Prolegomena to a Hedonistic Enlightenment

QR Code (код быстрого отклика)

Prolegomena to a Hedonistic Enlightenment

Библиографические подробности
Опубликовано в: :	Why Art criticism? : a reader ([2022])S. Seite 167-175
Главный автор:	Gorsen, Peter (Автор)
Формат:	Статья
Язык:	English
Опубликовано:	[2022]
Предметы:	Aufsatz
Связанные документы:	In: Why Art criticism? : a reader

Схожие документы

A New Turnatround : an Interview
по: Dubrovic, Ervin, и др.
Опубликовано: (2022)

A Drifting Mind : Lynne Tillman
по: Mehl, Isabel
Опубликовано: (2022)

I Committed a Happening
по: Masotta, Oscar
Опубликовано: (2022)

In a Hypermediatized World. Visions of Cultural Journalism
по: Nyamor, Enos
Опубликовано: (2022)

Network: The Art World Described as a System
по: Alloway, Lawrence
Опубликовано: (2022)

In Front of a Friedrich Seascape with Capuchin Monk
по: Brentano, Clemens, и др.
Опубликовано: (2022)

Toward a Dilemmatic Archive: Historicizing Contemporar Art in Armenia
по: Azatyan, Vardan
Опубликовано: (2022)

Found in Translation: Exile as a Productive Experience in the Work of Iranian Artists
по: Darabi, Helia
Опубликовано: (2022)

Male Morals
по: Richter, Peter
Опубликовано: (2022)

Criteria Against All Odds: Stefan Germer
по: Geimer, Peter
Опубликовано: (2022)

Why Art criticism? : a reader
Опубликовано: (2022)

@jeniifer-higgie
по: Higgie, Jennifer
Опубликовано: (2022)

Reviews from 4Columns
по: D'Souza, Aruna
Опубликовано: (2022)

Palace in Plunderland: Claire Bishop on the Shed
по: Bishop, Claire
Опубликовано: (2022)

Staying With the Sirens. on the Resilience of the Past
по: Singh, Adwait
Опубликовано: (2022)

Through My Reading Glasses
по: Laureate, Reader
Опубликовано: (2022)

Troll: Anonymous
по: Rasch, Miriam
Опубликовано: (2022)

Nearly Unbiased: Patrick Mudekereza
по: Grosse, Julia
Опубликовано: (2022)

This Excess Called Lassen: What Is it That Art History Cannot Write?
по: Kashima, Takashi
Опубликовано: (2022)

The Beggar's Pantomine: Performance and its Approriations
по: Gilligan, Melanie
Опубликовано: (2022)

The Cultural Logic of Financialization: Melanie Gilligan
по: Kuhn, Holger
Опубликовано: (2022)

What World Does this Prince Want to Rule?
по: Voss, Julia
Опубликовано: (2022)

From Excavation to Dispersion : Configurations of Installation Art in Post-War Lebanon
по: Sadek, Walid
Опубликовано: (2022)

Greetings from the Provinces
по: Zabel, Igor
Опубликовано: (2022)

How Do I Find My Way Out of This Labyrinth? On the Necessity and Impossibility of Criteria for Judging Contemporary Art
по: Germer, Stefan
Опубликовано: (2022)

Loving the Alien in Advance of the Landing
по: Sinker, Mark
Опубликовано: (2022)

Architecture and Environmental Designs
по: Bennett, Bob
Опубликовано: (2022)

Negative Capability as Practice in Womens's Art
по: Sauzeau, Anne-Marie
Опубликовано: (2022)

On the Invention of Photographic Meaning
по: Sekula, Allan
Опубликовано: (2022)

Documentation as Dialogue: Allan Sekula
по: Zimmermann, Michael F.
Опубликовано: (2022)

Two Decades of Vulnerability in Latin American Visual Arts 1950/1970
по: Traba, Marta
Опубликовано: (2022)

The Artistic and Literary Life : Reviews from La Revue du Liban et de l'Orient Arabe
по: Hakim, Victor
Опубликовано: (2022)

Fragments on Art Criticism
по: Lang, Lothar
Опубликовано: (2022)

The Hans Grundig Exhibition, 1973
по: Lang, Lothar
Опубликовано: (2022)

Annotations on Painting in Leipzig, with an Update on Tübke
по: Lang, Lothar
Опубликовано: (2022)

Censorship and the authorial "I" : Lothar Lang
по: Hortolani, Valerie, и др.
Опубликовано: (2022)

The Aesthtic of Our Time
по: Vidales, Luis
Опубликовано: (2022)

Why Exhibit Works of Art?
по: Coomaraswamy, Ananda K.
Опубликовано: (2022)

Decolonizing Art History: Ananda K. Coomaraswamy
по: Mukherji, Parul Dave
Опубликовано: (2022)

Critiques
по: Bataille, Georges
Опубликовано: (2022)