por: Zabel, Igor
Publicado em: (2022)

How Do I Find My Way Out of This Labyrinth? On the Necessity and Impossibility of Criteria for Judging Contemporary Art
por: Germer, Stefan
Publicado em: (2022)

Loving the Alien in Advance of the Landing
por: Sinker, Mark
Publicado em: (2022)

Architecture and Environmental Designs
por: Bennett, Bob
Publicado em: (2022)

Negative Capability as Practice in Womens's Art
por: Sauzeau, Anne-Marie
Publicado em: (2022)

On the Invention of Photographic Meaning
por: Sekula, Allan
Publicado em: (2022)

Documentation as Dialogue: Allan Sekula
por: Zimmermann, Michael F.
Publicado em: (2022)

Two Decades of Vulnerability in Latin American Visual Arts 1950/1970
por: Traba, Marta
Publicado em: (2022)

The Artistic and Literary Life : Reviews from La Revue du Liban et de l'Orient Arabe
por: Hakim, Victor
Publicado em: (2022)

Fragments on Art Criticism
por: Lang, Lothar
Publicado em: (2022)

The Hans Grundig Exhibition, 1973
por: Lang, Lothar
Publicado em: (2022)

Annotations on Painting in Leipzig, with an Update on Tübke
por: Lang, Lothar
Publicado em: (2022)

Censorship and the authorial "I" : Lothar Lang
por: Hortolani, Valerie, et al.
Publicado em: (2022)

The Aesthtic of Our Time
por: Vidales, Luis
Publicado em: (2022)

Why Exhibit Works of Art?
por: Coomaraswamy, Ananda K.
Publicado em: (2022)

Decolonizing Art History: Ananda K. Coomaraswamy
por: Mukherji, Parul Dave
Publicado em: (2022)

Critiques
por: Bataille, Georges
Publicado em: (2022)